A Blast From The Past: Dragnet 1968 3.1 “Public Affairs: DR-07” (dir by Jack Webb)

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https://unobtainium13.com/2024/05/01...-by-jack-webb/

Posted on May 1, 2024 by Lisa Marie Bowman



May 1st is a day of many holidays, including Law Day.

President Dwight D. Eisenhower first proclaimed May 1st to be Law Day in 1958 and apparently, it’s been celebrated every year since. On Law Day, Americans are meant to reflect on the role of law in the foundation of the nation and also consider its importance to the social order.

To observe this year’s Law Day, I’m happy to present our readers with my favorite episode of Dragnet 1968.

Dragnet began as a radio program in 1949 before making its way over to television in 1951. Each episode starred (and the majority were directed by) Jack Webb, who played a no-nonsense cop named Joe Friday. Friday narrated every episode, dropping trivia about the history of Los Angeles while also showing viewers how the cops went about catching criminals. Despite what is commonly believed, Joe Friday never said, “Just the facts, ma’m,” but he did investigate each case with the cool determination of a professional who kept his emotions under control. The majority of Dragnet’s episodes were based on actual cases that were worked by the LAPD, hence the opening declaration of, “The story you are about to see is true.”

On television, Dragnet originally ran from 1951 to 1959, during which time Dragnet also became the first television series to be adapted into a feature film. Jack Webb decided to relaunch Dragnet in 1966 and he produced a made-for-television movie that followed Friday and his latest partner, the far more talkative Bill Gannon (Harry Morgan), as they worked multiple cases over the course of one long weekend. That made-for-television movie led to a series that ran from 1967 to 1970.

The second television series is the best-remembered version of Dragnet, beloved for its scenes of Friday and Gannon debating the issues with a motely collection of hippies, campus radicals, and pipe-smoking academics. Jack Webb viewed Friday as being the voice of the common American, who supported the troops, supported the president, and who wanted to spend the weekend grilling in peace. Friday was the middle-aged suburbanite who wanted to the kids to stay off the grass, whether it was on his front lawn or being sold on a college campus. These episodes were often campy. It’s hard not to smile while listening to Friday and Gannon deadpan their way through conversations with flakey long-haired hippies. It was often obvious that the writers of Dragnet had never actually had any experiences with the hippies, beyond what they saw on the evening news. And yet, as silly as things often were, the show is an interesting time capsule of the time in which it was made. If nothing else, it’s a chance to see the 60s through the eyes of the other side.

My favorite episode was the show’s third season premiere. It originally aired on September 19th, 1968 and it features Joe and Gannon appearing on a talk show. The subject of the show: “The Fuzz Who Needs Them?” Joe and Gannon argue on behalf of the fuzz. Appearing on the other side of the panel are a pipe-smoking academic (Stacy Harris) and the publisher (Howard Hesseman, credited as Don Sturdy) of an underground newspaper. Questions are asked from the audience. John Dietz (played by Lou Wagner, who also plays Harlan Arliss on CHiPs) wants to know why drug are illegal. Mondo Mabamba (Dick Anthony Williams) wears blue glasses and demands to know why the cops are always sitting in squad cars. Overseeing the show is the evil Chuck Bligh (Anthony Eisley). Friday struggles to hold back his disgust as the newspaper publisher throws a “Make Love Not War” pin at him.

This an interesting episode, if just because both sides are allowed to make their case and, in a rarity for Dragnet, neither Friday nor Gannon change anyone’s mind. On the one hand, the academic and the publisher are both portrayed as being fairly obnoxious. On the other hand, Howard Hesseman delivers his lines with such sharpness that his character cannot be as easily dismissed as the usual Dragnet hippie. Chuck Bligh’s talk show predicts the political panel shows of today and it’s interesting to see how we’re still debating many of the same issues that were raised in this episode.