The West Wing cast reuniting for a Get Out the Vote HBO Max special

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https://ew.com/tv/tv-reunions/west-wing-cast-reunion/

A West Wing Special to Benefit When We All Vote will reunite Aaron Sorkin with 17 West Wing alums, including Martin Sheen, Rob Lowe, Dulé Hill, Allison Janney, Janel Moloney, Richard Schiff and Bradley Whitford, for a special performance of the election-set Season 3 episode "Hartsfield’s Landing." The special will benefit former First Lady Michelle Obama's nonpartisan nonprofit When We All Vote, which is dedicated to getting people registered to vote. Obama is expected to make an appearance on the special, which will shoot at Los Angeles' Orpheum Theatre in October. "This is the first time we’ve done this in 20 years,” Sorkin explains, noting cast members and producers have supported individual causes in the past. “Never before have we gathered the cast onto (the show) logo in front of (W.G.) Snuffy Walden’s (theme) music and done something as The West Wing.... I don’t think anybody would argue that right now, if you have any capital at all, spend it.” As Deadline notes, "The West Wing reunion has long been in the works with (Richard) Schiff saying in June that the gang was getting back together in support of Black Lives Matter following the death of George Floyd. The crew have reunited in various forms, including at ATX in Austin, for The West Wing Weekly podcast, and for an ad for Bridget Mary McCormack, a candidate for Michigan’s Supreme Court. However, this is the first time that it will air on television."

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"The West Wing" Cast to Perform 2002 Episode on HBO Max to Benefit Michelle Obama’s Nonpartisan Voter Drive
by Greg Evans
September 22, 2020


For the first time in 17 years, the cast of "The West Wing" will reunite, along with creator Aaron Sorkin and executive producer/director Thomas Schlamme, for a special benefit stage presentation of a 2002 episode on HBO Max.

The Oct. 15 reunion will support When We All Vote, a non-profit, nonpartisan organization co-chaired by Michelle Obama.




A West Wing Special to Benefit When We All Vote will include act breaks with guest appearances from Michelle Obama, President Bill Clinton and Lin-Manuel Miranda. Emmy-winning composer W.G. Snuffy Walden will perform "The West Wing" score on guitar, and folk rock band The Avett Brothers will close out the special.

Cast members Rob Lowe, Dulé Hill, Allison Janney, Janel Moloney, Richard Schiff, Bradley Whitford and Martin Sheen will reprise their roles from the third-season episode “Hartsfield’s Landing.”

https://deadline.com/2020/09/west-wi...te-1234581940/

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Sterling K. Brown to Play Leo in HBO Max "The West Wing" Special
by Matt Webb Mitovich
October 5, 2020


Two-time Emmy winner Sterling K. Brown (This Is Us) will portray White House chief of staff Leo McGarry in HBO Max’s upcoming "West Wing" reunion special.

John Spencer played the role on the NBC political drama, and won an Emmy along the way, until his death midway through filming the seventh and final season.

People.com first reported on Brown’s casting.

https://tvline.com/2020/10/05/west-w...n-to-play-leo/

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In A West Wing Special, Aaron Sorkin's dialogue "verges on the ridiculous and grating now"

The last thing America needs right now is more West Wing, Hank Stuever says of A West Wing Special to Benefit When We All Vote go encourage voting in this year's election, which premiered today on HBO Max. "It is difficult to imagine the lost souls within the Venn diagram proposed here, that there are swaths of Americans among HBO Max subscribers and West Wing fans who haven’t yet registered to vote or aren’t already among the 15 million or so people — and counting — who have already cast ballots," says Stuever, adding: "Here we are anyhow, torturing ourselves with the implausible idealism of The West Wing once more." Stuever acknowledges there is little worth criticizing in the special, calling the staging "rather lovely." But, he adds, the characters on The West Wing "live in an enviable world in which the people have elected one of the smartest men in the country to lead it, instead of one of the dumbest. In that world, every word uttered is emphatic and sharp and true. So many words, words upon words, the effluence of the dialogue being the show’s draw, as well as one of its drawbacks. What sounded so glidingly lyrical back then verges on the ridiculous and grating now, unless, of course, you have too much invested in The West Wing’s idealized Washington, where centric principles almost always triumph over politics. That’s a pipe dream that most viewers put away long ago. Other fans cling to it, watching West Wing episodes in endless Netflix loops, not merely as a diverting means of escape from the hideousness of 2020, but as a privileged form of zoning out — a detached state of denial at the very worst time to be detaching."

