"Ferris Bueller's Day Off" was released 40 years ago today (June 11)

[TMC]

June 11, 1986: "Ferris Bueller's Day Off" Premieres

June 11, 1986, 40 years ago: The film Ferris Bueller's Day Off premieres.

John Hughes directed Matthew Broderick as high school senior Ferris, Jennifer Grey as his sister Jeanie, Lyman Ward and Cindy Pickett as his parents, Alan Ruck as Ferris' best friend Cameron Frye, Mia Sara as his luscious girlfriend Sloane Peterson (Ferris? Cameron? Sloane? Who gives kids last names as first names?), Jeffrey Jones as vice principal Edward R. Rooney, Edie McClurg as Rooney's secretary Grace, Ben Stein as an economics professor (presaging his similar role in the TV series The Wonder Years), and Charlie Sheen as a ginker who Jeanie meets at the police station.

The action takes place in Chicago and in the fictional town of Shermer, Illinois, 15 miles northwest of the city, based on Hughes' real-life hometown of Northbrook. (Until he was 12, he lived in Grosse Pointe, Michigan, a suburb of Detroit. Hence, Cameron wears a Red Wings jersey with Gordie Howe's name and Number 9.)

Northbrook's original name was Shermerville, and his alma mater, Glenbrook North High School, is on Shermer Road. We know it's 15 miles because of the differences in the mileage on the odometer on the Ferrari between North Lake Shore Drive and Cameron's house.

Hughes set a lot of his films in this fictional town, including Weird Science, The Breakfast Club, Sixteen Candles and Pretty in Pink. The "home" scenes of National Lampoon's Vacation, Planes, Trains and Automobiles, and Home Alone were also set there. Not all were filmed in Northbrook: Some of these were filmed in nearby Winnetka, Illinois. The Bueller house and the streets around it were in Long Beach, California; the rest of the movie was shot in Chicago and the suburbs, including the Frank Lloyd Wright-ish Frye house, in Highland Park, Illinois.

In the film, Ferris decides this spring weekday (I usually think it's April, but this is not specified in the script) in his senior year at Shermer High School is too nice a day to spend in school. So he fakes out his parents, pretends to be sick, convinces Cameron (who appears to actually be sick) that neither one of them is sick, and gets his girlfriend Sloane out of school on a phony death in the family. Then they head for the big city, have some fun, run a couple of cons, and head home, and have to face the consequences of their actions... sort of.

All the while, Mr. Rooney is trying to catch Ferris cutting school. That Sloane is also cutting appears to be incidental to him. That Cameron is also cutting appears not to be something he's even aware of. He heads for the mall, thinking Ferris might be there, and gets embarrassed. He goes to the Bueller home, and gets nearly shredded by their Rottweiler and attacked by Jeanie (who's also trying to catch Ferris in the act, and fails, hence the police station).

How many times have I seen this movie? Nine times? More than that: Maybe 15. After 40 years, it remains the only movie I have ever gone to the theater to see, and literally laughed all the way home from. And it helped make Jennifer Grey a star, which is a good thing. Although Mia Sara didn't become a big star: Other than this, her biggest movie has been Timecop, and that was 8 years later.

Yeah, Ferris was a legend. A great guy. Right? As ESPN's Lee Corso would say, "Not so fast, my friend!":

* He lied to his parents.

* He got away with that, and he rubbed the fact in his sister's face.

* He cut school. A lot. How many times, in that semester, alone? Say it with me: "Nine times!" "If I go for 10," he admitted in one of his periodic breaks of the fourth wall, as he set up his synthesizer to produce fake sounds of snoring, sneezing and coughing, "I'm probably gonna have to barf up a lung, so I'd better make this one count." Gee, not real big on remorse, are ya, F.B.?

I mean, think about it: Since he knew Spring was coming, and that he would probably want to take a day off to enjoy it, shouldn't he have saved up his sick days, instead of using so many? It's like in basketball: You get a limited number of fouls per game, before you get tossed. It's 6 in the NBA, 5 in college, usually 5 in high school. Use them wisely.

