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Old 04-27-2017, 06:07 PM   #1
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TV A&E Stops Original Scripted Content becoming All-Reality Network

A&E Doubles Down on Non-fiction, Exits Scripted in Programming Strategy Shift
by Nellie Andreeva
April 27, 2017



As A&E is reaching a turning point in its ratings comeback with the first back-to-back months of viewership growth in almost four years, the A&E network is recalibrating its programming strategy, returning to its roots as an exclusively non-fiction brand.

Following the end of A&E’s signature drama series "Bates Motel" earlier this week, there will be no more scripted programming on the cable network going forward.





The move had been in the works for awhile; while A&E launched a number of unscripted series over the last two years, including recent breakouts "60 Days In", "Leah Remini: Scientology and the Aftermath", and "Live PD", there have been no scripted greenlights — pilot or series — since 2015.

A&E’s head of scripted, SVP Gabriel Marano, already had transitioned to A&E Studios where he reports to EVP Barry Jossen.





Scripted programming has had a continuous presence on A&E for the past 9 years, though no series introduced since the 2013 debut of "Bates Motel" lasted more than a season.

After an initial foray in the arena with the Sidney Lumet legal drama "100 Centre Street", which aired for two seasons from 2001-02, the network launched a major scripted push in 2008-09 with the miniseries "The Andromeda Strain" and drama series "The Cleaner" and "The Beast", both of which ran for two seasons.

Besides the well-received Psycho prequel "Bates Motel", which just wrapped its five-season run, A&E’s biggest scripted success came with dramas "Longmire" and "The Glades", both of which aired for three seasons. (Longmire has produced three more for Netflix following its cancellation by A&E.)





I am extremely proud of all the scripted that we’ve done,” said Rob Sharenow, EVP and General Manager, A&E and Lifetime, who took over A&E in 2015 after previously working in the network’s nonfiction department from 2003-2011, rising to head of nonfiction and alternative.

I think Bates Motel was one of the best shows on television but to be candid, it was a bit of an outlier on the schedule, there wasn’t an ecosystem of scripted to support it. I think it’s a testament to the power of the A&E brand that we’ve had the success we’ve had in scripted given the limited amount of investment we’ve made in that area.

But I think in today’s world where we really try to clarify and focus our brand for the consumers and to lean into what we are best known for, what we are best at, I think it was a good time to say, ‘We are going to double down on nonfiction content where we are having a lot of success. The market’s really hungry for it.'






It is symbolic that the new chapter of A&E as a fully unscripted brand starts with the return of the show that first established the network as a nonfiction destination, "Biography".

The biggest show on A&E for 20 years, earning 44 Emmy nominations and several wins, "Biography" is being revived across the A&E Networks, starting with a two-hour documentary about the murder of rapper Notorious B.I.G., which premieres on A&E on June 28.

In addition to "Biography", A&E’s signature nonfiction series include "The First 48" and the Emmy-winning "Intervention", both of which have been on for more than a decade, joined in 2010 by "Storage Wars" and in 2014 by "Wahlburgers", both of which became franchises, spawning additional shows.

The network found a mega hit in the 2012 "Duck Dynasty", which propelled the network to meteoric ratings highs early in its run. But with its decline, so did A&E’s fortunes.





After going through a slump the last couple of years with no major new hits, A&E has been on the upswing again, posting the first year-to-year ratings gains since 2013 in September (A25-54), December (A24-54, total viewers), March (viewers) and April (A24-54, total viewers).

Sharenow attributes the recent success to breakouts "60 Days In", currently in Season 3 with a fourth season already shot; "Scientology and the Aftermath", renewed for a second season to air in the summer; and "Live PD", which “has been really transformative for the brand.

"Live PD‘s" initial 8-episode run was extended, and the live show has expanded to two nights a week. It is currently slated to air weekly on Fridays and Saturdays through May 13, with talks underway to extend that further through the summer.





Sharenow also noted that over the past 12 months, A&E’s "Born This Way" and "Cartel Land" won Emmys while "Life, Animated" received an Oscar nomination.

That is an amazing aggregation of great stuff all hitting at once,” he said. “It builds upon a foundation that was already there with shows like Intervention, The First 48, Nightwatch, not to mention Wahlburgers and a lot of the stuff that has been an ongoing part of our DNA for quite a long time.





