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#1 |
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Have any of you seen, or plan to see this movie?? It stars Idris Elba (Sometimes In April), Keisha Knight Pulliam, (The Cosby Show) and Kirk Franklin, as well as many other great Gospel singers. Apparantely it has some really great music in it, and a touching storyline. I heard that it already earned double what it costed to make it. I hope many Christians, and Non Christians alike, will flock to this movie, so that we can get more movies like them made in the future. Anyway, I'm going to see it tomorrow with my mom. If anyone has seen it, please tell me what you thought of it.
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St. John 15:13 - Greater love hath no man than this, that a man lay down his life for his friends." Currently my favorite song. Last edited by Brad Russ; 10-17-2005 at 05:05 AM. |
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#2 |
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You can find the trailer for this movie at the web address below. For anyone who is into powerful Gospel music, or a touching story with a good message, you should definitely check out the trailer. I think this movie looks really good!!
http://movies.vidnet.com/player/2882...el_trailer.php |
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#3 |
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The Gospel
BY ROGER EBERT / October 7, 2005 Screen Gems presents a film written and directed by Rob Hardy. Running time: 103 minutes. Rated PG (for thematic elements including suggestive material, and mild language). 'The Gospel" is the first mainstream movie I can remember that deals knowledgeably with the role of the church in African-American communities. It is not a particularly religious movie; the characters are believers, but the movie is not so much about faith and prayer as about the economic and social function of a church: How it operates as a stabilizing force, a stage for personalities, an arena for power struggles, and an enterprise which must cover its costs or go out of business. The counterpoint for all of this drama is gospel music, a lot of it, performed by such well-known singers as Yolanda Adams, Fred Hammond, Martha Munizzi, the "American Idol" finalist Tamyra Gray, and by inspired gospel choirs in full praise mode. If the plot wanders through several predictable situations, and it does, the movie never lingers too long on those developments before cutting back to the best gospel music I've seen on film since "Say Amen, Somebody." Like an Astaire and Rogers musical, this is a movie you don't go to for the dialogue. As the story opens, Pastor Fred Taylor (Clifton Powell) presides over a thriving church in Atlanta. His son David and David's best friend Frank are both in the youth ministry. Flash forward 15 years. David, now played by Boris Kodjoe, is a rising hip-hop star with a hit on the charts: "Let Me Undress You." Frank (Idris Elba) is an associate minister. The church is having financial problems, and must close in 30 days unless funds can be found. At a meeting of a board of church overseers, Pastor Fred collapses. His son flies home to be at his bedside, gets the bad news, and is soon enough at his funeral. Before his death the old pastor turned the pulpit over to Frank. There was some jealousy among more veteran pastors, but that's nothing compared to the way David feels when he sees the big billboard out in front of his father's church, showing David with the motto: "A new church, a new man, a new vision!" It doesn't help that Frank has married Charlene (Nona Gaye), David's cousin. Will David return to his concert tour? His friend and manager Wesley (Omar Gooding) certainly hopes so: They've struggled a long time to get on the charts, to get the limousines and the hotel suites and the big crowds and such perks as the groupie David wakes up with the morning he gets the bad news about his father's health. Yes, David is a sinner, but he's not into drugs or booze, and it becomes clear, as his brief trip to Atlanta stretches to a week and then longer, that his spiritual life is calling to him. For Ernestine (Aloma Wright), his father's church secretary for many years, Frank is an interloper, and David belongs in the pulpit. The plot plays out in terms of David and Frank's personal and professional rivalries, with the deadline for foreclosure looming always closer. None of these details, in themselves, are particularly new or interesting. What is new is the way the church is seen not in purely spiritual terms, but as a social institution. Rob Hardy, who wrote and directed "The Gospel," obviously knows a lot about black churches, their services, their music, their traditions and the way the congregation interacts with the people on the altar. There are times here where call-and-response shades into put up or shut up. I am not an expert on African-American church services, but I have attended some, at Bishop Arthur Brazier's Apostolic Church of God and at the Rev. Michael Pfleger's St. Sabina's, and I appreciate the way the choir acts as a soundtrack for the service, softly coming up under the preacher's exhortation, taking over, backing down for more preaching, its body language expressing as much joy as the music, the congregation fully involved. It is accurate that you see some white faces in the congregations in this film: To recycle an old British advertising slogan, these services refresh parts the others do not reach. |
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Last edited by Brad Russ; 10-17-2005 at 06:16 AM. |
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#4 |
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Join Date: Aug 20, 2002
Location: Cleveland, Ohio
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Little Mel i'm surprised you posted about a black film because most whites don't watch black films. I was gonna check out The Gospel last weekend but i didn't. I'm definitely gonna see it this weekend. I love Nona Gaye. She is so damn fine. This movie has a good cast. I like Clifton Powell & Omar Gooding. Kirk Franklin isn't in the movie but he's on the soundtrack.
