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#1 |
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Member
Senior Member
Join Date: Jul 20, 2007
Location: Nebraska
Posts: 2,675
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Which did you prefer?The black and white ones done in the 1930's and 1940's,or the color ones ,from the mid 1940's to the late 1950's?Although the black and white ones were okay,I liked the color cartoons a little bit better.And a question:In the not-very-good black and white cartoon "I Never Changes My Altitude",Popeye jumped the shark by doing something in the beginning he NEVER did in any other cartoon,black and white,or color.What was it?
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#2 |
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Cheers!
Forum Fanatic
Join Date: Dec 14, 2005
Location: Sunny California
Posts: 11,059
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The have colorized the black and white eps and they look good. I grew up watching the reruns from the 50's so I prefer those but do like the 30's and 40's ones.
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#3 |
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Drew Carey from Hell
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Join Date: Nov 10, 2007
Location: The City of Cleveland, in The State of Cleveland, in The United States of Cleveland
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That would be difficult to say, I liked the cartoon where Popeye was Aladdin, but the 1940's and 1950's Popeye cartoons were finely animated.
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Thank God for kids that love Obscure Things. Lee Hazlewood (1929-2007) You ARE Special to God! Rev. Ernest Angely (August 1921-May 2021)
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#4 |
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I Love Susie
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Join Date: Oct 18, 2005
Location: South Carolina
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As I see it, the main drawback of the Famous Studio cartoons (i.e., the later
ones) is many of them are simply remakes of some of the earlier Fleischer cartoons. But the original Famous cartoons are pretty good, largely due to Jack Mercer (who not only voiced Popeye for several decades but also wrote some of the scripts for the Famous cartoons). It should also be mentioned that the redesigned Olive Oyl is more appealing, and so is Mae Questel's voice over her predecessor's. |
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#5 |
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Member
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Join Date: Oct 23, 2010
Location: New York State
Posts: 1,304
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I like both the black and white and color Popeye cartoons.It's been quite some time since I've seen them,they used to always be on the air,and now no tv station shows them.It's rediculous.
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#6 | |
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Location: Nebraska
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Quote:
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#7 | |
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Quote:
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#8 |
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Member
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Join Date: Mar 29, 2006
Location: Long Branch, N.J.
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...the 1933-'42 Max Fleischer black and white cartoons were the superior ones. After Seymour Knietel (Max's son-in-law) and three other key studio members {directors Isadore Sparber, Dan Gordon and business manager Sam Buchwald} took over on Paramount's behalf as it became "Famous Studios" in 1942, the quality started to slip a bit...and slightly accelerated when they "converted" to full color production in 1943...and deteriorated towards the end of the '40s when they temporarily used cheaper color processes other than Technicolor {Cinecolor, Polacolor} to save money. By the early '50s, after Buchwald's death, Famous became a "run of the mill" studio, just grinding out popular cartoons with no artistic aspirations whatsoever. The studio, later known as "Paramount Cartoon Studios", just lingered on until the end of 1967- ten years after their last theatrical Popeye cartoon {"Spooky Swabs"}, and six years after their last Popeye TV cartoon for King Features.
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