* He took advantage of his sick best friend. Cameron was sick. Probably with the flu. Does Ferris consider this? Does Ferris consider that spending the day with a clearly sick Cameron might make him sick? Does Ferris consider that it might make Sloane, the girl he allegedly loves, sick? Does he consider that it might make anyone else Cameron interacts with sick? Not by a long shot. And then, Ferris steals a car, a 1961 Ferrari 250 GT California, belonging to Cameron's father.

* He took advantage of his girlfriend. No, I don't mean in a sexual way – at least, not onscreen. First, Ferris has Sloane thinking that her grandmother has died. Remember her reaction? This was not the face of a girl who knew that her boyfriend was behind this. It wasn't until she saw Ferris – standing in front of the Ferrari, wearing the trenchcoat, the shades and the hat, impersonating her father – that she realized, "My Grandma's alive! And my boyfriend is awesome!" No, he's not: He had you thinking your Grandma was dead! All so he could cut school.

* He scammed the entire Chicago metropolitan area. "SAVE FERRIS" signs went up everywhere, from the Shermer water tower to the electronic portion of the familiar Wrigley Field marquee!

I can see getting an entire school to think you're sick as a dog. But conning the Cubs? Well, maybe. We're not talking about an organization that's been known for smart decisions. Besides, pay a sports team enough money, and they'll put anything (short of profanity or defamation) on one of their signs or boards.

But the water tower? This was not some kid spray-painting it on: This was a professionally-painted "SAVE FERRIS," which would not have been approved by the municipal government unless they were convinced that the kid in question needed contributions to pay for his health care.

And, since we've seen the Bueller house, and we know that Mrs. Bueller is a real estate agent and Mr. Bueller works in a high-rise office downtown, apparently as some kind of executive rather than a cubicle drone, we know they're not exactly hurting for cash, if not stinking rich like the Fryes. They can afford health insurance for their kids.

So why would the town allow this message on their water tower? Maybe it was a bribe. Nah, can't be. After all, it's not like the Chicago area is known for political corruption...

* Don't get me started on the fact that the attempt to get into Chez Quis, the fancy French restaurant on the Near North Side, was a rotten thing to do, and should have failed, for a dozen reasons, and almost did.

* He hijacked a parade. Bueller is a German name, and German-Americans – by 1986, they no longer had to worry about discrimination or suspicion like they did in the era of the World Wars – celebrate their heritage on Steuben Day, on or around September 17, the anniversary of the birth of Baron Friedrich Wilhelm von Steuben, who left the Prussian army under dubious circumstances, and then helped George Washington whip the Continental Army into shape during the War of the American Revolution.

Parades in his memory are held in New York, Philadelphia and, as seen in the movie, Chicago. Hughes filmed during Chicago's real Steuben Day parade on September 28, 1985, so while the film has it in the Spring, for some reason, at least it really was Steuben Day when they filmed.

So how did a high school student playing hooky get to jump on a float in a municipal parade (i.e. sponsored by the City government) and sing Wayne Newton's semi-German song "Danke Schoen" and the Beatles' cover version of the Isley Brothers' "Twist and Shout"? In real life, someone who tried that would have been pulled off the float by the cops before finishing the 1st verse! (Well, maybe Ferris could have bribed the cops to look the other way. Another bribe? Nah... )

* And he got away with it all, thus inspiring others to try things they shouldn't do. Remember what Rooney told Grace, his secretary, near the beginning of the film? "What bothers me about Ferris Bueller is that he gives good kids bad ideas."

A 2011 article by Cezary Jan Strusiewicz that Cracked magazine put in its online edition included FBDO on a list of movies whose bad guys weren't so bad after all:

In the end, Ferris gets saved by Jeanie, his sister – posing as his mother! This is one thing I've always hated about movies & TV shows set in high schools: The kids are, all too often, played by grownups. At the time of filming, September through November 1985, Broderick was 23 and had a serious 5:00 shadow. Grey was 25, and didn't make Jones' Rooney think, "Wait a minute, Mrs. Bueller looks damn good for 45." She pretended to be Ferris' mother, and Rooney bought it. And Ruck was a whopping 29. Only Sara, 18, was actually of high school age. Considering the things Jeanie was saying and thinking about Ferris all through the movie, this is really out of character.

