Paul Newman 1925-2008

[Zoneboy]

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WESTPORT, Conn. (AP) — Paul Newman, the Academy-Award winning superstar who personified cool as an activist, race car driver, popcorn impresario and the anti-hero of such films as "Hud," "Cool Hand Luke" and "The Color of Money," has died. He was 83.

Newman died Friday after a long battle with cancer at his farmhouse near Westport, publicist Jeff Sanderson said. He was surrounded by his family and close friends.

In May, Newman he had dropped plans to direct a fall production of "Of Mice and Men," citing unspecified health issues.

He got his start in theater and on television during the 1950s, and went on to become one of the world's most enduring and popular film stars, a legend held in awe by his peers. He was nominated for Oscars 10 times, winning one regular award and two honorary ones, and had major roles in more than 50 motion pictures, including "Exodus," "Butch Cassidy and the Sundance Kid," "The Verdict," "The Sting" and "Absence of Malice."

Newman worked with some of the greatest directors of the past half century, from Alfred Hitchcock and John Huston to Robert Altman, Martin Scorsese and the Coen brothers. His co-stars included Elizabeth Taylor, Lauren Bacall, Tom Cruise, Tom Hanks and, most famously, Robert Redford, his sidekick in "Butch Cassidy" and "The Sting."

He sometimes teamed with his wife and fellow Oscar winner, Joanne Woodward, with whom he had one of Hollywood's rare long-term marriages. "I have steak at home, why go out for hamburger?" Newman told Playboy magazine when asked if he was tempted to stray. They wed in 1958, around the same time they both appeared in "The Long Hot Summer," and Newman directed her in several films, including "Rachel, Rachel" and "The Glass Menagerie."

With his strong, classically handsome face and piercing blue eyes, Newman was a heartthrob just as likely to play against his looks, becoming a favorite with critics for his convincing portrayals of rebels, tough guys and losers. "I was always a character actor," he once said. "I just looked like Little Red Riding Hood."

Newman had a soft spot for underdogs in real life, giving tens of millions to charities through his food company and setting up camps for severely ill children. Passionately opposed to the Vietnam War, and in favor of civil rights, he was so famously liberal that he ended up on President Nixon's "enemies list," one of the actor's proudest achievements, he liked to say.

A screen legend by his mid-40s, he waited a long time for his first competitive Oscar, winning in 1987 for "The Color of Money," a reprise of the role of pool shark "Fast" Eddie Felson, whom Newman portrayed in the 1961 film "The Hustler."

Newman delivered a magnetic performance in "The Hustler," playing a smooth-talking, whiskey-chugging pool shark who takes on Minnesota Fats — played by Jackie Gleason — and becomes entangled with a gambler played by George C. Scott. In the sequel — directed by Scorsese — "Fast Eddie" is no longer the high-stakes hustler he once was, but rather an aging liquor salesman who takes a young pool player (Cruise) under his wing before making a comeback.

He won an honorary Oscar in 1986 "in recognition of his many and memorable compelling screen performances and for his personal integrity and dedication to his craft." In 1994, he won a third Oscar, the Jean Hersholt Humanitarian Award, for his charitable work.

His most recent academy nod was a supporting actor nomination for the 2002 film "Road to Perdition." One of Newman's nominations was as a producer; the other nine were in acting categories. (Jack Nicholson holds the record among actors for Oscar nominations, with 12; actress Meryl Streep has had 14.)

As he passed his 80th birthday, he remained in demand, winning an Emmy and a Golden Globe for the 2005 HBO drama "Empire Falls" and providing the voice of a crusty 1951 car in the 2006 Disney-Pixar hit, "Cars."

But in May 2007, he told ABC's "Good Morning America" he had given up acting, though he intended to remain active in charity projects. "I'm not able to work anymore as an actor at the level I would want to," he said. "You start to lose your memory, your confidence, your invention. So that's pretty much a closed book for me."

He received his first Oscar nomination for playing a bitter, alcoholic former star athlete in the 1958 film "Cat on a Hot Tin Roof." Elizabeth Taylor played his unhappy wife and Burl Ives his wealthy, domineering father in Tennessee Williams' harrowing drama, which was given an upbeat ending for the screen.