The momentum in nonfiction likely played a role in the decision to phase out scripted programming on A&E. Also factoring in is the fact that the genre is well represented within A&E Networks by stronger scripted brands.

From a portfolio perspective, we have within our family Lifetime and History,” Sharenow said. “I think that Lifetime is a premium scripted destination, it always has been and will be. We just announced the Greg Berlanti series, You, we have UnReal, we’re really looking to build upon that with both series and movies. And on the History side, History in my opinion has some of the best, most successful shows on television in Vikings and Six, and that’s another area our company is looking to invest more.

There will be a programming investment in A&E too where resources will be redirected to documentaries and docu series. “We will be increasing the number of hours,” Sharenow said, adding, “We are very careful to curate based on the quality of the project.





On the heels of the success of "Live PD", A&E is developing more live programs.

As for the network’s existing scripted development, will the projects be released or redirected to sister networks History and Lifetime? “It really depends on the project,” Sharenow said. “Everything is being evaluated based on what the opportunity is both internal and external. There isn’t a cookie-cutter response based on the project.





As the cable universe becomes more fragmented, networks have been looking to narrow their brands to distinguish themselves from the competition. After briefly expanding into half-hour comedies, USA Network pulled away from the genre to focus on its core drama programming that viewers associate with its brand.

Similarly, three years after it entered the unscripted arena, AMC pulled out to focus on its core scripted business.

http://deadline.com/2017/04/ae-nonfi...ft-1202077488/
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Old 04-27-2017, 06:44 PM   #2
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how ironic that they no longer have any interest in actual "art" or "entertainment" - completely worthless channel now.

and as for referring to Lifetime as a home of "premium scripted dramas" - what a joke, those Lifetime movies and scripted series or so hilariously bad I don't know how anyone can watch them other than to ridicule them.

History used to be good, now it is completely unwatchable with the only good educational programs being so over-run it is completely pointless.
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Old 04-27-2017, 07:04 PM   #3
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Cable as a whole is a waste. I see why many are cutting the cord.
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Old 04-27-2017, 07:30 PM   #4
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Old 04-27-2017, 07:31 PM   #5
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Duck Dynasty was a terrible sitcom(they call it reality show, but it was 100% scripted and fake) but they'll fail even more this way by converting it. Smh.
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Old 04-27-2017, 07:46 PM   #6
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I enjoy the reruns of Flipping Vegas on Saturday morning, but it's so obviously scripted... Nevertheless, Scott and Amie put on a good show of it...they really ought to be actors.

On the other hand those Zombie House Flipping people are a bunch of doofuses...I can't imagine how they make money. That show didn't last...they keep rerunning the same few episodes every week.
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Old 04-27-2017, 07:49 PM   #7
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Oh, yeah, another comment...I agree with a comment above. How can they keep the name A&E...unless you invent something new for it to stand for. It certainly has noting to do with arts.
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Old 04-27-2017, 09:06 PM   #8
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I enjoyed A&E back when they were rerunning "The Fugitive." When was that? Back around 1991 or 1992 or so? Haven't watched the network since.
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Old 04-27-2017, 09:23 PM   #9
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Sounds like that goes back to the days when they had shows like Evening at the Improv. When they really were the Arts and Entertainment Network.
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Old 04-28-2017, 08:20 AM   #10
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Is Flipping Vegas still being made? I enjoyed that show.
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Old 04-28-2017, 08:47 AM   #11
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Quote:
Originally Posted by Willbo
Is Flipping Vegas still being made? I enjoyed that show.
No, it's out of production. Not sure why...it still seems to be popular...

The A&E channels don't seem to have any house flipping shows in production now.
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Old 04-28-2017, 10:43 AM   #12
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Quote:
Originally Posted by Svenfan1234
Duck Dynasty was a terrible sitcom(they call it reality show, but it was 100% scripted and fake) but they'll fail even more this way by converting it. Smh.
Why do you keep debating yourself that the show is a sitcom (while others say it's reality show)?
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Old 04-29-2017, 02:05 PM   #13
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A&E should now be called ARN! All-Reality Network!

I can't watch TV anymore...
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Old 04-29-2017, 02:49 PM   #14
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Quote:
Originally Posted by Svenfan1234
Duck Dynasty was a terrible sitcom(they call it reality show, but it was 100% scripted and fake) but they'll fail even more this way by converting it. Smh.
Calling Duck Dynasty a sitcom is an insult to actual sitcoms.
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