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#5 | |
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Quote:
Another reason I'm so into this film, is because it's a film in large part about faith. Iv'e said this many times, we need more movies of faith out there today. If Spielberg can put out his blasphemous Di Vinci Code, and directors can put out movies with: witches, warlocks, wizards, demons, strong sexuality, drug use, immorality, ecetera, then Christians too should have good quality entertainment that they can relate to. Hollywood is learning two things. You can make movies with diverse characters without using exploitation, and you can make good Christian films that people will go and see. And I am pretty happy about that. Hopefully Hollywood is finally coming to their senses!! |
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#6 |
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MAN VS SAMMICH.
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the movie looks okay...I think the music would be awesome....
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__________________
Whether I'm the rose of sheer perfection
A freckle on the nose of life's complexion The Cinderella or the shine apple of its eye I gotta fly once, I gotta try once, Only can die once, right, sir? Ooh, life is juicy, juicy and you see, I gotta have my bite, sir. Get ready for me love, 'cause I'm a "comer" I simply gotta march, my heart's a drummer Don't bring around the cloud to rain on my parade |
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#7 | |
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#8 |
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I'm going to go see it today.
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#9 | |
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smooches.
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Join Date: Aug 14, 2005
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I want your love & I want your revenge You and me could write a bad romance I want your love & all your lovers' revenge you and me could write a bad romance jezebel.com |
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#10 |
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Defy Gravity 8.26.05
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I think it rips off The Fighting Temptations.
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"oh mi godddd RENT's a mooovie! lyke 525600 minuuuuuuutes!" No. To be a Broadway Freak, you must live, eat, sleep, study, devout, think, obsess, dream, believe Broadway. You must know original & revival casts, soundtracks, performance runs, dates, theatres, numbers, how many Tony Awards A Chorus Line won. You must be Broadway. That's right bitches. I AM Broadway. |
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#12 | |
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Careful about knocking movies using magical characters , because the Chronicles of Narnia is coming out! I don't think Hollywood is using themes of sexuality and magic because they're trying to exploit fields "forbidden" to Christians, they're revolving around CONFLICT--this is what drives storylines in movies. I guess I shouldn't bring up my next screenplay: DRAG QUEENS IN A VAMPIRE WESTERN. (Quentin Tarantino, are you listening??) |
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Release the kitties. --Nathan Explosion |
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#15 | |
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Speaking of Muhammed, there was an incident back in the 70's I saw on t.v. where some members of the Nation of Islam (the Black Muslims) took people hostage in Washington D.C. (or wherever it was), and one of their demands was to stop the release of a movie about the prophet Muhammed. According to the Islamic faith, it was blasphemous to even depict the Prophet on screen, the whole act of a movie about his life was too idolatrous to Muslims. The people who made this movie seemed completely oblivious to this fact about the faith they were depicting, so they re-edited it and the whole movie ended up looking rather messed up and bombed (their idea was to "not" picture the Prophet and not offend Muslim sensibilities. Good luck with that one. ). So in spite of the success of movies like The Passion of the Christ, many directors and producers are kind of leery about making waves about religious films for this very reason. (And besides, it's been done so many times since the beginning of filmmaking.)
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