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Old 01-14-2023, 05:02 AM   #1
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Question Did Season 6 (1991-92) just shows how inconsistent and lame the writing was...

for Designing Women at the time? Delta Burke and Jean Smart's departures likely didn't help but no one is dating this season, or has any romantic tension even though that's when the characters were often at their best.

They have no more debates about womanhood, appearance, gold-digging, or race relations. Also, Julia has been de-fanged (thus, making her character boring) and no longer cares about her own views. Meanwhile, Mary Jo has been inexplicably amped up by making her shrill, zany, and unstable.

Speaking of zany, they have no zany clients - or any clients at all, to speak of - which makes bad news for this ever-struggling business.
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Old 02-12-2023, 11:58 AM   #2
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Not at all. If anything, it was Season 7 that had lame and inconsistent writing. The characters changed personalities depending on the scripts and the humor was no longer as witty as it had been in past seasons.
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Old 05-07-2023, 06:49 PM   #3
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Correct. The last two seasons were a “sitcom”. They had no relevancy like the previous five seasons did.
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Old 09-04-2025, 12:57 AM   #4
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Originally Posted by Kasey View Post
Not at all. If anything, it was Season 7 that had lame and inconsistent writing. The characters changed personalities depending on the scripts and the humor was no longer as witty as it had been in past seasons.
Linda Bloodworth-Thomason was distracted by her other shows, the previous very capable executive producer Pam Norris had left, and Season 7 was in the hands of Dee LaDuke and Mark Alton Brown, who were probably not up to the task.
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Old 01-14-2026, 05:55 PM   #5
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Many fans and critics agree that Season 6 marked a sharp decline into "standard sitcom" territory, losing the biting social relevance that defined its earlier years.
While the show initially pulled in high ratings due to curiosity about the new cast members, the quality shift was palpable for several reasons:

Loss of Topical Debates: Under new executive producer Pamela Norris, the show pivoted away from serious issues like sexism and racism to focus on "comedic interaction" and "entertainment." This led to the "de-fanging" of Julia, who spent more time in slapstick situations—like getting stuck under a bed—rather than delivering her signature social soliloquies.

Character Flanderization: To fill the comedic void left by Delta Burke, the writers made Mary Jo Shively increasingly shrill and zany. Her character transitioned from a grounded, smart single mother to the primary source of neurotic physical comedy.

Absence of Romance: Your observation on the lack of romantic tension is backed by the plotlines; Julia struggled with re-entering the dating world after the loss of Reese and Hayden, and the new characters (Allison and Carlene) were often placed in awkward, unromantic scenarios involving sleazy plumbers or teenagers.

The Replacement Dynamic: The "bitchy conflict" was no longer a debate between friends; instead, Allison Sugarbaker (Julia Duffy) was written as an abrasive antagonist diagnosed with "Obnoxious Personality Disorder." This changed the show's warmth into a hostile environment where the leads ganged up on the newcomer.

Behind-the-Scenes Distractions: Linda Bloodworth-Thomason was indeed focusing on her other CBS show, Evening Shade, leaving the series in the hands of producers who drifted toward more conventional, "safe" sitcom writing that lacked the original's sharp edge
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