Top 5 Reasons You Can't Blame NBC for Canceling Star Trek

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5. The Sale of Desilu Productions. Lucille Ball and her then-husband and then-costar Desi Arnaz founded this company in 1950, combining their names. It was very rare then -- and even in the Sixties -- for a woman or a non-Anglo to be in charge of a Hollywood production company, but Desilu had both. In 1962, after their divorce, Lucy bought out Desi's shares in the company.

Lucy loved Star Trek. After the first pilot, "The Cage," didn't get picked up in 1965, she stood up for it, and used her influence at NBC to tell the suits to give it another chance.

And Lucy loved Star Trek. And, being the boss, she didn't have any 'splaining to do.

They did, and a second pilot was commissioned. With an entirely new cast except for Leonard Nimoy as Spock -- although, as I said, Majel Barrett would be cast in a new role -- "Where No Man Has Gone Before" was written and filmed. Jeffrey Hunter, who played Captain Christopher Pike in "The Cage," was not available, so William Shatner was cast as a new Captain, James T. Kirk. NBC liked the new version, and set it up for the 1966-67 season.

In February 1967, Lucy sold Desilu to Gulf & Western, which had just bought Paramount Pictures. G&W turned Desilu into Paramount Television. Paramount, on screens both small and large, has run Star Trek ever since.

Without its biggest backer, Lucy, on hand to speak up for it, Star Trek lacked the star power it needed. It would be as if, today, Jerry Seinfeld, a star of the era of TV before the current era, were now running a TV studio, and had backed a groundbreaking new show, but split with his wife, and sold off his shares in order to pay her a settlement, and it died without him to watch over it.

4. 2001: A Space Odyssey. It changed the rules for special effects in science fiction. Before Stanley Kubrick's film 2001, Star Trek was considered a big leap forward over the sci-fi films of the 1950s, and also over the biggest sci-fi TV series before it, Captain Video and His Video Rangers (1949-55) and Lost In Space (1965-68).

Once people saw 2001, with all its flaws -- including its long, wordless, classical-music-backed montages that made the film at least 15 minutes longer than it needed to be (and ended up inadvertently inspiring Star Trek: The Motion Picture a decade later) -- people saw Star Trek's red skies, papier-mâché boulders and rubber-masked aliens, and realized, "Hey, they could have done a lot better."

Of course, they couldn't -- because, in the days before computer-generated imagery (CGI), science fiction cost a hell of a lot of money to produce. This was also a reason that neither the original Battlestar Galatica or the 1970s version of Buck Rogers (which was so campy it made the 1960s Batman series look like The Dark Knight) only lasted 2 seasons each. If Star Trek could have been made even more cheaply, NBC would have done it.

In fact, they did, in the 3rd season, 1968-69. Which certainly didn't help things for...

3. Fred Freiberger. He had produced Ben Casey and The Wild Wild West with few problems. But when Roddenberry quit as, as we would say today, showrunner after the 2nd season, 1967-68, NBC hired Freiberger, and dealt him a rotten hand -- which he completely misplayed.

He proved himself a well-meaning incompetent, particularly where science fiction was concerned. The 3rd season of Star Trek included few good episodes, and some laughable ones. The season premiere was "Spock's Brain." It was the only original series episode to have a character's name in the title, and when people talk about how ridiculous Star Trek was, this is the 1st episode they mention.

It actually got worse: "The Paradise Syndrome" ("Behold: A god who bleeds!"), "And the Children Shall Lead" (a ghostly Melvin Belli leads super-powered children to take over the ship), "Wink of an Eye" (a society moving at superspeed needs fertile men), "The Mark of Gideon" (a story about overpopulation that could have been a great one, but was totally blown), "The Lights of Zetar" (another interesting idea that bombed), "Requiem for Methuselah" (the crew encounter Methuselah, King Solomon, Alexander the Great, Lazarus, Merlin, Johannes Gutenberg, Leonardo da Vinci and Johannes Brahms, and they're all the same guy), "The Way to Eden" (space hippies, Chekov's girlfriend, "Herbert!"), "The Cloud Minders" (a story about the class gap between rich and poor, another good idea made ridiculous), "The Savage Curtain" (meeting Abraham Lincoln, Genghis Khan, and the founders of Vulcan and Klingon civilization, and, no, they're not all the same guy, and this was a great idea that was absolutely butchered), and, the last episode to air, "Turnabout Intruder" (a story rendered stupid by the rise of feminism in the next few years, and by later Trek shows and films that showed female starship captains).

In 1972, Freiberger became the producer of the cartoon Josie and the Pussycats -- already a dumb idea, since it was a teenage rock band that solved mysteries, essentially a combination of The Monkees and Scooby-Doo. He made it Josie and the Pussycats in Outer Space. No, I'm not making that up. He made it up.

In 1975, he was handed the reins of Space: 1999, to make the British series (albeit with American stars Martin Landau and Barbara Bain) more accessible to Americans. He changed the cast, and, as was the problem on Star Trek, it became less about the story and more about the action. That 2nd season was the last.

He was handed the reins of The Six Million Dollar Man for its 5th season, 1977-78. Let's just say that, unlike Colonel Steve Austin when he got his bionic body parts, it was not better than it was before. It was canceled. He had the Reverse Midas Touch: Everything he touched turned to crap.

In her memoir, Nichelle Nichols tried to absolve Freiberger for the demise of the show:

William Shatner has also gone out of his way to say Freiberger shouldn't be blamed. But, in an interview for a book about the show, James Doohan ripped him: "Fred Freiberger had no idea what he was doing. He was just a line producer, suddenly handed creative control over a show that was like nothing else on television."

