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#1 | |
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this time Paramount's inability to fork over music rights not only screws over Happy Days season 2, but also future Laverne And Shirley and Mork And Mindy DVD's (because Paramount has obviously never looked at Sony's handling of the Norman Lear titles, where Good Times has more DVD's out than All In The Family, while Maude has zero out, even tho GT is the spinoff of a spinoff of AITF)
I read this on Home Theater Forum from a poster who has Paramount connections Quote:
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#2 |
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This sucks. What the **** is wrong with them?
pat |
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#3 | |
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NY METS - #1
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What's wrong with who? Paramount? If someone is asking them for more money than would be profitable for them in order to include music on the dvd, why blame Paramount? The music rights holders? They're looking to make money, that's part of the business. |
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#4 | |
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#5 |
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I've read in alot of places, and I think you said this at the Charmed board too, that the reason season 2 of Charmed was delayed for 8 months was because of Paramount having a problem with music rights or something.
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#6 | |
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I think Paramount will do it well though, because there were lots of "period hit music" in season 1 that was retained, most notably Natalie Imbruglia's Torn being played at the beginning of an episode. I know other WB shows from the era like Dawson (where EVERYTHING was replaced), Roswell (but some "key" songs by the likes of Sheryl Crow, Dave Matthews and a few others, and retains the Dido theme song) and Popular (where most music was replaced but somehow Buena Vista retained usage of several Madonna tracks used over the two seasons) had to deal with a lot of missing music (or in Dawson's case, all missing music) on DVD because many of the WB shows use current music in the background and the sort that five years later really isn't as needed a lot of the time as it was just in the background to sell albums. Buffy had a few major copyrighted songs but they all made it to the DVD's (Cher's Believe in season 4, Sarah McLachlan in season 2 and season 6, Michelle Branch in season 6, Cibo Matto in season 2, etc...) but it never used period music by the bulk the way that the other shows have. |
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#7 | |
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#8 |
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I think with Happy Days, Paramount should see how much $$$ is needed for music for seasons 2-11 and then divide the sum of it by 10. Season 2 was single-camera, the early episodes had a lot more expensive copyrighted music to it, while there were exceptions in the "live" seasons (3-11), the great majority of the songs in those seasons were Potsie original songs. I am sure if Paramount calculated the $3-4 million it takes to clear season 2 and then the super-low prices seasons 3-11 would cost and divide it by 10, they'd probably see that it would pay off in the long run because once the show went before a live audience, there was far far less period 50's music used.
It's not like The Wonder Years or WKRP where every season would be just as expensive as the prior. Or hell, can't Paramount and Shout!Factory maybe go in half and half and split the rights to Happy Days season 2? |
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#9 | |
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#10 | |
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#11 | |
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I meant that maybe they put in Torn because they couldn't get the rights to a song that may have originally been there.
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#12 | |
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I'm surprised how they were able to keep all the album cover likenesses (like Fleetwood Mac, Linda Ronstadt, The Cars, ABBA, etc...) in the season 1 DVD. I know there's a part where a customer is holding a copy of Fleetwood Mac's Rumours and going "I am getting into Fleetwood Mac, is this a good album of theirs?" to Mindy. |
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#13 |
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Suburbanite Extrordinaire
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It's interesting that the rights to the vintage songs used on Happy Days (50's music) are still very expensive.
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#14 | |
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#15 | |
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couldn't they make a cross-promotion deal; put coupons in the sets for $$$ off of cd's by the artists featured in each season? i also think that Paramount should release the NAMES of these holdout artists so we can start a massive online boycott and all-around public humiliation-fest
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