True, her police-station conversation with Charlie Sheen (oh, yeah, there's something you want to go through in real life) made her think differently, but, come on: This guy (in addition to being Charlie Sheen, but you didn't yet know what he was going to become) was a damn ginker! (Metalhead, for those of you who didn't grow up where I did.) He admitted that he was arrested for drugs. (I'm presuming possession, if not also intent to sell.) Anything he says, I'm taking with an entire mine of salt.

And Strusiewicz and I aren't the only ones upset that Ferris keeps putting one over on the film's adults. Social scientist Martin Morse Wooster said the film "portrayed teachers as humorless buffoons whose only function was to prevent teenagers from having a good time."

Looking back, it's easy to see that Ferris wasn't such a great guy. And the movie has its flaws. In her book Screening Generation X: The Politics and Popular Memory of Youth in Contemporary Cinema, author Christina Lee said it was a "splendidly ridiculous exercise in unadulterated indulgence," and the film "encapsulated the Reagan era's near solipsist worldview and insatiable appetite for immediate gratification -- of living in and for the moment."

Indeed, with its Reagan Era selfishness, showing teenage neuroses and at the same time ignoring them, its synthesizer-driven soundtrack, and its protagonists getting to avoid serious consequences, this might be the most Eighties movie there is.

On the other hand, Ben Stein, who played the economics teacher – and who had previously been a speechwriter for President Richard Nixon, who probably would have called Ferris one of "these bums, you know, blowing up the campuses" – and was very much a Reagan guy, and remains a political conservative, gave the film his seal of approval, and not just because it launched his career as an actor and a game-show host:

And you know what? This is a good thing. For 1 hour and 43 minutes, Ferris Bueller's Day Off lets you relax and laugh. Should we think about all this stuff while we're watching it? No. Save that for afterward. While the movie is rolling, enjoy the escapist fare.

I sure did. Many times. And I will again. After all, like the man said, "Life moves pretty fast. If you don't stop and look around once in a while, you could miss it."

But then, it's a movie. If you miss it, you can play it again.

Then there's the "Ferris Club" theory: That the whole thing is happening in Cameron's head, and Ferris isn't real. That's a story for another time.

The Chicago Cubs game shown on the TV? It's from June 5, 1985, against the Atlanta Braves, and while the score was indeed tied in the 8th inning, it was 2-2, not "nothin'-nothin'." The Braves went on to win, 4-2 in 11 innings. But the game at which Broderick, Sara and Ruck were filmed was on September 24, 1985, and the Cubs lost to the Montreal Expos by a football score, 17-15.

Director John Hughes died in 2009, of a heart attack, only 59 years old. Del Close, who played the unnamed English teacher ("In... what... way... "), died in 1999. Virginia Capers, the school nurse who tells Sloane about her grandmother's death, not knowing that it isn't true, died in 2004.

Larry "Flash" Jenkins, along with Richard Edson one of the parking garage attendants who takes the Ferrari for a joyride, died in 2019. Comedian Louie Anderson, in an early role as a deliveryman for a florist, died early in 2022. Joey D. Vieira, the pizza guy who gives Rooney the "nothin''-nothin'" score, and then, when asked, "Who's winning?" tells him, "The Bears," died in 2025. As of June 11, 2026, every other notable actor from the film is still alive.

One more note: The Final of the 1st-ever Greater Middlesex Conference Tournament, replacing the former Middlesex County Tournament, was played at Memorial Stadium in New Brunswick, Middlesex County, New Jersey. East Brunswick High School beat Madison Central of Old Bridge, 14-3. I was then a junior at EBHS, and the scorekeeper for their baseball team.

