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Join Date: Jan 09, 2001
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https://www.theatlantic.com/entertai...e-fire/555923/
"In its first season, Donald Glover’s auteurist comedy was only glancingly about the career of the newbie rapper Paper Boi (a.k.a. Alfred) and his manager, Earn," says Spencer Kornhaber. "But Season 2 has built a mordant, multi-front parody of what it’s like for a young talent who’s building buzz. Paper Boi is subjected to a series of small humiliations—not by one all-powerful corporate boss (at least so far), but from a range of culture vultures that include fans, rivals, and technological gatekeepers. The problem isn’t Everything Now. It’s everything, now." ALSO: |
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