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#1 |
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Join Date: Apr 15, 2017
Posts: 64
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What is with the frequent, crazy close-up shots where they fill the entire screen top to bottom with an actor's head so you can see every wrinkle and pockmark on the actors' faces? Feels very claustrophobic when they do that. I can't think of any other sitcom that indulged in this kind of idiosyncratic camerawork. It's normal to at least include shoulders as well as some space above the head in the frame.
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#2 |
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Join Date: Mar 07, 2009
Location: USA
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One of tonight's episodes on Antenna TV had a big close-up of Flo. And not for any real good reason. I was kinda taken aback.
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#3 |
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Join Date: Aug 12, 2013
Posts: 2,660
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Yeah its very unusual especially in sitcoms for tight close ups on actors faces.
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#4 | |
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Quote:
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#5 |
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#6 |
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I had never thought about it prior, but the Jerry Reed episode, shown earlier tonight, also had some big close-ups of the faces.
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#7 |
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A lot of the earlier episodes were shot like this... the same way they do it in soap operas. I have no problem with it, gives the actor a chance to expound on the emotion of a scene through facial expression.
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#8 |
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Join Date: Jul 10, 2020
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I read that one of the producers of the first season was somehow related to Norman Lear (R.S. Allen) so that would explain why a lot of the first season episodes felt like one of Lear's issue oriented sitcoms. I recall most of these soap opera closeups from that season.
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#9 |
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Join Date: Apr 30, 2007
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Many people were still watching on sets with screens that were 24" and smaller. 19" was very common in color and b&w sets right into the 80's for weight and portability.
To make someone's face stand out in such a cramped space, tight close-ups were common and coveted! Actors loved one-upping others, often demanding a certain amount of those surgical closeups per show in their contracts. Not uncommon. |
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#10 |
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This is an interesting thread. I thought they only did extreme close-ups in Wayne's World.
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#11 | |
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Quote:
Check out ITV's classic sitcom, Rising Damp. The whole 1st season was extreme closeups and on purpose. The idea was to make the viewer feel the cramped space of the drab, close quarters of the crumbling, old boarding house. The muted wallpaper, sparse and aged decor including purposefully uncomfortable-looking chairs.. even the beds were nearly half the normal size to make everything seem closed-in. |
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