It was one of the best nights of my life, and that's before I knew that Ferris had been released the same day.

[Dude111]

Much better 40 yrs ago


I have this movie on VHS

[Dream Canteen]

Me have movie on cave etching storyboard. Me more analog than you.

[stevea]

His reply above is a perfect example of what I mentioned in another thread--any reference to a TV show, song or album, or movie requires a mention of some analog source.

It gets old.

[Dream Canteen]

It’s like he’s on a crusade to convert us all to using antiquated technology.

[Dude111]

Well I would love it Dream showing you something beautiful buddy

You too Stevie!!


You should see my copy of RISKY BUSINESS (1983)

It is on the first newer style WB label (Purple label/Brown Guard) but they left the earlier original white opening WB master on that tape.. IT IS ABSOLUTELY GOREGOUS!!!

I cry when I watch it its so beautiful buddy.... I cry because WHAT HAPPEND TO THE WORLD???

Im glad I dont have a newer release of that movie,it would not look so beautiful..

[Dream Canteen]

Okay, dude, if a low-resolution, degraded, washed-out pan-and-scan VHS copy of Ferris Bueller’s Day Off in 240 lines on a CRT TV is what you like, more power to you.



I don’t get it, but it’s your prerogative.



The rest of us moved on from VHS and CRT 20, 25, and 30 years ago and never looked back. You’re never going to convince anyone to go back to inferior, antiquated and no longer supported formats.



Meanwhile, for the rest of us, here’s a 2160p presentation of the movie’s parade scene from the 4K UHD Blu-ray edition, in its original, widescreen theatrical aspect ratio, sourced from a 4K scan of the original camera negatives.

[stevea]

You don't need to show most of us VHS video -- we've seen it, we have it. It's inferior.

If you have a large collection of it and you enjoy it--great!

Just don't expect nearly everyone else to agree.

[Dude111]

Well God bless you Stevie and Dream

I appreciate what you like....

[Dream Canteen]

Originally Posted by stevea

You don't need to show most of us VHS video -- we've seen it, we have it. It's inferior.

If you have a large collection of it and you enjoy it--great!

Just don't expect nearly everyone else to agree.

Yeah. VHS was great when it was the predominant format (and most affordable — my family couldn’t afford laserdisc in the ’80s and ’90s), but I moved on from it when I bought my first DVD player in 1999 and never looked back. As I said elsewhere, VHS was never a format of fidelity; it was a format of ease and convenience. But innovation happens and will continue to happen.

Now it’s 27 years later and the world has moved on. TVs are in 4K now, and all broadcast and major cable networks broadcast in either 720p or 1080i high definition, with select sporting events available in 2160p 4K. Streaming services have a wide selection of 2160p 4K and an even wider selection of 1080p HD movies and TV series. Blu-rays offer 1080p and 2160 4K, as well.

You can now watch a theatrical movie, in the comfort of your own living room or bedroom (or even on a bus or plane), in its original aspect ratio and a virtually unlimited color palette. You’re no longer beholden to the 240-line, cropped pan-and-scan, or RGB-limited presentation of VHS.

I’m not here to yuck Dude’s yums when it comes to analog media. If it floats his boat more than modern formats do, that’s great. I mean, I don’t get it but I don’t have to. More power to him.

However, it does feel like a threadcrap when he brings it up constantly, like in this thread and in the Wizard of Oz thread he recently bumped from a four-month dormancy just to announce his displeasure, that a diginet won’t be airing the film in analog 16 years after TV stations in the United States shut off their analog signals. It feels like he’s trying to portray himself as better or smarter than the rest of us sheeple who use modern technology. He’s enlightened and we’re all rubes who believe Mars is red.

It gets tiring.

[Dude111]

Im sorry buddy,I really dont mean it to be

[stevea]

Originally Posted by Dude111

Im sorry buddy,I really dont mean it to be

Then the plain, simple answer is to enjoy what you like for as long as you can. But recognize that the world has moved on.

[Dude111]

I hear ya buddy