Back To Milwaukee (A BTTF/HD crossover)

[Bea]

Scene 1- Hill Valley, CA, 1985. Doc Brown is working on his DeLorean Time Vehicle. 17-year-old Marty McFly walks in.
Marty: Hey, Doc. Where are we going now?
Doc: Marty, we are going back to the past!
Marty: Back to 1955?
Doc: No, to 1961! Milwaukee!
Marty: Milwaukee? Why are we going there?
Doc: You know how back in 1980 I created the Institute of Future Technologies in Hollywood? Well, I went ahead to 2001, Japan, and created another institue! We're going there because I have a press conference with the public! I would like you to assist me during the conference.
Marty: Whoa, this is heavy!
Doc: Tell me about! Not only that, but I heard some famous people were coming to the Conference!
Marty: Who?
Doc: Some guys named, "The Band". Sounds like a rock 'n' roll band of Milwaukee in the early 1960s.

They load into the DeLorean. Doc sets the desination time to April 23, 1961. Marty hears a strange noise from the Flux Capacitor.

Marty: (Looks worried) Doc, what's that noise?
Doc: Ah, it's problably nothing. Besides, you know how these DeLoreans act.

The speed is 85 MPH...

Marty: Doc, that noise is getting louder.

86.. 87.. KABOOM!!!!!

The back of the DeLorean explodes!

88 Miles Per Hour!

Doc: GREAT SCOTT!! THE FUSION GENERATOR HAS BLOWEN UP!!!

The DeLorean warps through the correct time... but not the correct demension.

[Bea]

Scene 2: Milwaukee, WI, 1961. There is a crowd of people dancing and laughing at Arnold's until a loud noise is heard.

Richie: Holy mackeral, what the heck was that?
Ralph: Whatever it was, Rich, it scared the living poop out of me!
Potsie: Okay, people, let me see what it is. (looks outside the window andd likes what he sees) That looks a bit like a car from the future.

Ralph and Potsie are resting at the booth with other people waiting for Richie and Lori-Beth to return with the information they needed. Ralph plops down on the plastic chair as Potsie plays pingball. Ralph looks at his watch and groans.

Ralph: Where the heck are they? They left over an hour a-

Suddenly the door swins open and Richie, Lori-Beth, Marty and Doc fall in. Lori-Beth kicks the door shut as Doc looks at Al.

Al: Clarence, it's him, it's Dr Emmett L. Brown of Hill Valley.
Lori-Beth: Shut up, Al. (to Marty and Richie) What the heck was that all about?! (dusts herself off and muttering) Hit and run attempt.

Ralph groans as Potsie, Marty, Richie and Lori-Beth sit at the booth and Fonzie.

Fonzie: Heeey, Al, that's the third time this week!
Marty: Did you guys get the info knowledge stuff about the future?
Richie: Indeed we did, Bucko. (to Fonzie) Thanks for telling us, Fonz.
Doc: So who's been telling Mr Fonzarelli to the Candy Man?
Richie: Uh, Potsie, it turns out Jennifer has been two-timing you.
Ralph: (in surprise) Jennifer Jerome?
Fonzie: Exactimundo. How do you think she gets all those UWM gigs with that voice of hers? (sits in the booth and took a sip of his coke Al made for him)
Potsie: Whatcha' drinkin', Fonz?
Ralph: That's Fonz's business, not ours, Pots!
Everyone: What the??????????????????????????????????
Marty: (slides out of the booth as Al brings him a cherry coke) Hey, Potsie, isn't Jennifer your ex-girlfriend?

Potsie: (sighing) Yeah, she was
Al: But I thought-
Potsie: (a bit louder) SHE WAS.
Ralph, Lori-Beth, Richie, Fonzie and Marty: Okay, okay.
Richie: (to Ralph) Is it just me, or has Potsie been acting really tense lately?
Ralph: It's not you, Rich. Something's bugging him.
Fonzie: (clears his throat) Well, we better visit Jennifer so we can get some answers. Oh, and kid?
Marty: Yeah, Fonz and my name's Marty.
Fonzie: I'm telling Mr and Mrs C where you and Doc B are, whoa. (snaps his fingers and the gang leaves)
Marty: Doc, what do you know about the Candy Man?
Doc: He was obviously Milwaukee's most notorious counterfieter!

Everyone else in Arnold's gasps and runs out.

Al: (arrivng) Free Arnold Burgers. (seeing the place empty (except for Marty and Doc) and nods his head) Yep, yep, yep, yep, yep, yep, yep, yep.

[Bea]

Scene 3: Milwaukee, WI, 1961, outside Becky’s, the coolest jazz bar in Milwaukee. The doors swing open as the gang casually walk in and they eye the place for a second.

Fonzie: Okay, we're here for the leader of the gang and only that guy. No fights this time, dig it?

Everyone glances at Potsie.

Potsie: Geez, Fonz, can't a guy make a mistake? (hears voices as the gang splits up)
Man’s voice #1: Are we all here? Alright, let's get this meeting of the Vexations underway.
Woman’s voice: My ex boyfrind, Arthur Fonzarelli is weakening under our pressure. (twiddles her thumbs)
Man’s voice #2: That chump ain’t got no clue he's been betrayed!

All three figures laughed laugh cruelly.

Candy Man: Where’s Hoppy, Jimmy?
Jimmy: (points to the bar) She went to get a drink, boss.
Richie: (as the gang spy the bad guys) We gotta go NOW!

Without a single word said, Jimmy presses his gun against Potsie’s forehead and vice versa.

Lori-Beth: Run, Rich, run. (kisses Richie as he runs away from Jimmy)
Potsie: Look out, Fonz, that lady’s coming our way.

All is silent as they glare at each other, seeing who would pull the trigger first. Fonzie looks around for Hoppy and then finds her.

Hoppy: Arthur.
Fonzie: Hello, Farrell. We need to talk.

Hoppy's smile fades away.

Fonzie: (looking around) We need a more private place to converse.

Hoppy kisses Fonzie and Ralph and Potsie look on.

Ralph: Trust me, Pots, that lady’s a whore.

Hoppy pulls the trigger near Ralph’s ear but it misses.

