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Old 09-19-2018, 12:14 AM   #1
TMC
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Join Date: Jan 09, 2001
Posts: 127,216
Default The 70th Primetime Emmy Awards looked like the worst Emmys ever

https://www.hollywoodreporter.com/ba...awards-1145010

The 60th Primetime Emmy Awards 10 years ago featured the debacle of five reality TV hosts co-hosting, but this year's ceremony was much worse. "It was," says Tim Goodman, "the worst Emmys telecast I've ever seen. That's not hyperbole. (Maybe there was a telecast as bad when I was a teenager and wasn't paying attention?) It was lifeless, it was dull, it was poorly produced, terribly written and it had hosts who should not have been hosting (they aren't well-known enough and, last night, were not funny enough and not engaging enough). The pairing of presenters was ill-conceived. The material given them was pathetic. Nearly every 'bit' in the show imploded upon itself. The staging looked like it came from 1978. People looked like they didn't want to be there. The fact that the television industry, on a night when it is supposed to celebrate its own achievements, can't actually make a TV event that is interesting is really pathetic." Goodman blamed the Television Academy. "It needs more oversight," he says. "It can't just let Lorne Michaels and NBC take over the Emmys and bore the life out of the country.

ALSO:

Maybe the Emmys should adapt the "Popular Award" that the Oscars proposed

Sure, a hit show like Game of Thrones won the top drama award last night. But as Peter Rubin points out, "trophy after trophy went to the most prestigious of prestige TV: Netflix's Queen Elizabeth II bio-series The Crown; FX's Cold War domestic espionage cat-and-mouse The Americans; Amazon's upstart comedy The Marvelous Mrs. Maisel; HBO's ... everything. No question, these were deserving shows and performances. Henry Winkler? Still a treasure, even if his Best Supporting Actor in a Comedy Series award for Barry came at the expense of Atlanta's far more deserving Brian Tyree Henry. Meanwhile, some of the television series I've had the most conversations about it—the good kind, the morning-after-Slackathon kind, the "oh, you've gotta watch this" kind—got overlooked... All of which makes me wonder if the Academy of Motion Picture Arts & Sciences might have been on to something with its proposed-then-scrapped idea to introduce a 'outstanding achievement in popular film 'Academy Award category—not for the Oscars, but the Emmys."

ALSO:

Emmys became a bloated SNL episode

Lorne Michaels decided to turn the entire Emmys telecast "over to Saturday Night Live and Saturday Night Live-adjacent personalities in a way that no single show has ever dominated the Emmy proceedings in my lifetime," says Daniel Fienberg. The SNL bloat could be seen with longtime cast member Kenan Thompson being part of the beginning and the ending of the show. "Heaven knows I'm an appreciator of Thompson and his marvelous SNL legacy and his impressive pre-SNL legacy, but there's a statement you're making when you have Kenan Thompson present for outstanding drama series and it's something along the lines of, 'The history of television is, for tonight, all about just one show," says Fienberg. He adds: "Imagine CBS using its platform a decade ago to only let various cast members from CSI and its respective spinoffs present. Or ABC doing an Emmys telecast in which each award is presented by somebody from the Bachelor franchise. This was a bad look for NBC and for Michaels, and it'd be hard to begrudge any future network in this Emmys rotation thinking that skipping NBC talent for presentations would be fair play."

ALSO:

#MeToo movement was glaringly missing at the Emmy Awards
The #MeToo and Time's Up movements that were a big part of the Golden Globes and Oscars ceremonies earlier this year were almost completely missing at Monday's Emmy ceremony. "Unlike at previous awards shows this year, emblems of the movement weren’t pinned to lapels or sequined gowns. #MeToo was mostly absent from acceptance speeches and even from the monologue — except for fleeting jokes by the hosts, Michael Che and Colin Jost," says Maya Salem. Even Les Moonves went unmentioned, while the words "Time's Up" were only mentioned once, by The Marvelous Mrs. Maisel's Amy Sherman-Palladino. ALSO: Les Moonves was to network television what Harvey Weinstein was to independent film, so why wasn't he brought up?

How to fix awards shows in wake of the Emmys debacle

"Let it be a mess," says Rob Sheffield, offering some suggestions for shaking up the award show format. Tina Fey and Amy Poehler showed during their three-year run on the Golden Globes that a messy award show is a great award show. "A simple formula: celebrities plus live TV plus free champagne equals a few hours of insanity," says Sheffield. Another suggestion: Get a star to host. "A few years ago, the network bosses got a silly idea in their gullivers — the idea that an award show’s job was to promote the in-house late-night franchise," says Sheffield. "So every fete began to get hosted by the network’s resident late-night straight white guy. Hey, what a crazy coincidence: This is when ratings cratered. Sure, Jimmy Kimmel does a fine job hosting the Oscars. That’s not the problem. The problem is he does an equally fine job five damn nights a week — so do Colbert, Fallon, Myers, Corden. It’s just not a big deal to see these guys put on a suit and tell some jokes. So they’re a fatal glamour drain — as Colbert’s former alter ego might have put it, they kill the eventiness. When LL Cool J hosted the Grammys, it was a must-see every year. But ever since Corden took over, the ratings have been fading faster than Canibus in a rap battle. So it’s simple: bring back LL. Mama said knock you out!"

Last edited by TMC; 09-22-2018 at 01:26 AM.
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