‘The Odd Couple’ (Season 2): Sitcom undergoes drastic production changes.

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https://drunktv.net/2025/01/15/the-o...-jack-klugman/

January 15, 2025 Drunk TV

This time of year always brings (drunken) promises of tying up loose ends and making things “right” (how many times can a bookie break your arm? Apparently…lots), so when I sobered up after the holidays (and figured out how to type one-handed), I went back and looked at partially-reviewed titles here on Drunk TV that needed to be completed. And sure enough, one of my top 5 favorite sitcoms, The Odd Couple, had somehow been abandoned after a measly season one review.

By Paul Mavis

A few years back, CBS DVD/Paramount put out The Odd Couple: The Second Season, a set of all 23 episodes from the 1971-1972 season of the semi-successful ABC sitcom that found far, far more viewers once it hit the syndication routes. I wrote extensively about the show for that fantastic first season release (I recommend you click here to read that review, for background on the show); this second season is still quite strong, due mainly to the sensational comedic acting of Tony Randall and Jack Klugman.

As I detailed in my first review of the series, this second season saw a drastic change in the production methods for The Odd Couple. Gone was the costly, time-consuming one-camera set-ups that gave the first season episodes a big- screen, 35mm film feel. Klugman and Randall, both classically trained stage actors, were disappointed in the “canned” feel that resulted from that process, with both feeling that a large part of the spontaneity of the piece was missing.

Both actors, wonderfully adept at playing live off other actors, missed the energy that can result from such “live” performances—particularly in comedy, where reaction shots are key to milking a laugh. Series producer Garry Marshall (Happy Days, Laverne & Shirley) agreed, and the barely-renewed The Odd Couple was overhauled for a quicker, faster, three-camera shoot.

The elaborate recreation of the 1968 movie version’s apartment set was scrapped (no doubt for technical reasons for the three-camera shoot), and a pared-down, right-to-left apartment set was built that would remain for the rest of the series. Now, each episode could be shot much like a mini-play. Instead of endless “movie style” set-ups where camera angles were covered and reversed for inserts, P.O.V. shots, and reaction shots, now, the production was streamlined to allow Randall and Klugman to perform as closely as possible in the manner of a stage show. The three cameras could catch every inch of spontaneous movement by the actors, and their footage could be edited to provide a seamless performance.

The difference that resulted from this changed production method is striking. The second season of The Odd Couple doesn’t look anything like the first season; it’s as if it’s two entirely different shows. Whereas season one had a metronome steadiness to its measured comedy (relying more on the written word for the impact of the comedy), this second season is much more physically frenetic, with the actors clearly commanding the material, and playing now to an audience, and not a single camera in an empty studio.

The actual “look” of the show has changed, as well, with a (cheaper, faster) blown-out, full lighting scheme that was necessary to capture all the action, wherever the actors felt they might go on the set. The set, so much smaller than the first one, is much more cramped and confined, which, in its own way, adds tension to the comedy.

In the first season, there was always the understanding that the apartment was big enough (stressed also in the movie version) so that Oscar and Felix could get away from each other when they were at the breaking point in their relationship. Now, they’re on top of each other; there’s nowhere to go but to their own rooms, so actor follows actor around the small living room and open, connected kitchen, often berating each other.

Klugman, and particularly Randall, are clearly energized by the change. I suspect that most people came to love this show precisely because of these second season episodes and later shows. It’s undeniable that the two actors have come into their own during this production change. Klugman, basically the straight man, is now able to give full vent to his disgusted double-takes and uncomprehending marvels at Randall’s outrageous behavior. And Randall, a marvelously physical comedian, is all over the place, with a discernible fire in his eyes that’s quite amazing to see. It’s almost a night-and-day transformation for the actors, and clearly, at least from a visceral, gut-level comedy standpoint, it’s difficult to argue with the actors’ insistence on this kind of filming.

Other changes are apparent with the second season, including the critical inclusion of Felix’s ex-wife, Gloria Unger (Janis Hansen). In an effort to make Felix less morose about his divorced status, and more comedically insane because of it, the producers and writers wisely included Gloria to give Randall a chance to act positively unhinged any time she was involved in an episode. Now, the full extent of Felix’s neatness and “pestiness” could be explored by showing how often he irritated and annoyed the beautiful Gloria.

