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#76 |
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Join Date: Jan 09, 2001
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I don't know if she was the out and out showrunner but I believe that Doris Day did manage to secure creative control over her sitcom, The Doris Day Show. This pretty much explained why it was essentially a different show from season to season.
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#77 |
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Join Date: Jan 09, 2001
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Mayans M.C. star Clayton Cardenas on Kurt Sutter's exit: "It's like the best thing that could have ever happened for the show"
"It's night and day," Cardenas tells GameSpot of Sutter, who was fired in 2019 over his abrasive behavior, paving the way for co-creator Elgin James to become sole showrunner. "It's like the best thing that could have ever happened for the show. The environment that we get to work (in), it's such a fun--it's a welcoming, comforting environment. You know, everybody's excited to come to work. I personally feel like I'm at an advantage, finally. I feel like I'm put in the position to succeed. I feel like the writing is meant for me. I feel like I'm not having to force dialogue, you know? I feel like the writing just rolls off my tongue now." Cardenas also points out that the show's new leadership structure under James allows everyone's work to shine. "Elgin is such an amazing creator and writer and, you know, he creates this familial bond on set," Cardenas said. "So again, it makes it welcoming. And everybody's proud of what's being done, everybody feels their voice is heard. And what more could you want? You know, what more could you want from a creator and director?" |
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#78 | |
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Quote:
Aaron's name (and money) was great for getting a show on air but he rarely had much to do with the day to day, especially by the time the 90's rolled around. |
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"and to the fans. I was only supposed to be on every other Tuesday. But, thanks to you, I'm here, and I promise! I will try my best never to let you down. I am going back into that studio on Monday, and I'm going to play Erica Kane for all she's worth!"-- Susan Lucci, May 1999 Daytime Emmy Speech. |
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#80 |
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Examples that would make a bad showrunner a "bad showrunner":
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Last edited by TMC; 01-22-2022 at 04:12 AM. |
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#81 |
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Seth MacFarland
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#82 |
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If you're basing that strictly or mostly on Family Guy, keep in mind that Seth McFarlane form my understanding, hasn't written for the show since 2010, but he's still credited as an executive producer. So I don't now if he's still the main creative force or his really a figurehead.
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#83 | |
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EP247: The Art of Showrunning
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#84 |
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On the other side of the coin, are there any shows that managed to continue in their level of quality despite changing showrunners? Of course, usually, there are shows where once the showrunner left, the quality either dropped or shifted to what just did not feel right. But are there any shows that changed showrunners in-between seasons, and yet the transition was seamless?
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#85 | |
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#86 |
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Roberto Aguirre-Sacasa - According to chatter online, he has good ideas for potential storylines but they are horribly executed. His shows such as Riverdale and The Chilling Adventures of Sabrina in particular, have so much potential but while watching them, you can tell that he’s just making it up as he goes along. And he likely doesn’t even remember what he wrote in prior seasons, so there are plot holes.
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Last edited by TMC; 01-22-2022 at 04:13 AM. |
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#87 | |
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#88 | ||
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Glenn Gordon Caron - When he was the showrunner for Bull, he was once quoted saying that Eliza Dushku ought to not mind sexual harassment since she had once posed for Maxim. Caron was problematic as far back as his Moonlighting days. To put things as nicely as possible, he was a perfectionist and held up production a lot because of his demands. Scripts were twice as long as typical one hour show scripts because of the intricate dialogue, and they took 2-3 times as long to shoot as one hour shows typically did. Producer Jay Daniel did an interview where he was as diplomatic as can be:
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#89 | |
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In theory, Bob Justman, who had been a major producer on the show for its entire run, would've been a better fit to become the showrunner. But it appears that Gene Roddenberry didn't fight hard enough for his promotion. So this ultimately, meant that Roddenberry's series was now being overseen by someone lacking the necessary know how in terms of making stories work. |
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#90 |
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Not a scripted show but Entertainment Tonight when Linda Bell Blue was the executive producer (from 1995-2014). Simply put, ET under her watch went from being a classy, respectable infotainment program that strived to cover all bases of the world of show business, to a hyper-active, sensationalistic, melodramatic, borderline trashy tabloid show. It went from bad to worse when Hard Copy was cancelled in 1999 and that show's staff was absorbed into ET's. Linda Bell Blue also by most accounts, had a very hectic and chaotic managerial style, where you virtually had to walk on egg-shells. She could be described as like Meryl Streep's character in The Devil Wears Prada.
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Last edited by TMC; 05-04-2022 at 06:52 AM. |
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