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Join Date: Jan 09, 2001
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https://slate.com/culture/2022/04/be...x-peak-tv.html
Monday's of Pamela Adlon's FX comedy marks the end of an era -- Better Things showed how anything was possible before the streaming boom succumbed to algorithmic rot, says Phillip Maciak. "Despite happily occupying the margins of various televisual trends, Better Things was also the perfect show of its moment," says Maciak. "Debuting just as anxieties about an increasingly crowded and chaotic TV landscape were reaching a fever pitch in the industry, with streamers proliferating and new original series flooding an already overburdened discourse, Better Things took advantage of the possibility that it might go unnoticed. It reveled, as Adlon recently put it, in its own invisibility. No show has better embodied the past few years of television, its indulgences and its innovations, the doors it opened and closed, its forgetting as well as its unearthly memory. And there may never be another show like it." Maciak adds: "In the years since Better Things’ arrival, the melancholy half-hour comedy series has flourished. Reservation Dogs, I May Destroy You, and Fleabag represent some of the best TV of the past decade, and new series like Somebody, Somewhere, Life & Beth, and Work in Progress show the continuing potential of the form. But Better Things is different: meandering but structurally complex in deceptive ways; deeply tied to the singular point of view of its star and creator; willing to unflinchingly center aging women, invisibilities literal and figurative. Will there ever be another show so unburdened by plot and premise as Better Things?" ALSO:
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