And Martin Landau wasn't forgiving of what he did with Space: 1999, telling him:

Contrary to what I had previously thought, Freiberger had nothing to do with Mission: Impossible, which was also a Desilu/Paramount production, and premiered on CBS just 9 days after Star Trek, running until 1973. Like Space: 1999 later would, it featured Landau and his then-wife Barbara Bain. After Star Trek was canceled, Landau and Bain left M:I. Nimoy was hired, as "The Great Paris" (real name never revealed), a magician and master of disguise like Landau's character Rollin Hand.

2. Political Correctness -- 1960s Style. Since the term first gained wide usage in the early 1990s, "political correctness" has come to mean "liberalism." But the backlash that came at it during the Space Age was much more effective than what conservatives have been able to do it in the Bill Clinton, George W. Bush and Barack Obama years.

After 15 or so years of the Civil Rights Movement, 8 years of the New Frontier of JFK and the Great Society of Lyndon Johnson, 4 years of inner-city race riots, 3 years of protests against the U.S. military effort in Vietnam, and the previous year's "Summer of Love" with its hippies and its so-called free love and its drugs, tempered by the worst of the riots, by late 1968, people were tired of being preached to about peace and harmony and brotherhood.

With Robert Kennedy dead, Gene McCarthy's supporters demoralized, and people who would normally have supported Hubert Humphrey not convinced he was going to end the war, millions of Democrats either stayed home, or voted for Richard Nixon because he promised to end the war. Many others left the Democrats over race, and voted for Nixon or George Wallace because of their pledges to "restore law and order."

The 1968 election can be viewed as close, as Nixon won by only 520,000 popular votes, 43.4 percent to Humphrey's 42.7 percent. But that was good for 301 Electoral Votes to HHH's 191, and Wallace's 46. Throw in the people who voted for Wallace, and, of the people who actually showed up to vote, just under 58 percent of the popular vote, and 347 Electoral Votes, went to candidates who voted to crack down on blacks and student demonstrators, and thought the way to end the Vietnam War was to win it, and thought the way to win it was to escalate it.

The general public was no longer interested in hearing Jim Kirk talk about man reaching for the stars and peaceful coexistence, or Spock talking about logic. They were more likely to listen to Scotty say one of the few lines of the main cast that could be considered conservative: "The best diplomat I know is a fully charged phaser bank!"

The cancellation of Star Trek was unfortunate. But it was not a tragedy. An actual tragedy is Reason Number 1 why you can't blame NBC for canceling it:

1. The Apollo 1 Fire. In the Star Trek episode "Tomorrow Is Yesterday" -- 1 of 10 episodes written by Dorothy Fontana, who had to use her initials, "D.C. Fontana," because studios either didn't want women writing TV shows, or didn't want it known that they were writing them -- the Enterprise is accidentally hurled back in time.

Uhura intercepts a TV broadcast saying that the first manned mission to the Moon will be launched on the following Wednesday. (It was, indeed, launched on a Wednesday: July 16, 1969. Granted, Fontana had a 1-in-7 chance, 14.3 percent, of getting that right, and those aren't especially long odds, but she did guess right!) Kirk heard this, and said, "But that was in the late 1960s!" Spock answered, "Evidently, so are we."

Fontana couldn't possibly have known in late 1966 exactly when the 1st successful mission would be launched. She only knew of what JFK said in his address to Congress on May 25, 1961: "I believe that this nation should commit itself to achieving the goal, before this decade is out, of landing a man on the Moon, and returning him safely to Earth." So she wrote, "in the late 1960s."

"Tomorrow Is Yesterday" was broadcast on January 26, 1967. The very next day, astronauts Virgil I. "Gus" Grissom (one of the original "Mercury 7," whose name would be used for a ship in Star Trek III: The Search for Spock), Edward H. White II (the 1st American to make a spacewalk), and Roger B. Chaffee (a Navy pilot and engineer who was preparing for his 1st spaceflight) were undergoing a rehearsal for the launch of Apollo 1, meant to launch on February 21. An electrical fire spread through the capsule, killing them. (Grissom was 40 years old, White 36, Chaffee 31.)

The tragedy set the U.S. space program back. The 1st manned Apollo flight, Apollo 7, wouldn't get off the ground until October 11, 1968 -- almost 2 years later, and putting JFK's end-of-decade (December 31, 1969) goal in serious jeopardy.

The last episode of Star Trek to get a first-run airing, "Turnabout Intruder," got it on June 6, 1969. Everyone figured that was the end. On July 20, 1969, just 44 days later, during Apollo 11, Neil Armstrong walked on the Moon. As Roddenberry put it, "Suddenly, people going into space and exploring strange new worlds didn't seem so far-fetched anymore."

Star Trek caught on in syndication, airing on what were then "independent" TV stations, like New York's WPIX-Channel 11. NBC didn't want the show anymore, so it was cheap for these stations to air. Low risk, and any reward was nice. The reward turned out to be huge: As with 1950s shows The Honeymooners and The Adventures of Superman, the late 1960s Batman series, and, later, the original, early 1970s version of The Odd Couple, Star Trek brought those stations higher ratings than did the old movies they were airing. Star Trek got a new life, making possible not only its movies and its later series, but Star Wars and the other sci-fi film epics of the late 1970s and afterward.

But had the Apollo 1 fire not happened, the 1st Moonwalk might have happened months or even a year earlier, during Star Trek's 3rd season. It might have made people hungrier for a show about the exploration of space, boosted the ratings, and saved the show.

We'll never know what kind of episodes we would have seen had "its five-year mission" been completed. The show's legacy clearly didn't need it. But, as fan series such as Star Trek: New Voyages and Star Trek Continues have shown, it would have been nice to find out. And so, we can speculate.