Hoppy: So you wanted to talk?
Fonzie: (crosses his arms) Looks like you want to do more then that. But enlighten me, how did you do it?
Hoppy: Do what?
Fonzie: Kiss me when you one of (points to the Candy Man and Jimmy)....them.

After she kisses Fonzie, Hoppy’s gun goes off. Lori-Beth quickly moved her head to the right, grabs Hoppy's wrist, and trips her. Hoppy falls against the ground hard. She looks up to see a gun being pointed at her face. Hoppy smirks. The sounds of guns something sweep into Doc's ear.

Jimmy: (helps Hoppy up) Are you Okay, Hoppy?
Hoppy: (grabs her gun and points it at Lori-Beth) I'm Okay, Jimmy, thanks.
Riche: So aren't you going to introduce us?

Jimmy glares at Potsie, then smirks.

Marty: I’ve heard of those guys, Jimmy Kent was extremely deadly with a blade, Farrell Jameson a.k.a Hoppy was the team’s seductress and a master markswoman and the Candy Man was the leader as well as the group’s genius.
Lori-Beth: (sarcastically) Pleased to meet you.
Hoppy: You won't be for long.

Fonzie breaks away from Hoppy's kiss and tries to catch his breath. Hoppy stepped back and smiles.

Hoppy: How was that, Arthur?
Fonzie: I must admit, Farrell, you are one hell of a kisser.
Hoppy: (giggling seductively and begins to slip a strap down her shoulder) Well, Arthur, there's a lot more where tha-
Fonzie: Are you double-crossing da Fonz, Farrell?
Hoppy: What?
Richie: Lori-Beth, what's going on-LEAPING LUMBEGO!"
Fonzie: (joining the others) Your kisses may be sweet, Farrell but attacking my friends makes me sour.

The Candy Man looks at the gang in front of him and smirked.

Candy Man: Interesting. But we still outnumber you, chumps.
Ralph: (looking for Potsie) Where the heck is that Potsie?!
Potsie: Are you double-crossing us, Lady?

Hoppy stands perfectly still, then turns and walks to a bar counter and put her hand on it.

Hoppy: Don't you trust me, Mr C?
Doc: The evidence is stacked against you, Farrell. And don't call me 'Mr C.'

Hoppy sighs and turns her head back to the stage. All is silent. Suddenly, Hoppy pulls out a pistol form a drawer and points it at Doc.

Hoppy: (screaming) YOU JUST DON'T UNDERSTAND!
Doc: GREAT SCOTT! (runs out of Becky’s soon to be chased by the Candy Man)

Marty: (pointing behind Jimmy) Look, what’s that? (Jimmy does so and Marty punches him)

Everyone looks, screams, and drops to the ground.

Bullets are flying everywhere!

Fonzie: Let's go let's go let's go!

Fonzie, Potsie, Ralph, Lori-Beth and Marty get up and follow Doc out of Becky’s.

As the smoke clears, the bad guys slowly get up and look around. There, standing behind them and breathing hard, is Richie.

Hoppy: (walking up to Sarah and grabbed him roughly by the arm) Look, kid, we need to have a little talk.

Richie gets wide-eyed before being tied up, gagged, and carried away.

[Bea]

Scene 4: Milwaukee, WI, 1961, Marty and Doc arrive at the Cunningham house and see Mr C, Mrs C and Joanie at the door.

Howard: (to Marion and Joanie) Ladies, Dr Emmett L. Brown of Hill Valley's here with a friend.

Marion sits on the couch, reading a book, while Howard, Doc and Marty stand in front of Joanie.

Marion: Only one question remain, where's our son Richard?

Joanie walks up to Marty, rubbing her thumb across his bottom lip, and shoves it in his face. On her thumb is lipstick.

Joanie: Looks like that Candy Man cow had a make out session with more than the Fonz.

Marty looked at Joanie, silent.

Marty: Can't we tell them what really happened, Doc?
Doc: Oh my god, Hoppy had sex with the Fonz, didn't she?
Howard, Marion and Joanie: WHAT???

Marion and Joanie pounced on Doc and slam him against the coffee table.

Marion: (sit on Doc's chest, pinning him down) YOU DIDN'T?!
Doc: No! I'd never! Believe me! All that happened is she kissed Arthur! That's all!
Howard: It IS the Candy Man.

Everyone in the house glances at Doc. Howard, Marion and Joanie all go up to bed.

Marty: Doc? Where ya goin', man?
Doc: To the Cunningham's spare bedroom.
Marty: But-

Ana closes the door behind her.

Marty: (following Doc) Oh man. Mrs C's just being hard on you, Doc. Don't freak out.

Doc: Speaking of hard, did Hoppy really kiss Arthur, Marty?
Marty: DOC! Please! You know I'm not subject to one night stands unless it where with Jen!
Doc: (snapping his fingers) Did you at least get any information?
Marty: (shaking his head) So that was a complete waste of time, dammit!
With that Doc and Marty enter the spare bedroom and close the door.

Marty: here do you get this stuff, Doc?
Doc: I'm not sure. Must be a sixth sense or something of that nature.
Marty: Whoa, this is heavy, I'm going to bed.
Doc: Goodnight, Eddy.
Marty: G'night.

And the two friends soon fall fast asleep.

[Bea]

Scene 5. Milwaukee, WI, 1961. Marty is standing at the end of the Milwaukee pier, watching the waves crash against the shore. All is dark except one lonely street light a few feet away. Marty sighs lightly before hearing a crash behind him. He spins around to see a cat crawling out of a fallen trash can. Marty takes a deep breath and slightly chuckles, while all the while a shadowy figure approaches him from behind. The figure puts their hand on Marty's shoulder and spins him around.

Marty: RICH?

Richie puts his hand over Marty's mouth.

Richie: Shhh! I need your help!
Marty: My help? After you disappeared?

Richie: (sighing) Jennifer Jerome only betrayed Potsie so the Candy Man could get her gigs at Becky's. But now since everyone knows she was associating with us, I pretty much blew her chances.
Marty: Tell me about it.
Richie: So now I need to tell you this: My Dad's in trouble.
Marty: Trouble? What do you know?
Richie: The Candy Man was planning on abducting him and using him as bait so the rest of us would come and save him, only to fall into his trap.
Marty: What kind of trap?
Richie: I don't know. Hoppy and Jimmy wouldn't tell me.
Marty: Do you know when?
Richie: No. That's all I heard.