ALSO:

• A West Wing Special offered a solid re-creation -- this is not one of those star-studded Zoom reunions: "There was never much chance that Sorkin was going to tweak his original vision for an HBO Max celebration of voting, but there are always ways you can change staging or the cadences of dialogue to shift power dynamics and character journeys," says Daniel Fienberg. "That was not the approach the special's director, the inimitable Thomas Schlamme, took here. No, Schlamme did his best impression of original 'Hartfield's Landing' director Vincent Misiano doing an impression of Thomas Schlamme, using editing and immaculate stagecraft to simulate the episode with the dual impediments/restrictions of COVID-19 precautions and the stage at the Orpheum Theater in downtown Los Angeles. Indeed, this was not one of those star-studded table reads we've seen so frequently in recent months with celebrities hopping onto Zoom to giggle their way through classic scripts. I might have wanted to see a smidge less cheating and redecorating of set between stages, but Schlamme generally executed the episode with a high level of theatricality."
• It’s heavy handed and full circles in a way that’s very satisfying, unrealistic, and cute: The special is a "fascinating exercise to see the soothing relic of The West Wing’s idealistic lens dusted off to meet the dark chaos of a crisis moment in the Trump era; a political fairy tale in the midst of a real-world horror story," says Kevin Fallon, adding: "The episode is a warm throwback to a time when a TV show could portray politics and democracy as cute and get away with it. Still, the nonpartisan message is a clever mirror to the When We All Vote mission of the benefit...The staging was gorgeous, stripping the kinetic energy that defined a typical episode of the show to barebones cast and sets. It was all very play-like, a respite from the Zoom reunions and readings of the last months. If you missed the notorious walk-and-talks, you’ll be impressed with how much movement and athleticism the camerawork managed to provide."
• Unlike some awkward reunions and revivals of the past few years like BH90210, The West Wing special is smooth and slick, beautifully staged and acted: "Seeing the original cast together, accompanied by Sterling K. Brown taking on Spencer's role of Leo, even in a pared-down set, was emotional, gratifying and comforting in a world changed by the COVID-19 pandemic," says Kelly Lawler. "Sure, everyone's a little older and grayer, and there is even more disconnect between the politics of the show and real-world politics, but for fans of the show and its exceptional cast, it is a cathartic release. It's wonderful and heartwarming to see recurring guest stars from the White House staff and press pool return to read a few lines."
• The special always stays on the right side of being a Very Special Episode: "That’s in large part because Sorkin and Schlamme allow the meat of special—'Hartsfield Landing'—to remain sacrosanct," says Patrick Gomez. "But, while the 2002 script was left entirely intact, Schlamme found ways to infuse his staging at Los Angeles’ Orpheum Theater with dynamic elements that never leave the audience longing for the million-dollar set pieces back at the Warner Bros. lot. By pulling focus between background and foreground, Schlamme creatively captures moments that required cuts between multiple sets in the original production—a recurring directorial choice that begins at the top of the episode when recurring guest star Emily Proctor starts things off by reading the stage directions. (It’s a kick to hear Sorkin’s previously silent Sorkenisms read aloud as the scenes are set. Diehard fans may also find it surprisingly emotional to hear composer W.G. Snuffy Walden play the West Wing theme music on acoustic guitar before he is joined by a live string band.)"