"Mad About You" Revival Picked Up by Spectrum Originals

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Originally Posted by Heenan Fan

Paul Reiser is such a worthless cheesy actor, he even makes Ben Stiller look good by comparison. Both guys only got their jobs in Hollywood based on who they...

Oh geez, if I had to choose between Paul Reiser and Ben Stiller, I think i'd just never watch anything again. It's hard to pick which one of them sucks more.

[icecream]

Originally Posted by Heenan Fan

Paul Reiser even makes Ben Stiller look good by comparison. Both guys only got their jobs in Hollywood based on who they...

I know Ben Stiller is Jerry's son, but who is Paul Reiser related to? He is far from a worthless actor though, his chemistry with Helen Hunt was what made Mad About You so good. Anyone else in the Paul Buchman role and it wouldn't have been nearly as long running.

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Helen Hunt shows proof the Mad About You reboot is really happening

"Here we are. The #MadAboutYou 2.0 writers room. We’re gonna have so much fun!!!" Hunt tweeted, accompanied by Paul Reiser, showrunner Peter Tolan and his writers on the Spectrum Originals revival series.

[Heenan Fan]

This has disaster written all over it. Possibly Murphy Brown level of bad.

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Mad About You revival feels like a relic of a more innocent, easily amused time

The 1992-1999 NBC comedy starring Paul Reiser and Helen Hunt became a hit in an era of limited TV options. But with its limited Spectrum Originals revival in 2019, Mad About You isn't anything special, says Judy Berman. "Seinfeld was famously envisioned as a show about nothing (a conceit that falls away the moment you recall the memorable storyline that revolved around Jerry and George creating a show about nothing)," says Berman. "Friends—which made early adulthood in New York look tranquil, easy and cheap—was so low-key that in its second life as the holy grail of licensed content, it essentially functions as an audiovisual benzodiazepine for teens and 20-somethings. But it was Mad About You, another one of NBC’s many ultra-popular ’90s series set in a whitewashed, upper-middle-class Manhattan, that really delivered on the promise of mundanity. What was the pitch for this smash hit that eventually earned its stars $1 million per episode: 'Man and woman are married'? More to the point, in an era when many would dismiss the original show as a soporific chronicle of 'rich people problems,' do we really need to check in on the uneventful lives of the Buchmans?" Berman adds: "The bigger issue is that Mad About You has stayed the same amid a television landscape that keeps changing. Without the goofy roommate capers of Friends, the inventiveness of Seinfeld or even the timeless pseudo-intellectualism of Frasier’s Crane brothers, Mad About You doesn’t feel distinctive enough to become a streaming phenomenon. It worked in the ’90s because it was often the most inviting option on offer—something gentle and inoffensive for when there was nothing else to watch. Now that practically everything is available on TV, all the time, the Buchmans might be too polite to make themselves heard over so much noise."

ALSO:

• Mad About You finds some success by avoiding politics and being easygoing: "It’s not much, but it’s more than can be said for reboots of Will & Grace, Roseanne, and Murphy Brown, all of which felt strained and pinched by their need to comment on the political moment, sacrificing characters and tone in the process," says Daniel D'Addario. “Mad About You was never that show — it’s a pleasantly solipsistic piece of work about two wealthy and blissfully unaffected New Yorkers. Viewed a certain way, this show about people with no real problems but the ones they create for themselves is Seinfeld without the misanthropy."
  The revival appears to be recycling plot points from the original series: "The pilot featured a storyline about how Paul and Jamie weren't having sex five months after their marriage because they were too busy, and the third episode of the revival reveals they're not having sex because Jamie is going through menopause and lacks a sexual appetite," says Kaitlin Thomas. "Like so much else about the show, the episode goes for the lowest and most obvious jokes without elevating them or providing any insightful commentary."
  The most interesting thing about the Mad About You revival is Paul and Jamie being allowed to say "sh*t" uncensored
  Mad About You was always a C-plus TV show, so the revival is pretty much more of the same -- for better or worse
  This Mad About You seems to be grappling for plot points -- and who knows what, in fact, will stick
  Mad About You is too content to check all of the revival boxes: "Much of the original show and its revival rely on safe, observational humor"
  The new Mad About You is pretty much the same as the old Mad About You: "It’s agreeable, familiar, a little meh"
  Until recently, Mad About You revival showrunner Peter Tolan was against the TV revival trend: “I had just spent the last year or so railing against all these reboots and the paucity of creative thought,” says Tolan, who co-created Rescue Me and The Job with Denis Leary. “Shouting about how this is what’s wrong with television today. And then of course I did one, too. So a little embarrassing…”
  Why Mad About You is pretending the 1999 time-jump series finale didn't happen
  Helen Hunt and Paul Reiser had vowed never to do a revival -- until they saw all the other revivals: "The inconceivable became conceivable,” says Hunt. “All of a sudden, the thing we said we would never do became the thing we were dying to do.”
  Paul Reiser says returning to Mad About You was easy: "It really took no transition at all,” he says. “We were all so fond of each other and we spent seven years together. The minute we walked into the space, it was so familiar. It actually felt weird that it didn’t feel weird.”

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The Three Best Episodes of the MAD ABOUT YOU Revival

And, to that point, the best thing that can be said about this new Mad About You is that it recognizes the original series’ strengths and leans into them. Oh, yes, it’s probably a little jokier — asking, specifically, Helen Hunt to be a little broader than she was back in the ’90s, but that seems to be a trend in these late ’10s reboots, as the multi-camera format has become faster, consuming more yuks. Otherwise, everything that was good about the first series is still intact — from its quintessentially New York vibe (with references to notable New Yorkers, like Anderson Cooper, and cameos from famous people, like Jason Alexander, whose appearance really captures the spirit of the original’s gimmickry), to the trivial nature of the storytelling (as the characters find themselves in conflict over things like toothpicks and gym nudity), to, first and foremost, the excellent chemistry between the two stars, whose believable relationship, supported by the actors’ naturalistic, palpable humanity, remains Mad About You‘s main attraction. Of course, with Reiser and Hunt more creatively involved than ever before, this shouldn’t be a surprise, as they know their own show (and each other) better than anyone. But none of the original scribes carryover. In fact, the new showrunner is Peter Tolan, best known for years spent on the first Murphy Brown, The Larry Sanders Show, and Rescue Me. So, it’s to their credit that the tone is replicated so well — in spirit, this feels a lot like the ’90s classic.