Marty looks to his side and thinks.

Richie: I'm sorry....
Marty: Why? Rich, Doc needs this info.

Richie looks very nervous.

Richie: I-I need to go.
Marty: But-

Richie runs away from Marty and escapes into the city. Marty scratches his head in confusion a la Stan Laurel, then walks back to the Cunngham place.

[Bea]

Scene 5, Milwaukee, WI, 1961.
The gang including Marty are all in Richie's treehouse.

Potsie: Danger? How?
Richie: I don't know. I ran off before telling Marty anything else.

Potsie sits on one of the chairs and brushes Ralph's hair.

Ralph: How can we trust Hoppy, though? She's screwed us over more then once.
Fonzie: But this time she ain't got nothing to betray us for.
Chachi: You've got a point.
Marion: I'm going to go check on your father, Richard.
Richie's brain: Why would I warn Marty? I mean, sure, there's no point in Jennifer lying to us anymore, but this could get her killed!.......oh well. No skin off my nose.

In the Cunningham house, Marion looks at the 5 doors leading to different rooms. One is hers and Howard's bedroom, the one next to it Joanie's bedroom, next to that the spare bedroom, next to that the bathroom and last is Richie's bedroom. Marion walks toward hers and Howard's room. She is curious.

Meanwhile in the treehouse, Doc walks up the rope stairs with breakfast for the gang.

Doc: I've returned, everyone! And I've brought some grapefruit and crumpets! (puts the bag filled with food on the table)

Suddenly, Marion bursts into the treehouse, a panicked look on her face.

Marion: EMMETT, HOWARD'S GONE.
Doc: What? What do you mean Howard's gone?
Marion: He's not in our room or any where else in the house, that's what I mean by Howard's gone!
Joanie: What's going on?!
Lori Beth: Your dad appears to be missing, Joanie.
Fonzie: WHAT? Where could he have gone?
Marty: How the hell should I know?!? Mrs C just went into hers and Mr C's room to check if he was awake or not, and his room was completely empty!
Richie: You don't think that perhaps...

The others gasp. A loud BAM is heard behind the treehouse. They all spin around to see.......Howard.

Howard: (happily) GOOD MORNING!
Everyone else: HOWARD.
Howard: Yep; that's me!

Doc storms up to Howard, gritting his teeth.

Doc: WHERE THE HELL WERE YOU, CUNNINGHAM?!? WE THOUGHT YOU WERE KIDNAPPED OR SOMETHING!!!!
Howard: ......Kidnapped?
Marion: Emmett!

Doc turned his head to see Marion. She puts a finger up to her mouth, telling Doc to be quiet.

Richie: Uh, yeah, Howard..we worry about you, you know.....you being all innocent and all. (puts a hand on Howard's shoulder)

For some reason, Howard takes this the wrong way. He pushes Richie's hand off of his shoulder and begins walking to the stairs.

Fonzie: Yo, Mr C, what's the matt-"
Howard: WHY THE HELL ARE YOU ALL LOOKING AT ME LIKE THAT?!

The others get all wide eyed. Howard snorts before going to bed. The others stand together in the treehouse, silent.

Potsie: Okay, what the heck?
Ralph: Hey...that WAS realy weird..I don't believe we woory about him like Mrs C does.
Marty: Hey! I'm starving! (shoves his hand into the bag)
Richie: Well, we don't exactly treat him like we would treat each other..
Marion: Emmett, do you mind if I helped you on a way to stop the Candy Man?
Doc: You know me, Marion. I'd love you to help me.

The others sigh.

Lori Beth: CRUMPETS AND GRAPEFRUITS? Can't your mom buy anything good, Rich?
Richie: Lori Beth, they're very good for your health and supplies the energy you need everyday in order to function properly!
Marty: Rich, from now on, Doc does breakfast.

In his and Marion's bedroom, Howard sits on the bed under a single light. He has a hand on his chin and his eyes are closed tightly.

Howard: What am I doing?

[Bea]

Scene 6, Milwaukee, WI, 1961. Doc and Marion are in Richie's secret lab after he let them use it. It is filled with robots and computers and Doc likes what he sees.

Marion's brain: What is Howard up to...? (turns her head to look behind her just as Al's hand is on her breasts)
Marion: HEY! (slaps Al in the face for groping her)
Doc: You must think Marion's really good looking, Al. I like her too. Now please let her go.
Al: Emmett, Emmett, Emmett, I-I'm sorry, it's just that, w-well I-
Marion: I didn't say I wanted to hear your life story, Al, Emmett said let me go.
Al: Marion, I appologise.

It is then that Doc and Marion notice the white fedora Al has on his head.

Doc:Where did you get the hat, Al?
Al: The Candy Man left it in Arnold's last night!
Doc and Marion: What?

Al grows wide-eyed. Without warning, he stomps on Doc's foot. Hard.

Doc: EEEYYOOOOOUUCCHH!!!!!

Al breaks into a sprint and is long gone before Doc recovers.

Doc and Marion begin walking back to the treehouse as Doc thinks about what the Candy Man might do next.

Fonzie: Whoa...more trouble, you say?
Doc: Yes, Arthur, more trouble. Did I stutter, or something?

The gang are all sitting at the treehouse table, discussing what had happened to Doc.

Potsie: A white fedora? That leads us straight to the Candy Man.
Ralph: Wait, it's probably just the Candy Man's trying to stop the Fonz again.....unless Officer Kirk is also involved in this.

The others yell, that's Ralph for ya.

Chachi: ESCAPE!!! FLEE!!! FEED THE GOLDFISH!!!
Richie: Wait a second, guys, we check out what the Candy Man's up to. Heck, it might be dangerous.
Lori-Beth: Even more dangerous than what he did last time?
Joanie: Fonzie's more dangerous than that guy.

The others laugh.

Marty: But really, we should check them out.
Doc: But where on earth would we begin looking?
Marion: I know where we can start.
Howard: (peeping from Richie's secret entrance) Really, Marion? Where?

The gang are standing in front of a banged up door in a filthy alley.