Indeed, Felix’s whole reason for existing this season was to get Gloria back, and Hansen’s level playing and good looks made it easy to understand why Felix was going batty trying to get her back. To balance the romance out, Oscar gets more screen time with past season love interest Dr. Nancy Cunningham (Joan Hotchkis), too, and they’re very natural together (I like Hotchkis…but she doesn’t get laughs on her own).

A big boost also comes from Klugman’s real-life wife Brett Somers, who shows up a couple of times as Oscar’s ex-wife Blanche (she’s a real pro, and quite a match for Klugman—she has no trouble getting yocks). Oscar’s poker buddies have been scaled back (Roy’s gone), but to my great distress, the marvelous, utterly delectable Gwedolyn and Cecily Pigeon (played by the adorable Carole Shelley and Monica Evans), the “Coo Coo” Pigeon Sisters, are also gone. Despite Marshall’s insistence that these former dates of Oscar and Felix had to go, so the audience could see the boys date “real” woman, the sisters could have easily been plugged in as the requisite “wacky neighbors” that thrive on most sitcoms.

Having moved over mid-season in its first year to Friday nights, The Odd Couple stayed there for three years, and enjoyed a modest bump in its ratings, due to its strong surrounding schedule. In a precursor to ABC’s “TGIF” of the 1990s, the celebrated 1971-1972 line-up included The Brady Bunch, The Partridge Family, Room 222, The Odd Couple, and Love, American Style, with The Partridge Family (16th in the Nielsen’s for the year) coming on particularly strong in the ratings that season (Room 222 was also a Top Thirty hit). Quite a few original fans of The Odd Couple fondly remember this family-friendly line-up, as well as some of the classic episodes from this funny second season.

With an increasing reliance on socko one-liners (something that couldn’t be sold as well in the one-camera editing of the first season), this second season plays solidly to that kind of rimshot humor, and it’s a credit to Randall and Klugman that they kept their characters strong in the face of piling-on one-liners (certainly, for fans at least, this season’s most memorable one-liner, and one that fans repeat all the time when summing up Felix’s supreme finickiness, is the immortal “I don’t like pits in my juice!”).

Stand-out episodes this season include: Surprise! Surprise!, where Oscar steals Felix’s daughter’s clown (played by the brilliant Hal Smith) for a poker game (his dance demonstration is paralyzing); You Saved My Life, where Oscar is pestered to death by Felix after saving his life; Hospital Mates, where Oscar and Felix are laid up at the same time (I love Felix constantly saying, “You’re my eyes, Gloria!”); Where’s Grandpa?, where Randall gets a dual role playing his own grandfather (watch Randall break up Klugman when he ad libs grabbing Al Molinaro‘s nose).

Murray the Fink is another winner, where Al Molinaro’s Murry the cop raids his own poker game (again, watch Randall make Klugman break character when he comes back at him with, “Sew buttons!”); Sleepwalker, where Klugman finally gets to hit Randall repeatedly; Felix the Calypso Singer, where Randall sings a very funny calypso song (“Once there was a man named Jesse; he wore his clothes, very messy!“); and The Fat Farm, where Randall gets Klugman to a ridiculously strict health farm (watch Felix scream, “Get him! Get him!” when he rats out Oscar for sneaking in food).

• ‘The Odd Couple’ (Season 1): The absolute apex of the sophisticated adult sitcom

[stevea]

I kind of forgot about this change to The Odd Couple--but he's right--season one is almost a different show from the later seasons.

The same change occurred with Happy Days season three, which also bumped up its ratings.

[Duster76]

This has has come up in the past, I wrote this in 2021:

" The Odd Couple was actually two different TV series. The first season is really an adaptation of the movie The Odd Couple. The show is filmed on the same set as the movie, the Pigeon sisters were from the movie, the poker game such an important part of the movie had a significant presence in the first season, and Tony Randall's portrayal of Felix was similar to the way Jack Lemmon played the character. The second season is almost a completely new show, the Felix character has been reimagined to a certain extent, Murray is now a stand alone character (not just a poker player), the Pigeon sisters are gone, the set has changed, and the poker game is an insignificant part of the series (the character of Speed made only 5 more appearances and Vinnie 4 during the rest of the series run)".

[biffbronson]

Elinor Donahue has commented that the 2 Pigeon sisters' parts were combined to form her role, Miriam Welby.