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| View Poll Results: Was Peter Engel a hack and overrated as a producer | |||
| Yes |
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1 | 100.00% |
| No |
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0 | 0% |
| Voters: 1. You may not vote on this poll | |||
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#1 | |
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Member
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Join Date: Jan 09, 2001
Posts: 125,621
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One of the biggest criticisms that I read about Engel is that his works were derivative of each other, especially by the time that Saved by the Bell: The New Class was gaining traction. To give you a better idea of what I'm taking about:
Quote:
City Guys:
Hang Time:
USA High:
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Last edited by TMC; 12-06-2021 at 05:44 AM. |
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#2 |
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Julie,Julie Anne,&Felice 4Ever
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Join Date: Dec 27, 2013
Posts: 16,914
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No, I would not call these well-run shows. Not only were they derivative of each other, they were derivative of other sitcoms at the time. Each felt cheap, with kinda cheesy scripts, and none of these shows would ever win an Emmy.
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#3 | |
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Member
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Join Date: Jan 09, 2001
Posts: 125,621
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I can't right away argue or suggest this about Peter Engel's other teen shows, but one comment that I read believes that the original Saved by the Bell seemed too 1950s wholesome for the '90s just like The Brady Bunch did for the '70s as well.
It wasn't a more darkly cynical show that was more genuinely reflective of its generation like say, The Adventures of Pete & Pete, Clarissa Explains it All, or Welcome Freshman (at least the first two seasons, before it was retooled into a more straightforward Saved by the Bell knock-off). A show like Welcome Freshman actually seemed like a parody of Saved by the Bell. The kids were selfish and jerks like presumably most real teenagers. And they hated their principal and always mocked and disobeyed him again like real teens would. Saved by the Bell you could argue, was also a surprisingly socially regressive for the '90s. I don't know for sure how much that exactly goes back to Peter Engel, but when compared to the aforementioned Brady Bunch, it didn't seem to have some progressive elements like the blended family aspect of earlier show and implication that Carol was a divorcee. Jessie on SBTB arguably, fit every negative stereotype of a rich white feminists while Kelly and Lisa were often portrayed as vapid valley girls. Quote:
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#4 | |
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Member
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Join Date: Jan 09, 2001
Posts: 125,621
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Quote:
And even outside of that formula, Engel, the California Dreams Reviewed blog argued, never seemed to have been able to figure out what made a show work. In the case of California Dreams, instead of putting more focus on the band in a show about a band, the show come the second season, showed less focus on the musical aspects of the show. Also in the case of California Dreams, Engel didn’t appear to understand what went right with season one of that show, so he just started tinkering with everything while missing opportunities for greatness. For example, instead of making squeaky clean Matt a foil for bad boy Jake (kind of like Richie's relationship with Fonzie on Happy Days or Wally's relationship with Eddie on Leave it to Beaver), the show pushes the supposed main character in Matt far into the background. Instead, much of Jake's interactions were with Tiffani and Sly. |
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Last edited by TMC; 12-08-2021 at 12:17 AM. |
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#5 |
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Member
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Join Date: Mar 15, 2013
Location: Montgomery County, Maryland
Posts: 4,825
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The original Saved By The Bell crewmember group had several severe abused multi-discrimination incidents which led some of the original Saved By The Bell cast members to have post original SBTB real-life problems, while California Dreams, Hang Time, City Guys and USA High do not.
I wouldn't complain about the cast changes of Hang Time at all because they didn't change both the main actress/character and the funniest supporting actress/character in all 104 episodes, which is seriously tolerable. Now, no matter how bad or good too many Hang time cast changes are, there were less post Hang Time real-life changes than these other Peter Engel's projects, TBH, IMO. All of the former castmembers of only California Dreams, City Guys and USA High each altogether moved onto new and better projects, TBH, IMO again.... |
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