Richie: Fonz! What on earth are we doing here? It's so gross.
Fonzie: Get over it, Red. (knocks on the door)

A few minutes later a little window slides open and two eyes peak out.

Deep voice: What's the password?
Fonzie: (clears his throat) Park 'n Flush.

The person eyes him suspiciously for a second, then opens the door for the gang to come inside.

Potsie: 'Park 'n Flush'..?

The gang walk into an incredibly elegant room. A band is playing in the corner. People are dancing on the dance floor. A large table holds elegant foods and expensive wines. The gang are in awe, except for Richie and Howard.

Marion: But weren't we just out in a grungy, dirty alleyway..?
Ralph: I've never liked this jazz crud. Give us rock 'n' roll any day, if you ask me.
Lori Beth: Wow, neat!

Joanie and Chachi, Doc and Marion and Joanie and Marty all begin to dance.

Richie: Dad, let's get moving. (grabs Howard by the arm and drags him across the room to the other end and Fonzie dances with a chick.
The two Cunningham men stand in front of a door, except this time is is huge and incredibly detailed with fine art. Richie pushes the doors open and they walked into the room. The room is filled with muscular, shirtless men. In the middle of the room a platform holds a single chair, more like a throne. In this throne is a blonde with a long sleeved light blue blouse and a long black skirt. She holds a wine glass in her hand.

Richie: No way...
Howard: It can't be...

The woman stands up and looks at Howard.

Becky: Hey, Howard. What brings you here?
Howard: Hello, Becky. We need your help.

[Bea]

Scene 7, Milwaukee, WI, 1961. Richie and Howard are talking to Rebecca Anne 'Becky' Stevenson who owns Becky's, the hottest jazz bar in Milwaukee.

Becky: The Candy Man, you say, Howard?
Howard: That’s right, Becky.

Becky sighs seductively as she stretches out on the velvet couch in the ball room. Howard and Richie are sitting beside her while the others are on dusty wooden chairs taken from the back of the club.

Marion: (entering to find Becky talking to Howard) Becky, that's my husband.
Richie: Mom, we, uh, we came to Becky, because she basically knows EVERYTHING about the gangs here in Milwaukee and what’s going on with them.

Becky leans towards Fonzie.

Becky: I'll tell you what I know……for a price.
Fonzie: A price? (clicks his fingers and Becky slides her face up to his) Whoa.
Potsie: What are your demands, Becky?

Becky puts her arm around Potsie’s shoulder and looks deep into his eyes.

Becky: A kiss on the lips from Arthur Fonzarelli.

Fonzie bursts into hysterics and the others fall on the floor laughing as Doc raises an eyebrow. Marion shakes her head and Doc gasps in horror.

Doc: Becky, are you certain about this?
Becky: Sure!
Joanie: (to Fonzie) Fonz……how many women have you seriously kissed in the 22 years you’ve been alive?
Fonzie: …………About a dozen, why?
Fonzie: Why is kissing Becky on the lips such a big deal, then? It’s just a peck, not a serious kiss.
Fonzie: Well……….because it’s Becky!

Ralph and Potsie stare at Fonzie in disbelief. They then drag him back to the others, him complaining about Ralph pulling on his hair the whole way.

Ralph: Knowing the Fonz, Becky, He’ll do it.
Becky: GREAT! (puckers her lips)

Fonzie sticks his tongue out in disgust. He shuts his eyes tightly and leans forward for the kiss.

Chachi: I'm bored with slow motion! FAST FORWARD!Foznie: (as he and Becky finish kissing) WHOA, are you nutso, Woman?
Lori Beth: Indeed, Fonz, you are a he-man in our league.
Marty: Okay, Becky, you got your kiss. So what’s up with the Candy Man?

Becky puts a hand to her chin and thinks.

Becky: Well, I haven’t heard much on the streets, but I can tell by the guy that he means business. That jerk……….
Fonzie: THAT’S IT?!? I KISSED YOU FOR THAT?!?

Marion nudges Fonzie.

Marion: Are you SURE there isn’t anything else you can tell us, Becky dear?
Becky: I’ll tell you this: beware of a certain brunette. That’s all I can really say.

The gang say their thanks and leave the elegant place.

Doc: A brunette? Richie, do you know any brunettes other than Lori Beth, Jennifer and Joanie?
Fonzie: Da Fonz can think of one.

The others look at Fonzie.

Fonzie: Farrell Murphy a.k.a Hoppy.
Ralph: Oh yeah, I wasn’t sure if she could be trusted or not, but it’s obvious now that we’ll have to watch out for her!
Potsie: Hear, hear, bro.
Richie: We've gotta beware of that certain brunette especially you, Fonz.
Chachi: Shut up, Rich.

A figure emerges from the shadows in front of the treehouse, snickers, and runs off into the city.

[Bea]

Scene 8: Milwaukee, WI, 1961. The Candy Man is looking at some charts posted up on the wall in his hide-out. The charts detail the hot spots of recent crimes, and which ones were done by him and which were done by other criminals. The Candy Man snorts.

The Candy Man: Why isn't Fonzarelli even a criminal? He always turns all kinds of criminals in. What's his purpose?
Hoppy: He's got that 'Robin Hood' quality, Candy Man. (puts her left hand on his right shoulder)
Candy Man: Hmm. I don't know…..dammit! If he'd been more active, we'd be able to hunt them down with ease and kidnap that fat shopkeeper he has in his little gang.
Jimmy: Maybe it's not that he's really been active, but he's been able to cover it up with more ease.

The Candy Man raises an eyebrow at Jimmy as he and Hoppy walk off smugly.

Jimmy: (returning) Uh, Candy Man, I've noticed you've been in there for what seems like days. What's the problem?
Candy Man: Nothing, Jimmy, nothing. Just………leave me alone for right now.

The Candy Man turns from Jimmy. Jimmy eyes his boss for a moment before closing the door. Hoppy and Jimmy are going over the charts the Candy Man had put up.

Jimmy: I'm having difficulties finding a pattern to Fonzarelli's work, Hoppy ole gal.
Hoppy: That's because Arthur don't really have a pattern, Jimmy.
Jimmy: Oh, he does, WE JUST HAVEN'T FOUND IT YET.

