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Old 09-15-2016, 10:59 AM   #31
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How did Jaclyn and Cheryl treat Shelley Hack and Tanya Roberts?
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Old 09-17-2016, 11:45 AM   #32
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Quote:
Originally Posted by Anna Karenina
How did Jaclyn and Cheryl treat Shelley Hack and Tanya Roberts?
I never read about any problems. I'm pretty sure everyone got along well. Judging by their easy going personalities, I cannot picture Jackie or Cheryl ever mistreating anyone.
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Old 11-11-2016, 03:29 PM   #33
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Cheryl's first episode is on Cozi right now. I think this mystery can be cleared up just by watching the episode with the sound turned down.
I'm not sure what you mean by that.
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Old 11-16-2016, 10:37 AM   #34
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I'm not sure what you mean by that.
I guess he's talking about Kate's mannerisms and body language towards Cheryl, but I never noticed anything out of the ordinary.

If no one let on that Kate did not like Cheryl, they public would never know. They seemed to get along fine when the cameras were rolling.
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Old 05-17-2018, 01:23 AM   #35
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It seemed to many viewers, Cheryl/Kris took over Kate/Sabrina's role as the team leader. Therefore, Kris (who was previously, the cute, bubbly, warm and slightly nervous rookie) took on a more serious, bossy, take charge, almost icy demeanor. It would've logically made more sense for Jaclyn/Kelly to become the "leader" (being that she was the last remaining original Angel) by the fourth season, but Jaclyn Smith by her own admission, started phoning in her performances. She was only still there because she had a contract to honor.

Last edited by TMC; 08-17-2021 at 07:27 PM.
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Old 05-17-2018, 07:20 PM   #36
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It seemed to many viewers, Cheryl/Kris took over Kate/Sabrina's role as the team leader. Therefore, Kris (who was previously, the cute, bubbly, warm and slightly nervous rookie) took on a more serious, bossy, take charge, almost icy demeanor. It would've logically made more sense for Jaclyn/Jill to become the "leader" (being that she was the last remaining original Angel) by the fourth season, Jaclyn Smith by her own admission, started phoning in her performances. She was only still there because she had a contract to honor.
You sure you're not confusing all this with Suzanne Somers and Three's Company?
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Old 05-17-2018, 08:22 PM   #37
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Quote:
Originally Posted by Mood Ring
You sure you're not confusing all this with Suzanne Somers and Three's Company?
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Old 05-17-2018, 08:50 PM   #38
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You sure you're not confusing all this with Suzanne Somers and Three's Company?
What does "phoning it in" mean?
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Old 05-17-2018, 09:17 PM   #39
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Originally Posted by TMC
Of course I know what it means, but I simply couldn't resist making that joke. After the Chrissy character took off, Suzanne demanded a ridiculous salary increase. The studio executives basically black-balled her.

At the beginning of the fifth season in 1980, Somers demanded a hefty salary raise from $30,000 to $150,000 an episode and 10 percent ownership of the show's profit. Those close to the situation suggested that Somers' rebellion was due to husband Hamel's influences. When ABC denied her request, she boycotted the second and fourth shows of the season, due to excuses such as a broken rib. She finished the remaining season on her contract, but her role was decreased to 60 seconds per episode (her character only appearing in the episode's closing tag in which she calls the trio's apartment from her parents' home).
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Old 05-17-2018, 11:26 PM   #40
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I thought the joke was hilarious.

Poor Suzanne Somers. Almost forty years later, and people are still making jokes about the Three's Company spat.
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Old 05-18-2018, 07:57 AM   #41
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Originally Posted by RetroGuy2000
I thought the joke was hilarious.

Poor Suzanne Somers. Almost forty years later, and people are still making jokes about the Three's Company spat.

I remember it quite clearly. She goes from one of the most popular people on tv, but then gets relegated to 'Thigh Master' queen. At least she got paid. To her credit, Suzanne was probably worth more than she was getting paid, but her manager husband got greedy. Those studio execs (and media) can make you or break you. Contracts are legally binding documents. Some actors heads get too big. Farrah also broke her contract and received lots of bad media coverage about it, but it worked out much better for her.
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Old 01-07-2020, 01:55 AM   #42
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I have read that Kate Jackson was generally a difficult person to get along with. According to the website AllRovi (formerly AllMovie), whereas Jaclyn Smith was frequently cited as the nicest co-worker in Hollywood by colleagues (including support and technical personnel like make-up artists, stage hands, camera operators, etc), on the other hand Kate Jackson was frequently said to be among the most unpleasant to work with, especially for those who were lower down in the pecking order.

Perhaps the problem between Kate and Cheryl is simply rooted in Kate Jacksons personality and temperament.
Nolan Miller, who was the costume designer said that Kate Jackson ran very hot and cold. Almost in an unbalanced way. For instance, they really started hating each other at one point during the series (maybe partially because she never wanted to come in for wardrobe fittings) and Jackson suddenly invited him on a trip to Hawaii over a long weekend. He said, "I don't even want to TALK to you, let alone go on a VACATION with you!"

The stupidity of the writing must have begun to grate on her over time, plus the show had been conceived -- at least in her eyes -- as a starring vehicle for herself. Bare in mind, that Kate Jackson did initially make twice what Farrah Fawcett and Jaclyn Smith were making, $10,000 a week vs. $5,000. She was probably under the impression that because she looked like a “serious actress” (mousy, flat chested), that she could somehow convince the public that she was a serious actress.
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Old 08-17-2021, 07:26 PM   #43
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I wonder if Cheryl Ladd has ever been asked or contemplated writing an autobiography/her memoirs. I say this because she along with Jaclyn Smith has the most perspective from working on Charlie's Angels. They are the only two (along with the late David Doyle and to a lesser extent, John Forsythe) to have worked with everybody (Kate Jackson, Farrah Fawcett, Shelley Hack, and Tanya Roberts). Cheryl's own personal perspective is even more intriguing because she was literally and figuratively, a rookie.
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Old 09-16-2021, 06:28 PM   #44
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I wonder if Cheryl Ladd has ever been asked or contemplated writing an autobiography/her memoirs. I say this because she along with Jaclyn Smith has the most perspective from working on Charlie's Angels. They are the only two (along with the late David Doyle and to a lesser extent, John Forsythe) to have worked with everybody (Kate Jackson, Farrah Fawcett, Shelley Hack, and Tanya Roberts). Cheryl's own personal perspective is even more intriguing because she was literally and figuratively, a rookie.
I'd def buy that book. It doesn't appear that Kate's book will ever get done.

I wonder if Cheryl would ever admit to her affair with Edward J. Lakso while she was still married?
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Old 09-16-2021, 06:31 PM   #45
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Nolan Miller, who was the costume designer said that Kate Jackson ran very hot and cold. Almost in an unbalanced way. For instance, they really started hating each other at one point during the series (maybe partially because she never wanted to come in for wardrobe fittings) and Jackson suddenly invited him on a trip to Hawaii over a long weekend. He said, "I don't even want to TALK to you, let alone go on a VACATION with you!"

The stupidity of the writing must have begun to grate on her over time, plus the show had been conceived -- at least in her eyes -- as a starring vehicle for herself. Bare in mind, that Kate Jackson did initially make twice what Farrah Fawcett and Jaclyn Smith were making, $10,000 a week vs. $5,000. She was probably under the impression that because she looked like a “serious actress” (mousy, flat chested), that she could somehow convince the public that she was a serious actress.
Ouch.

During an interview on a CA documentary, Nolan Miller said Kate was "neurotic".
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