Atlanta is a state of mind, more than a TV show, in its "Robbin' Season"

[TMC]

http://variety.com/2018/tv/reviews/a...ew-1202713596/

"In its second season, Atlanta inches even further away from the traditional sitcom structure, opening onto a landscape that illustrates not merely the characters’ hijinks but the pervasive anxieties that form their backdrop," says Sonia Saraiya. "The editing distances the audience from the punch lines, drawing attention instead to the space between characters, to the environment they are eking humor from...Atlanta is funny, but it’s not funny in a way any other comedy is; it’s like the two opposing poles of “how can you laugh at that” and 'you must laugh at that' are forcibly horseshoed towards each other; sparks fly between the two."

ALSO:

• Atlanta returns less of a TV series and more of a work of art
  Season 2 is not a Tiny Toon -- it's an excellent and deceptively precise show about the human condition
  The storytelling is dreamlike, which makes it unusually realistic
  Season 2 explores the tension of dreams coming true
  What Donald Glover is doing is really hard, that's why there haven't been imitators
  Glover found a new way to surprise the audience: By making Atlanta into more of a conventional TV show
  "Atlanta is art that announces itself as art, instead of, like so much TV, slinking into the gallery through the doorway marked 'entertainment'"