Hoppy and Jimmy spin around to see a mysterious figure; the same one that was at Richie's treehouse earlier.

Candy Man: STEP OUT OF THE SHADOWS! NOW!

The figure raises their hands and reveals themselves. It is another brunette but she is a bit taller than Hoppy.

Kelly: Geez, Candy Man, it’s not exactly wise to kill your hired abductor, now is it?

Hoppy, Candy Man and Jimmy all sigh as they put down their guns.

Hoppy: Kelly! Why did you have to go and surprise us like that?Kelly: Well, that shows how prepared you are for a surprised attack.
Candy Man: So what have you learned so far?
Kelly: Well, Candy Man, it turns out Fonzarelli's gang running around with red bands.
Hoppy: Red bands?
Kelly: Yeah, red bands. Am I speakin’ too fast for you, Farrell?
Hoppy: Why you dirty..

Jimmy puts his arm out, blocking her path.

Jimmy: Hoppy, calm down.
Candy Man: Hmm…..anything else, Kelly?
Kelly: Well, that snot-nosed cousin of mine Becky said to them that there’s a brunette out there that might be causing some trouble.
Hoppy: I'm real curious: What happened to you and Becky that made you two hate each other so much?
Kelly: You don’t need to worry about that, Hoppy.
Candy Man: Well, Kelly, we have another job for you.
Kelly: Oh, I can barely contain my excitement.
Candy Man: ….Yea, well, we need a hellva lot more info on a young punk named Fonzarelli and we want you to do this for us.
Kelly: What?
Cand Man: Well, we think that one of them must be the genius behind the group, since the rest of them seem kinda……not there.
Kelly: So you want me to……
Candy Man: (clearing his throat) We want you to go and get some information from the one Fonzarelli calls Red.

Kelly giggled lightly.

Kelly: And how do you expect me to go about that?
Candy Man: Oh, I think you can figure a way….”
Kelly: (laughing) Well, he’s a cutie, so sure, why not?
Candy Man: Then it’s a deal?
Kelly: You got it, Candy Man.
Candy Man: Excellent.

[Bea]

Scene 9- Milwaukee, WI, 1961. It has been a few days since The Candy Man and assassin Kelly had met, and everything was quiet. For some, a little too quiet….

Joanie: Chachi, I swear to God, if you don’t stop pacing you’re going to find yourself kissing the ground……

Chachi is pacing around in the main room in the treehouse, hands on his head. Richie is sitting in a chair, reading a book; Joanie, Ralph, Potsie, Fonzie, Lori Beth, Marty and Mrs C are all dancing to Leather Tuscadero's song 'If You Can't Give Me Love' while Doc is making himself yet another drink.

Chachi: I can’t help it! Don’t you find it WEIRD that nothing what-so-ever has been going on for the pass few days?!
Richie: Actually, Chach, I’m grateful for this little intermission of gang-related drama. I can now get back to this novel I started what seems like eons ago…

Chachi groans and turns to the dancers.

Chachi: Hey, gang! Aren’t you bugged by this?
Lori Beth: I don't think so, Chachi!

Chachi plops down in a chair next to Richie, defeated.

Potsie: Well I’m bored, the song's finshed.
Ralph: Pots, can’t you ever just take a break for once and just relax?

Fonzie grins and stands straight opposite Joanie.

Foznie: You all know me! The life of the party! I can’t be happy unless I got a drink in one hand and a chick in the other!
Marion: Well, Arthur, why don’t we just go out and as you kids like to say 'get our freak on'?
Joanie: Our what?
Marty: Mrs C’s right, Fonz, If you’re so bored, why don’t we all go out for a bit? I heard there’s this great new club down on Alberts Street…
Doc: Great! Let’s go!

The gang grab their coats and began to head out until Marion turns to Howard, who is still reading his book inside the house.

Marion: Hey Double D, don’t you want to come with us?
Howard: Okay, Marion, I'm coming.
Fonzie: Come on, come on, Mr C! We ain’t got all night!

An hour passes. Richie is dancing with Lori Beth when he feels a hand on his shoulder.

Richie: Leaping lumbego.

The hand drags Richie away from Lori Beth. Turning around slowly, he gazed upon a young woman about 23 years old. Her dark hair is a bit longer than Lori Beth's and she is wearing a green blouse with a gray skirt suit and black high heels with a black purse hanging off her shoulder.

Richie: Look, Lady, can I help you?
Kelly: (giggles lightly) Actually, I’m here to help you.
Richie: Oh?

Kelly walks in and turned to dumbfounded Richie.

Kelly: Yeah, I’m a……..treat…….sent here by a good friend of one Arthur Fonzarelli, the Candy Man.
Richie: A trea-……….oh golly gee.

Kelly laughs as Richie blushes fiercely.

Kelly's brain: How precious he is.
Richie: W-well miss, I’m flattered b-but I reassure y-you that-

It is then that Kelly pushes Richie into a chair and proceedes to kiss him deeply, straddling his lap. As they break, Richie is as red as his hair, if that is even possible.

Kelly: Are you sure you want to back out now?
Richie: I-I-I-I-I-I-I-I-I-I-I-I-I………

Kelly smiles slyly before pulling off her suit, revealing nothing more then a sexy corset and stockings. Richie is dead silent.

Kelly: Now, where were we? (plays with Richie’s ear)

Richie is still silent. Kelly looked at him for a moment.

Kelly's brain: This isn’t working...
Richie: M-M-M-M-Mam'm, I’m n-n-n-not quite s-s-sure I-

Kelly kisses Richie again for a moment, silencing him, before running her fingers around his face and tracing them slowly down his chest.

Kelly: I heard you’re involved with some manly gang related things, Red.
Richie: Hold on there, I've got a girlfriend already……. (shoves Kelly away)
Kelly: Why don’t you tell me what is it you’re exactly on planning on doing with your mighty gang. I’m ever so curious……and I’ll make it worth your while…..

It is then that Kelly finishes unbuttoning Richie’s shirt and slips it when the gang barge in.

