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Good Times links and theme songs at Sitcoms Online / Good Times Photo Gallery
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#1 |
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Member
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Join Date: Jun 30, 2001
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I apologize if this thread has been posted before. Why did John Amos leave Good Times? Was he fired or he left on his own. Fights? I saw the episodes where he was killed. I just why he was written out?
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#2 |
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John was fired for fighting with the producers. He felt that the show played into black stereotypes and that the JJ character was a buffoon.
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#3 |
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Join Date: Aug 21, 2004
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I wouldn't of killed off john amos character I would have replaced him with Hal Williams aka Smitty an Luster Jenkins he was more like james but I would have replaced his character just like the original vivian was replaced with a new Vivian from the.fresh prince
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#4 | |
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#5 | |
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#6 |
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I never watched Good Times but the episode when he died stuck with me. I mean how tragic. Wasnt there some big party or something for James and then Florida answered the phone and found out he was dead?
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#7 | |
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#8 |
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wasn't he killed in a car accident or something like that?
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#9 | |
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#10 |
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John Amos was called by Norman Lear, and said Norman told him he had good news and bad news, good news that Good Times was being renewed, bad that he was being let go.John hung up briefly afterwards.
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#11 | |
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#12 | |
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#13 | ||
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#14 |
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Its such a dicey situation, with so many moving parts at the time. The interesting thing is that BOTH Esther Rolle and John Amos complained. So it wasn't just Amos all by himself with this issue of JJ the Bafoon. Its has evolved over time to be perceived that only John Amos - all by himself - ranted and complained over the character or JJ. If you think of it, Ester Rolle probably felt even more frustrated since the show was HERS to begin with, not Jimmie Walker nor anyone for that matter. Esther Rolle expected to have the biting one-liners, the long monologues, and the sassy comedic jokes. Her lines were probably cut more than anyones in order to expand the JJ comedy jokes.
Janet DuBois spoke a little bit on Esther Rolle many years later, stating that Esther Rolle was very territorial about the show, the scripts and even casting. Apparently, she was somewhat shady with Janet DuBois and the producers for casting Janet DuBois without her approval. DuBois hinted that Rolle apparently got over the casting decision I am assuming eventually forged a decent working relationship with Janet DuBois. But Esther did initially disagree with the casting choice of Janet - or at least she felt she should have had some say-so in the choice. But getting back on track, I can totally understand actors - especially trained black actors coming out of the 50s and 60s eras of Black charicatures and negative images so prevalent- being especially sensitive to negative Black images. Let's face it, JJ was a bafoon and clown, no doubt. JJ could not read, he had majorly exaggerated facial expressions especially with lips and eyes, he basically flunked out of school, and he dressed like no one would really dress, including in the hood. And all of those flaws were magnified and pointed out in the writing, EVERY episode. But its important to acknowledge that white shows also had a clown or comic relief character - someone to take the pie so to speak. So I suppose the question becomes, is the clowning and bafoonery done at the expense of the integrity of the plot and to the detriment of using the other characters? In the case of the JJ character, probably so. Ralph Carter aka Michael Evans, was supposed to be the breakout character. That is very clear to see in the first 5 or 6 episodes of the first season. He had the long monologues, he had the one-liners and the comebacks, and the smart insightful social commentary. He was supposed to emerge from the show as a "child star." Everyone admits that now, including Norman Lear and the producers first season. But when the JJ character took off mid-way into season one the entire cast and crew found themselves changing up tremendously. And the producers and directors flipped the script in a major way. Look at the first 5 or 6 episodes of season one, and compare them to the second half of season 1 and most of Season 2. Huge shift in how the lines are being delivered and how the comedy is being conveyed, mostly by JJ. In the first few episodes, all the kids had the jokes. By the end of season 2, Michael and Thelma rarely did jokes. Their characters were played pretty "straight" laced, and they just fed or set up for the JJ punch line, or they reacted to a JJ joke. That's a huge thing to absorb by a cast who, up to that point, was told something different about how the show would take off, and how the "ensemble" would be used. Esther Rolle and John Amos complained of this. Ralph Carter was too young to complain, but I'm sure he saw in hindsight how his character was seriously diluted or moved a little bit more to the background. Thelma as well, but maybe not as much as the Michael character. I think the part that goes unspoken and may be the true underlying tension is that Jimmie Walker took advantage of the situation, even writing some of the jokes with the staff writers and getting his buddies hired on as comic writers. He was not interested in advancing the show, or the Evans family, he was interested in advancing his career as a comic, nothing more, nothing less. He will tell you that now. While I do stick up for Amos' point of view on the JJ character being a bafoon, there is no doubt that the JJ character took off. There is no way around that fact. The producers would have been foolish not to capitalize off of the character. And let's face it, Amos was hired to act, not write scripts. But then again, Carole O'Conner, Henry Winkler all bullied the writers and producers when they didn't like a script or wanted to change it. They shut down production, demanded more money, insisted on writing credits, basically everything Amos did. And like Amos, they felt they could get away with it because they thought of themselves as the, or one of "the stars" of the show. I'm sure they were labelled as "disruptive" just like Amos, but in their cases, the producers decided to deal with it. In the case of Amos, they axed him. I say all this to say - I see both sides of the situation. Not necessarily any right or wrong point of view. I understand Amos' side (integrity) and I understand the writers/producer side (easy money and go with the proven comedy formula that is working). But I can tell you this much, Amos is at peace and learned from the situation. I question that Jimmie Walker is in a better place. He seems bitter, somewhat shameful, in denial, defensive and in avoidance of discussing his time with Good Times. I read his book, and he does not speak fondly of his time with Good Times. He gives no credit to the cast, barely mentions them or acknowledges their talent. He only see the show through selfish eyes. He gives credit to no one or nothing else but himself on that show. |
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Last edited by ramled; 07-08-2015 at 06:52 PM. |
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#15 |
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Esther Rolle was the star of "Good Times". The series was a spin-off of "Maude", and created specifically for Esther. Rolle's ... well...ROLE...
....differed substantially than that of John Amos who was basically just another actor in the series. Rolle did voice her concerns quite openly and honestly, but the fact was, Walker was already clearly defined as the breakout star. This type of thing has occurred many times through the history of television. An actor and/or character becomes the main focus of a series, although that was not the original intent. When you deal with actors who have to deal with fragile, out of control egos. It goes with the territory. Janet DuBois was born in 1946 (according to sources anyway), Rolle was born in 1920. Rolle had concerns that audiences would not believe DuBois was the same age as her (Rolle was old enough to be DuBois' mother!) Interestingly, age differences didn't seem to be a problem on that show, since Rolle was 19 years older than Amos and Walker was only 8 years younger than Amos. But of course, who knows, since actors lie about their age all the time. |
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