A case of bad writing almost made Carroll O'Connor leave In the Heat of the Night

[TMC]

https://www.metv.com/stories/a-case-...t-of-the-night

To O'Connor, In the Heat of the Night was not just another cop show and shouldn't have been treated as such.

[Shania]

"I nearly left the show after last season," he revealed to journalist Michael E. Hill. You'd think those words would be said in a tiresome or upset tone, but O'Connor was calm, as if it wasn't a big deal.

"We were getting recycled crime-series scripts. I saw a dialogue I'd seen in other shows. Then Fred Silverman (the show's producer) broke into print, saying it's foremost a crime show. I told him he didn't need me to do another crime show with flashing lights and sirens going. That's bull," he added.

O'Connor was known for always speaking up behind the scenes, no matter what project he was working on, and In the Heat of the Night was no different. However, it was normal for him and Silverman to disagree with the show's direction. According to the actor, there were no hard feelings. He said, "We're cordial. I can tell him he's full of it, and he can say the same to me."

The show's material disappointed O'Connor, and he called the writing second-best. "I told them it would have to improve, or they would have to get someone else. They were taking big city stories and imposing them on a small town. It was like having Miami Vice plots forced into a little town setting."

O'Connor should be given the credit for the show being so good. I've been watching episodes from each season recently, and all of the writing is strong. I was surprised it never lagged, but now I know why.