Fonzie: HAIL HAIL THE GANG’S ALL HERE! No, really!
Ralph: Sheesh, Fonz, first Potsie sings that song now you.
Potsie: Well, I couldn't help it!
Lori Beth: Rich, you look terrible.
Richie: No, Lori Beth, this isn’t what it looks like!
Marty: Hey, would you guys move it? What’s going on…?
Marion: Okay, people, nothing to see... (turns her head) WHAT THE HELL?!
Kelly: Oh crap (stares at Fonzie) Not you!
Fonzie: Your kisses, like Hoppy's may be sweet, Kelly, (in a higher voice) but trying to kiss my best friend makes me sour.
Kelly: (to Richie) Sorry to leave so soon, handsome. I’ll see you again, I’m sure.

It is then that she grabs one of the hand tables, throws it throw a window, and proceedes to escape. Howard comes out from behind the bar, shoots pointlessly for a few moments in the windows direction, then throws the gun he is holding down.

Howard: GOD I hate her!
Doc: Who WAS that?
Joanie: I've heard of her, that's Kelly Farmer. She and Becky had their fights a while back. She’s an assassin now, I think.
Marty: Wait, FARMER? As in Becky’s mom's brother?
Fonzie: Excactimundo.
Chachi: Geez, girls, you just have to pick fights with every single gal in Milwaukee, don’t ya?
Fonzie: Da Fonz remembers her! She was a feisty one!
Potsie: Yeah no kiddin’

Richie is buttoning up his shirt.

Marty: Why is it every time we see a girl, she kisses the Fonz?
Ralph: Something tells me it wasn't the Fonz's intention. She must have been a “treat” from the Candy Man.
Joanie: Huh. Well, I think we should try to find out more about this Kelly chick.
Richie: Yeah, I suggest that we-
Howard: OH NO YOU DON’T! (pushes Richie into a chair)
Marion: Come on, people, let's go home.

The cleaner grumbles and goes off to the closet to get a broom to sweep up the glass from the shattered window.

[Bea]

Scene 10- Milwaukee, WI, 1961. The bad guys are in the Candy Man's hideout when Assasin Kelly arrives.

Candy Man: What did you get, Kelly?
Kelly: Nothing, really. His buddies busted in before I got anything out of him.


Hoppy growls at Kelly while Jimmy groans. The Candy Man walks up to Kelly.


Candy Man: What exactly, Kelly, did you do?
Kelly: Excautly what you payed me to do, Candy Man!

Candy Man sighs.

Hoppy: Thanks for your time, Kelly but we think we’re done with your services.
Kelly: What’s this? A 'wham bam-thank you mam’m' kinda deal?

Hoppy leans close to Kelly's face.

Kelly: I don’t like you. I don’t like you around Jimmy or the Candy Man. You didn’t help us at all. Get out of here right now before I shoot you in the face, you damn bitch.
Kelly: Wow what an attitude you have there. Ok then.

Kelly gives Hoppy as kiss on the cheek before leaving.

Kelly: Well, boys, it looks like my time here is done. But remember: if you need a quick fix; both in killings and romance, gimme a call.

Kelly then walks out the door.

Hoppy: Bitch.

Candy Man: Jimmy, where are you going?
Jimmy: Kelly! Kelly WAIT! (catches up with Kelly)
Kelly: Yeah, big boy?
Jimmy:
Listen: There’s someone the Candy Man wants you to look for.”
Kelly: Jimmy, honey, no. I’m an assassin, not a detective, so you’ll need to find someone else to do your searching.

It is then that Kelly flips her hair and leaves. Jimmy sighs,hangs his head and walks back to the Candy Man's hideout. Just then, Hoppy stops a faimilar quiff swishing around a corner. She grins to herself before jogging off after the person.

Jimmy: Hey, Hoppy? Where ya going?
Hoppy: To get information the RIGHT way!

Fonzie is all by himself. Maybe out getting breakfast or something.
Hoppy follows Fonzie around what seems like the entire city before turning a corner and seeing nothing.
Hoppy: What the hell? Where did he go?
Fonzie: (puts his arms around Hoppy) Right behind you. (acting snappy) Are you nutso, Farrell? Why are you following me?
Hoppy: ……..Why, I want to know if………if I………..can join your gang! The Candy Man and his other partner Jimmy aren't my type what so ever.
Fonzie: Whoa. If you tell me the truth, maybe I won’t-

It is then that Hoppy elbows Fonzie in the face. When he recovers, Hoppy has her gun out, which just happened to be pointed at Fonzie.

Fonzie: So, what this going to turn out to be? Some sort of one on one gun brawl or something?
Hoppy: Let’s find out, Arthur.

It is then that Hoppy fires at Fonzie.

[Bea]

Scene11, Milwaukee, WI, 1961. Both Hoppy and Fonzie dive in opposite directions as she shoots at him. Fonzie hits the ground hard as Hoppy slides on her back to a stop. She quickly gets up to see Fonzie charging her. Fonzie tackled Hoppy and pins her to the cold ground. Hoppy struggles to get away, but she couldn’t budge. It is then that Fonzie leans in close to her.

Fonzie: As Da Fonz was saying, if you tell me the truth, then we won’t have to do this. I don’t want to hurt you.

Hoppy’s eyes then flare open before she, with all her might, moves her knee and slams it against Fonzie’s crotch.

Fonzie: Whoa, now that hurt.

Hoppy gets up and cocks her gun at Fonzie, but amazingly Fonzie already has Officer Kirk's gun ready and shoots at Hoppy. The bullets zing pass Hoppy as she ducks and dodges blindingly before running out of the alleyway. Fonzie then gets up and gives chase. Hoppy rushes into the busy streets of Milwaukee, Fonzie on her tail. Hoppy turned while running and begins shooting at her pursuer. Fonzie then dives behind a parked car as the car windows shattered, the last of Hoppy’s bullets flying through it. Fonzie overhears Hoppy curse at her gun.

Hoppy: Well, well. Ran out of bullets, did you?

Hoppy chuckles lightly before unbuttoning her blouse, much to Fonzie’s surprise. The only thing that surprised him more is what he sees next: another gun placed neatly in her bra.

Hoppy: Come on. You should know I’m loaded. (pulls out the gun and fires a shot at Fonzie)

Fonzie leaps up on top of the car as the bullet shoots under him. Fonzie leaps from car top to car top as Hoppy chases after him from the ground, firing. Hoppy then stumbles and hits the street ground as Hoppy catches up. Before Fonzie could get up, Hoppy kicks Officer Kirk's gun out of his hand.

