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Join Date: Jan 09, 2001
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https://slate.com/culture/2019/07/st...ix-review.html
"Slavish worship of the 1980s has been the raison d’ętre—as well as the raison d’everything else—for Matt and Ross Duffer’s Netflix series," says Sam Adams. "But in its third season, the show has become less loving homage and more vampire squid, sucking increasingly hard at a corpse that has long since run dry." Adams adds: "One of the things that distinguished Stranger Things’ first season was its meticulous attention to period detail; it felt like a show that could have been shot in the 1980s, not just set then. But in the third season, that attention has gone out the window. The cutesy signifiers are there—the geometric neon patterns on standard-issue mall wear, a running gag about New Coke—but the rest has gotten sloppy. The dialogue is awash in expressions that weren’t common 10 years ago, let alone 35: At one point, Dustin gives an impromptu lecture on the tropes of nerdism, using a word that was the exclusive province of graduate students and expressing a sentiment that no teenage boy would have laid claim to. New characters like the town’s stuffed-shirt mayor (Cary Elwes) are so underdeveloped that they barely count as types, indebted as they are to the lousy ’80s movies the show apparently fetishizes. (Why recreate something that wasn’t worth watching the first time?) And the returning characters feel like they’ve been twisted to fit the plot rather than developed in any coherent way, especially sheriff Hopper, who deals with El’s modest teenage rebellion by becoming a drunken lout. Stranger Things’ greatest legacy may be helping move Netflix toward shorter seasons, but even at eight episodes, the third feels distended, less like 'one big movie' than a regular-size movie pumped full of digressions of dead ends." ALSO:
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