In "Cool Hand Luke," he was nominated for his gritty role as a rebellious inmate in a brutal Southern prison. The movie was one of the biggest hits of 1967 and included a tagline, delivered one time by Newman and one time by prison warden Strother Martin, that helped define the generation gap, "What we've got here is (a) failure to communicate."

Newman's hair was graying, but he was as gourgeous as ever and on the verge of his greatest popular success. In 1969, Newman teamed with Redford for "Butch Cassidy and the Sundance Kid," a comic Western about two outlaws running out of time. Newman paired with Redford again in 1973 in "The Sting," a comedy about two Depression-era con men. Both were multiple Oscar winners and huge hits, irreverent, unforgettable pairings of two of the best-looking actors of their time.

Newman also turned to producing and directing. In 1968, he directed "Rachel, Rachel," a film about a lonely spinster's rebirth. The movie received four Oscar nominations, including Newman, for producer of a best motion picture, and Woodward, for best actress. The film earned Newman the best director award from the New York Film Critics.

In the 1970s, Newman, admittedly bored with acting, became fascinated with auto racing, a sport he studied when he starred in the 1972 film, "Winning." After turning professional in 1977, Newman and his driving team made strong showings in several major races, including fifth place in Daytona in 1977 and second place in the Le Mans in 1979.

"Racing is the best way I know to get away from all the rubbish of Hollywood," he told People magazine in 1979.

Despite his love of race cars, Newman continued to make movies and continued to pile up Oscar nominations, his looks remarkably intact, his acting becoming more subtle, nothing like the mannered method performances of his early years, when he was sometimes dismissed as a Brando imitator. "It takes a long time for an actor to develop the assurance that the trim, silver-haired Paul Newman has acquired," Pauline Kael wrote of him in the early 1980s.

In 1982, he got his Oscar fifth nomination for his portrayal of an honest businessman persecuted by an irresponsible reporter in "Absence of Malice." The following year, he got his sixth for playing a down-and-out alcoholic attorney in "The Verdict."

In 1995, he was nominated for his slyest, most understated work yet, the town curmudgeon and deadbeat in "Nobody's Fool." New York Times critic Caryn James found his acting "without cheap sentiment and self-pity," and observed, "It says everything about Mr. Newman's performance, the single best of this year and among the finest he has ever given, that you never stop to wonder how a guy as good-looking as Paul Newman ended up this way."

Newman, who shunned Hollywood life, was reluctant to give interviews and usually refused to sign autographs because he found the majesty of the act offensive, according to one friend.

He also claimed that he never read reviews of his movies.

"If they're good you get a fat head and if they're bad you're depressed for three weeks," he said.

Off the screen, Newman had a taste for beer and was known for his practical jokes. He once had a Porsche installed in Redford's hallway — crushed and covered with ribbons.

"I think that my sense of humor is the only thing that keeps me sane," he told Newsweek magazine in a 1994 interview.

In 1982, Newman and his Westport neighbor, writer A.E. Hotchner, started a company to market Newman's original oil-and-vinegar dressing. Newman's Own, which began as a joke, grew into a multimillion-dollar business selling popcorn, salad dressing, spaghetti sauce and other foods. All of the company's profits are donated to charities. By 2007, the company had donated more than $175 million, according to its Web site.

In 1988, Newman founded a camp in northeastern Connecticut for children with cancer and other life-threatening diseases. He went on to establish similar camps in several other states and in Europe.

He and Woodward bought an 18th century farmhouse in Westport, where they raised their three daughters, Elinor "Nell," Melissa and Clea.

Newman had two daughters, Susan and Stephanie, and a son, Scott, from a previous marriage to Jacqueline Witte.

Scott died in 1978 of an accidental overdose of alcohol and Valium. After his only son's death, Newman established the Scott Newman Foundation to finance the production of anti-drug films for children.

Newman was born in Cleveland, Ohio, the second of two boys of Arthur S. Newman, a partner in a sporting goods store, and Theresa Fetzer Newman.