Fonzie: Gah! (clutches his hand and runs off into an alley)
Hoppy: Go ahead! Run like a coward! It just makes it more interesting!

As soon as she turned into the alley, Hoppy receives a trash can lid in the face. She later falls unconscious and Fonzie finds Lori Beth behind him.

Fonzie: L.B, Da Fonz said I did not want to hurt her.
Lori Beth: And you didn’t. I did.
Fonzie: (turning to Richie, Ralph, Marty and Potsie) How did you guys know where to find me?
Ralph: Fonz, if we haven’t seen you in over 10 minutes, we know you’re probably off getting in trouble.
Potsie: Malph's right, Fonz, we just had to follow the gun shots.
Richie: Boy, Fonz, you sure do know how to get all the girls!

Fonzie: (looks at Hoppy’s unconscious body) So what do we do with her?
Marty: (picks Hoppy up) We take her back to the treehouse. I’ve got a few questions I’d like to ask….
Richie: Oh golly gee….

[Bea]

Scene 12- Milwaukee, WI, 1961. The gang are in the main part of Richie's treehouse, surrounding a chair. Tied to that chair is their current hostage, Hoppy.

Richie: So what exactly do you think we do with our rival in this current situation, L.B?
Lori Beth: Me?! Why are you asking me?!
Marty: ’Cause you’re the one who clocked her, Lori Beth!
Fonzie: Real hard, I might add. She’s still unconscious. (kneels in front of Hoppy)

Fonzie clicks his fingers near her left ear and she shoots awake and screams instinctively, surprising Fonzie and knocking him down.

Doc: The Siren of the Candy Man is awake! Cover your ears or she’ll scream louder than any of the women here.
Marion: It’s alright, Emmett. You don’t have anything to worry about.
Potsie: Man, Doc B, you really are from Mars.
Ralph: Your Candy Man team name's Hoppy, right?
Hoppy: Yes it is. Why, are you asking me on a date, Red?

Ralph slaps a hand over his mouth as Potsie and Richie giggle. Lori Beth simply rolls her eyes.

Chachi: Well, this cow's really troublesome. We've got an appointment to keep, and we can’t have her accompany us.
Joanie: I think me, Lori Beth and Mom should baby-sit Hoppy while you guys go to your little meeting since it’s her fault she’s here in the first place.
Howard: Sorry, Marion, but she has Fonzie's number.
Fonzie: And I got her letter.
Marion, Joanie and Lori Beth: (altogether) FINE! Fine fine……We’ll watch the little bitch.

Doc, Marty, Howard and the guys had left, leaving the four ladies alone. The guys arrive at the east side of the city, in front of a plain little store. Howard knocked on the front door in a certain patter while Doc and the others stood at his sides.
Marty: Whoa, this is heavy.

The eyes peeping through the door belonge to Becky, who opens the door a bit more, curious as to why Howard, Doc, Marty, Fonzie, Potsie, Ralph, Richie and Chachi are here.

Fonzie: Heyyy, Becky.

Back at the treehouse, Marion walks up to the bar to make herself a hot chocolate while Hoppy remained tied to the chair with Lori Beth and Jonaie surrounding her. Hoppy’s silence is beginning to unnerve the girls.

Marion: You’re awfully quiet, Hoppy.

All three ladies frown and stand in front of Hoppy.

Joanie: What’s the matter, Hoppy? Cat’s got your tongue?”

Determined to get something out of Hoppy, Lori Beth kneels down so that she is face to face with the brunette.

Lori Beth: Well?

Just then, Hoppy looks up and spits in Lori Beth’s face.

Lori Beth shoots up and wipes her face with her sleeve.

Hoppy: Sorry, but I hate the smell of cherry coke on a cheap bitch’s breath.

Marion: WHY YOU LITTLE…… (raises her hand to slap Hoppy, but she then stops and lowers her hand)

Joanie: Don’t even try, Hoppy. (sits in a lounge chair to the side of Hoppy) …We can do this all night if we have to.

[Bea]

Scene 13, Milwaukee, WI, 1961. Doc, Howard, Marty and the guys are in Becky's Madison apartment.

Fonzie: How have you been lately, Becky?
Becky: I've been fine, Arthur. Unfortuantly, things have been picking up lately.

Becky opens a door that leads outside to the back. The back holds about 30 people, all who appeared very down on their luck. A few children are playing with a yellow ball, some old men are talking about the good 'ol days, and a young woman is serving soup to a few hungry people. The area is fenced off from the streets and roads.

Richie: Wow. They're sure a lot more people the last time we wre here.
Potsie: Mmmm, soup. (drools a la Homer Simpson and runs over to the woman serving soup)

Marty, Doc, Howard, Fonzie, Richie, Potsie, Ralph and Chachi: LEATHER?!?

Lori Beth is sitting in the lounge chair, about to doze off.

Hoppy: What's the deal with you ladies, anyways?
Lori Beth: Hwha?
Joanie: You heard the lady.

Lori Beth stands up and yawns, holding her back. She then walks over to Hoppy and smiles.

Marion: It's really simple, actually.

Hoppy stares at Marion, Joanie and Lori Beth, a bit of curiosity in her eyes.

Marion: Our deal is to show men how much better women are than them. It's really not that hard.

Hoppy grits her teeth and is about to say something when a loud thud is heard outside. Marion snaps her head up and quickly pulls out Hoppy's gun.

Joanie: That sounded like it came from outside the treehouse, Mom...

Just then the door that leads to the stairs slams over and a body drops down and kicked Lori Beth right in the leg, sending her flying across the room.

Lori Beth: Ah crud...not you again.
Kelly: Nice to see you, too.

Later at Becky's apartment.

Ralph: The soup's called 'Tomato Surprise'? Cool!
Becky: So, you fellas know Leather, huh?
Richie: Yeah...we know Leather.

Leather smiles lightly as she walks up to the brainy twentysomething and does her trademark thigh slap.

