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#1 |
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Join Date: Jan 09, 2001
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I've addressed Miller-Boyett Productions several times on here so I'll try not to go to deeply at the moment. Do you think that all of their shows (especially their post Paramount/Garry Marshall work at Lorimar), including Valerie/Valerie's Family: The Hogans/The Hogan Family don't hold up at all? Do you think that they may have lowered the bar for sitcoms for a generation?
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Last edited by TMC; 06-21-2019 at 03:24 AM. |
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#2 | |
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#3 |
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Join Date: Jun 25, 2001
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They’re certainly not classics, but then again, there are a lot of shows from the 60s and 70s that were popular at the time and aren’t classics either. There are kids who grew up on Full House and Family Matters in the 80s and 90s and have a lot of affection for them. It’s the same way I have a lot of affection for the Brady Bunch, and people from a generation before think it’s terrible.
Did Miller/Boyett lower the bar? No. It was plenty low to begin with. They sure didn’t raise it though. |
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#4 | |
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#5 |
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Julie,Julie Anne,&Felice 4Ever
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Yeah, they definitely didn't understand the importance of continuity.
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#6 | |
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#7 |
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22 Years at Sitcoms Online
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No the bar was lowered this century.
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#8 |
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Julie,Julie Anne,&Felice 4Ever
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#9 |
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I posted this in the Happy Days and Laverne and Shirley forums previously. As far as Happy Days is concerned, Robert Boyett joined the production staff around 1978-79. Before this, the bulk of the production (besides Garry Marshall of course) on Happy Days was handled by Thomas Miller and Edward Milkis. I thought about this after watching the Rowdy Reviewer's "TV Trash" retrospective on Joanie Loves Chachi.
Not that it matters in regards to Happy Days but as the newly christened Miller-Milkis-Boyett Productions, no show outside of Bosom Buddies lasted for more than a single season. And even Bosom Buddies itself, only got two. And while it's hard to truly blame Robert Boyett for whatever went wrong with Joanie Love Chachi, bare in mind that Edward Milkis none the less, got bumped down to "Associate Producer" on that show. Meanwhile, on Laverne and Shirley, many fans naturally point to Season 6, when the locale changed from Milwaukee to Los Angeles as when the show jumped the shark. But the show was already slipping creatively leading up that point, don't you agree? It was around this time that the humor seemingly became more juvenile, with more "awwww" moments, and more dramatic episodes. Meanwhile, they brought on writers like the aforementioned, Bob Boyett and Jeff Franklin, who perfected the family-friendly "laughter with heart" formula later used in Full House, Family Matters, etc. |
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Last edited by TMC; 10-19-2020 at 04:43 AM. |
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#10 |
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I was reading a recent entry on Ken Levine's blog concerning the studio audiences on sitcoms applauding the main characters entrances. Somebody wrote in the comments section that the writing on the shows (which depending on whom you ask, was for the most part, writing is high school level deep) that Miller and Boyett helped produced, especially the ones that the worked on with Garry Marshall back at Paramount (i.e. Happy Days, Laverne & Shirley, and Mork & Mindy) always pandered to the audience. You had actors reiterating catch phrases and mugging their lines for the audience that screamed their heads off everytime someone new entered the room. And it wasn't just the outsized cheering, yelling and screaming that greeted every cast member's entrance (it's one thing to do that when the Fonz enters, it's a whole lot other when Tom Bosley enters), but the sappy endings those shows liked to do, where the principals in that episode's story spelled out for the audience the big, important lesson they'd learned while sentimental music played in the background.
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#11 | |
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#12 |
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I've never been a fan of Miller / Boyett. I thought most of their sitcoms were horrible.
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#13 |
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Julie,Julie Anne,&Felice 4Ever
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Yes, and as time went on, they got worse. Miller-Boyett never understood that their audiences cared about the characters. If you lose those characters, the audience gradually tunes out.
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#14 |
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I briefly mentioned on the Happy Days forum how many more clunker episodes were made after Boyett joined. Valerie/Hogan Family and Family Matters are good in small doses. Step By Step is blah, and Full House is horrendous. I’ve seen very little of Perfect Strangers.
I have never liked Laverne and Shirley, even before Boyett. The characters were annoying, even on Happy Days. |
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#15 | |
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https://www.neogaf.com/threads/mille...post-164693850
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