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Family Matters links and theme songs at Sitcoms Online / Family Matters Photo Gallery
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#1 |
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I immediately thought of this after reading about JoMarie Payton's recent claims of Jaleel White wanting to physically fight her on the set of Family Matters.
Some of the comments about the matter puts things into perfect perspective about how badly Family Matters changed once the Urkel character took over. For the first few seasons (more specifically, prior to Season 5), it was a universally relatable show about a working class black family. It was basically, like a more blue collar/working class version of The Cosby Show. And, then they turned the show into slapstick and an over the top sci-fi live-action cartoon when the Urkel character caught on. Oddly, this whole dynamic of Family Matters seems like what happened to Good Times about a decade and a half prior. Esther Rolle and John Amos signed on to be in this quasi serious drama about a black family in the ghetto. And then this comedian with a catch phrase (Jimmie Walker) becomes star of the show and now the show is about his antics and shenanigans. And going back to Family Matters, eventually, the Winslow family and other characters just became props and took a backseat to Urkel or left the show all together. And eventually it wasn't even just focused on Steve Urkel anymore, it also became all about his alter ego Stefan. The bottom-line is that everything about the show (all the characters, storylines, and plots) became so tightly centered around his character. Think about it this way, how do we go from talking about Mother Winslow's quilt and talking about gun violence in Chicago to Carl and Steve shrinking themselves and laying under a piece of cheese in a sandwich? |
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Last edited by TMC; 12-31-2022 at 09:31 PM. |
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#2 |
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Firstly, it is clear that the change was gradual over the seasons.
Steve started out with making smaller more realistic inventions already early on. And it evolved from jet-packs and lie detectors to transformation chambers and shrinking machines. But I must say that you're wrong about him completely taking over the show. Most of the episodes had two storylines, out of which one wasn't about Jaleel's characters. So the Winslows always had room to shine as well. But for I don't know what reason, people don't remember that when complaining about the "Urkel-mania". Even during the last season, there were storylines about things like 3J being adopted and Eddy becoming a cop. So I don't think that saying that it was all about slapsticks and sci-fi elements is fair. However, I will agree that Stephan and Myrthle were overused in the later seasons of the show. My big issue with how this show evolved though is that they had Steve dump Myra for Laura. I don't believe that I will ever forgive whoever thought that that was a good idea. The rest of the things that people complain about are nothing to me compared to that folly. But in retrospect, firing Judy and pretending like she had never existed was a stupid thing to do as well. However, they had no idea that people would still talk about the character who "nobody" cared about thirty years later... |
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Intelligence and purity. Last edited by Furienna; 05-08-2022 at 05:13 AM. |
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#3 | |
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Last edited by TMC; 01-18-2023 at 05:55 AM. |
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#4 |
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Well, it is not true that Steve turned himself into a different person every week.
Say what you want about how the show evolved, but it had more variety than that. And again, most of the episodes had a plot-line about other characters even in the last season. As much as Jaleel White became the star, it was never just about his characters. |
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#5 | |
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__________________
Some of my favorite theme songs: https://www.youtube.com/channel/UC-e...89CsiJpV_irnNw |
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#6 |
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#7 |
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#8 | |
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I genuinely want to believe that the writers and producers were using drugs at that point, like that Key and Peele sketch liked to suggest. I think that even Jaleel White was embarrassed and uncomfortable with some of the stuff that they had him do on the show like dressing in drag. |
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Last edited by TMC; 11-30-2023 at 09:15 PM. |
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#9 | |
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