Leather: Hey, Rich. How have y-
Chachi: OH no you don't. Just what are you doing here?
Leather: I'm here hiding from the Candy Man with Hayley and Kayleigh. The fat guy's not too happy with me, as you know.
Doc: We know, Miss Tuscadero. We've had our run-ins with him as well.
Marty: Doc, remember when Becky said we needed to keep our eyes open to a brunette that would cause us problems?

The others nod. Fonzie gazes at Leather, who is talking with Becky, then back to his friends.

Howard: Isn't it a little suspicious that Leather & the Suedes just happens to be here the same day we are?
Doc: Well, Howard, I wouldn't say suspi-
Fonzie: Do not worry, gents! Da Fonz will see what the leather clad female vocalist is here for!
Howard: No way, Fonzie! You'll just-
Howard: You don't think I can do it, Fonzie?
Richie: Dad, let him do this. I'm beginning to get the feeling that he feels left out of our operations as of late.
Doc: FINE. Go talk to her, Arthur.
Fonzie: Your wish is my command, Doc B.
Ralph: Let's hope he dosen't screw this up, Pots

Back at Richie's treehouse.

Marion: What are you doing here, Kelly?!
Kelly: I've been hired by the Candy Man to retrive Jimmy's little lost girlfriend. I figured she'd be here. I'll give you one chance to step aside.
Lori Beth: Please. Do you really think-GRRNAAAGHH!!!

Kelly kicks Lori Beth in the stomach with force.

Kelly: I warned you.

[Bea]

Scene 14- Milwaukee, WI, 1961. In Richie's treehouse, Lori Beth gets up on her feet, eyes focused in a glare entirely on Kelly. Talking isn't going to get her no where. This was going to be tough.

Kelly: Let’s begin, shall we? (charges at Lori Beth with Lori Beth charging back.)

At Becky's apartment, Fonzie and Leather were still talking off somewhere unknown. Doc is beginning to become unnerved. Marty and the others are taking care of some of the people in the shelter. Ralph is about to yell at Richie when his ears pick up the sound of tires screeching. Screeching towards them.

Ralph: Hey Rich…..
Richie: Yeah, Ralph?

There is a red automobile headed right towards them. The same color as the red bands.


Doc: GREAT SCOTT!
FONZIE: WHOA!
HOWARD: OH CRAP!
BECKY: GET THE PEOPLE OUT OF HERE!

The car automobile is approaching, and fast. The people in the shelter are running around, trying to find safe places to hide, while Potsie, Ralph, Marty, Richie and Chachi all tried to help calm the crowd. It is then that they heard the first gunshot.

Back at the treehouse, Kelly gasps as Marion delivers a kick across her face, throwing her back. Kelly wiped the blood away from her lips before delivering three punches at Joanie's face and a trip to her feet, causing her to fall. Marion then grabbed Kelly's ankles and tugs as hard as she could, sending Kelly crashing down and slamming her head against the ground with force.
Marion then gets on top of Kelly and proceeded to punching Kelly's face with all her might.

Hoppy: Why are you even trying? As much as I hate to admit it, Kelly's one the best assassins in Milwaukee. Don’t even bother.
Marion: (getting off of Kelly and walks over to Hoppy leaning forward) Think what you want, girlfriend. As you can see, I’m not the one on the floor.
Hoppy: But you are the one who’s about to get a good beating.

Lori Beth and Joanie frown and turn their heads. Kelly is charging forward and preparing to deliver a flying kick. Marion quickly grabs Hoppy’s chair and sets her in front of Kelly. Kelly makes contact with Hoppy and sets her and the chair she is strapped in flying, shards of wood shooting out.

Marion: You make a great shield, Hoppy. (turns to Kelly, who is recovering from the kick)

Marion: (running towards Kelly) Why can’t you just stay down?!

It is then that Kelly delivers a hard punch to Marion's face, followed by a set of kicks, jabs, and chops to her face, neck and stomach. Lori Beth and Joanie stagger back with Marion.

Kelly: I warned you, you stupid brunette. When will you lea-

It is then that a chair smashes against the back of Kelly's head, knocking her down and out. Hoppy drops the legs of the chair she was previously strapped in, which is almost completely destroyed after smashing against the wall, allowing her to escape.

Hoppy: You’re a good fighter, Kelly. Doesn’t make you smart. Stay away from the Candy Man and Jimmy.

Hoppy then turns and heads to and out the front door of the treehouse.

Becky: WHY ARE THEY DOING THIS?! (scoops up a little freckled girl in her arms. Foznie is helping an elderly man hide)
Fonzie: HOW SHOULD I KNOW!? WE AIN'T LEARNED ANYTHING ABOUT THIS GANG YET!

Richie: HURRY UP! WE DON’T WANT THESE PEOPLE GETTI-

It is then that Richie stumbles back as a bullet goes through his shoulder, spurting blood.

Howard: RICHARD!

Soon the drive-byers zoom off, leaving the shelter in complete shock. Howard ran to his son's side and leaned down. Richie is on the ground, grasping his shoulder, his eyes clenched shut and his teeth grinding together.

Marty: Holy cow…….that’s a bad hit, Rich….. (ties Leather's scarf to Richie's wound)

Becky crouched over on Richie's other side and pried one of his eyes open.

Becky: His eyes are becoming bloodshot. This isn’t good…..
Fonzie: Correctimundo, Becky.

It is then that Doc and the others run back into the picture.

Leather: We heard gunshots! What…..happened……

Potsie: Rich? (rushes over his friend and picks him up in a big hug) OH NO!!! MY BUDDY RICH!!!
Ralph: POTS!! PUT RICH DOWN; YOU’RE HURTING HIM!!

Potsie looks worried before laying Richie back down.

Becky: He looks pretty bad, guys. He’s gonna need some bandaging up, and I’m afraid to do it here after that drive-by.
Chachi: We can take him back to the treehouse.
Howard: I don’t know….I don’t Becky leaving the others here by themselves…
Leather: Don’t worry, Becky. I’ll stay behind and clean up.
Becky: That’d be great, Leather. Thank you.

It is then that Becky stands up, followed by Fonzie.

Becky: Well, let’s get to this hide-out of yours.
Foznie: (to Doc) Yo, Doc B, pick Red up and take him over to the treehouse, dig it?

Doc nods and leaned down to pick up Richie.

Fonzie: GENTLY.