He was raised in the affluent suburb of Shaker Heights, where he was encouraged him to pursue his interest in the arts by his mother and his uncle Joseph Newman, a well-known Ohio poet and journalist.

Following World War II service in the Navy, he enrolled at Kenyon College in Gambier, Ohio, where he got a degree in English and was active in student productions.

He later studied at Yale University's School of Drama, then headed to New York to work in theater and television, his classmates at the famed Actor's Studio including Brando, James Dean and Karl Malden. His breakthrough was enabled by tragedy: Dean, scheduled to star as the disfigured boxer in a television adaptation of Ernest Hemingway's "The Battler," died in a car crash in 1955. His role was taken by Newman, then a little-known performer.

Newman started in movies the year before, in "The Silver Chalice," a costume film he so despised that he took out an ad in Variety to apologize. By 1958, he had won the best actor award at the Cannes Film Festival for the shiftless Ben Quick in "The Long Hot Summer."

In December 1994, about a month before his 70th birthday, he told Newsweek magazine he had changed little with age.

"I'm not mellower, I'm not less angry, I'm not less self-critical, I'm not less tenacious," he said. "Maybe the best part is that your liver can't handle those beers at noon anymore," he said.

Newman is survived by his wife, five children, two grandsons and his older brother Arthur.

[James]

Wow, this is so sudden! I saw the latest message on "Chit Chat" and learned this!

Here's an article: http://news.yahoo.com/s/ap/20080927/...mo/obit_newman

[Mr. Television]

Wow this is so sad. He was truly a living legend. He will be missed. R.I.P. Mr. Newman.

[Cactus Jack]

RIP Paul

[Zebra 3]

My favourite Paul Newman and hockey movie is Slap Shot ('77).

[ClassicTVGal]

My thoughts and prayers are with his friends and family.

May God be with them in this time of sorrow.

What a great loss to the Movie/TV world.


BTW, Does anyone know what kind of Cancer he had? I've been looking online and can't find anything. My mother was asking.

[mrs.gingerhinkley]

This is upsetting. Another great actor gone from the world. RIP.

[catlover79]

There will never be another one quite like Paul Newman. God be with his wife Joanne and the rest of the family.

[Zoneboy]

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Los Angeles (E! Online) - With his passing on Friday, Paul Newman leaves behind an inspirational, 83-year legacy of talent, love and compassion. This morning family, friends and colleagues are paying tribute to the prolific film star, racecar aficionado and passionate philanthropist.


"He set the bar too high for the rest of us. Not just actors, but all of us." – George Clooney

"He was my hero." – Julia Roberts

"There is a point where feelings go beyond words. I have lost a real friend. My life — and this country — is better for his being in it." – Robert Redford

"I was blessed to have known him. The world is better because of him. Sometimes God makes perfect people and Paul Newman was one of them." – Sally Field, his costar in Absence of Malice

"Paul Newman played many unforgettable roles. But the ones for which he was proudest never had top billing on the marquee. Devoted husband. Loving father. Adoring grandfather. Dedicated philanthropist... Always and to the end, Dad was incredibly grateful for his good fortune. In his own words: 'It's been a privilege to be here.' He will be profoundly missed by those whose lives he touched, but he leaves us with extraordinary inspiration to draw upon. During this difficult time, we ask for privacy for our family." – Statement from Newman's three daughters Elinor, Melissa and Claire, whose mother is Oscar-winning actress Joanne Woodward

"He was a master of his craft — an artist respected and emulated by his peers and beloved by movie fans around the world." – Dan Glickman, the chairman of the Motion Picture Association of America

"Paul Newman's craft was acting. His passion was racing. His love was his family and friends. And his heart and soul were dedicated to helping make the world a better place for all." – Robert Forrester, vice-chairman of Newman's Own Foundation, which has donated more than $250 million charities worldwide

"All who knew him, worked with him and who have been touched by his kindness and generosity are extremely fortunate. It was Paul's dream that the camps continue to thrive and provide laughter to children who need it most, and we will keep that dream alive." – Statement from the Association of Hole in the Wall Camps, which Newman founded in 1988 for children with serious medical needs

"Paul Newman was the ultimate cool guy who men wanted to be like and women adored. He was an American icon, a brilliant actor, a Renaissance man and a generous but modest philanthropist. He entertained millions in some of Hollywood's most memorable roles ever, and he brightened the lives of many more, especially seriously ill children, through his charitable works. – California Gov. Arnold Schwarzenegger

"Paul was an American icon, philanthropist and champion for children. We will miss our dear friend, whose continued support always meant the world to us. Our prayers and thoughts are with Joanne and the Newman family and the many people who Paul impacted through his endless kindness and generosity." – U.S. Sen. Hillary Rodham Clinton and former President Bill Clinton

"We mourn not only the passing of a screen legend, an actor of great depth and charisma who touched generations of fans, but we have lost a true Connecticut treasure in Paul Newman. We were blessed to have him as a friend and neighbor in Connecticut for nearly a half-century." – Connecticut Gov. M. Jodi Rell

[eltonfan80]

i am so sad he is gone he will be missed

[MightyCelestial]

Paul Newman's life/career is a rarity.

One of the most respectable filmographies in cinema history,
a marriage that exceeded typical Hollywood standards,
& a charitable nature that never stopped giving.



My top 5 fave Paul Newman flix:

5. The Sting - I always felt that scripting a movie that focuses on a successful elaborate con-job really requires an exercizing of creativity from the writer. Bringing in all the elements of the characters & acts to pull off a scheme that is both credible in it's enactment & at the same time fascinating in it's grand unfolding is a balancing act on a extremely narrow margin.
This was one of the 1st. ones I watched as a kid. The chemistry between Newman & Robert Redford was evident even to me, as young as I was. They acted cool, they looked cool & particpated in a scheme that, in my mind, was cool. This was the movie that began my affection for quality heist/confidence movies.

4. Butch Cassidy & The Sundance Kid - The first example of the lightning captured in a bottle that is the Newman & Redford combo. I like Newman's character more though in this movie than in the Sting. We get to see more of him as Butch Cassidy & the relationship with his fellow bank robber, Harry Longabaugh. A really unique western that is both lotsa of fun & tragic at the same time.

3. Cool Hand Luke - How cool is Cool Hand Luke?
He's so cool that he's willing to eat 50 hardboiled eggs within an hour just to win a bet. This, in a prison where he has to share his immediate space with a
bunch of hardcore criminal chain-gang types, who are well within his ratio of flatulenciated influence. And if you can't understand that,
well then,
what we've got here
is a failure to communicate.

2. Nobody's Fool - Definitely, one of my top favorite holiday movies. Along with Paul's seasoned acting abilities, there are a bunch of reasons why I like this movie so much. However, I'll concentrate on the one scene that sold me over to this story of a father-son-grandson relationship. When Newman's character, a broken down old small-towner who still needs to grow up, attempts to make some amends for his neglective years as a father, by giving to his grandson a stopwatch, which, he claims will help in aiding to delay his fears for a full 60 seconds, every time the kid needs to enter a situation that requires him to be brave.

1. The Verdict - Probably my favorite court drama of all time. With almost a seasoned ease, Paul portrays a disheveled, aging, never-has-been, malpractice lawyer who finds within himself the humanity which never really had a chance to surface due to the layered weight of his chronic alcoholism. The movie & Newman's performance sets up very well the desolation & loneliness that the main character moves his life thru as he goes up against the legal system that giganticly favors the "big guys" over the "little guys". One can really get the sense that Newman knows that he stands no chance of winning the case, but continues moving on forward because he is, for the 1st. time in his barely neglible career, fueled by the honesty & goodness of what is right. A feeling that is so new to this character, that, combined with the realizaton that a human life is totally dependent him for justice, it becomes emotionally exhilirating enough to keep an almost broken old man to keep fighting on, no matter how high the price.
One of those rare times when the performance comes thru real enough to make us (oh, what am I'm talkin' about this "us" bullsh#t? What I really mean is "me") almost believe that even under the most insurmountable odds, there is always some kind of hope.



R.I.P.