Best/worst TV series reunions

[scrapple]

I enjoyed "Still The Beaver" mostly because the majority of the cast came back (although Hugh Beaumont had passed away). I liked the cleverness of the show (adult Beaver would walk through a door, and little Beaver would come out the other side, etc). Seeing adult Eddie Haskell was a treat as well.

[TMC]

http://comforttv.blogspot.com/2016/0...lassic-tv.html

1. Don’t Wait Too Long
The Patty Duke Show ran from 1963-1966. The Patty Duke Show: Still Rockin’ in Brooklyn Heights aired in 1999. Audiences who met Patty Lane as a feisty teenager now were seeing her again for the first time when she is old enough to join AARP. While it was heartening to see the entire cast back after 33 years, watching Eddie Applegate (as Patty’s high school boyfriend Richard) still pining for Patty at age 64 comes off more sad than nostalgic.

This was also an issue with The Dick Van Dyke Show Revisited (2004). Here the gap was 38 years, clearly too great a span for Dick Van Dyke and Mary Tyler Moore to fall back into the urbane chemistry they shared as Rob and Laura Petrie, even with Carl Reiner providing the words as he did when he created the show.

2. Don’t Do It Too Soon, Either
The Waltons finished an impressive nine-year run in 1981. A Wedding on Walton’s Mountain aired eight months later, followed by two more 1982 revivals, Mother’s Day on Walton’s Mountain and A Day of Thanks on Walton’s Mountain. Fans didn’t even have time to miss the family before they were back together.

3. Don’t Do It With Half Your Cast
Back in 1985 I’m sure many Comfort TV fans were excited about getting reacquainted with Jeannie and Major Nelson in I Dream of Jeannie: 15 Years Later…until they learned that this time Major Nelson would be played by Wayne Rogers.

With a large enough cast you can still pull one of these off if just one person is missing: Eight is Enough: A Family Reunion worked with Mary Frann as Abby because the rest of the Bradfords were there. And Jennifer Runyon ably filled in for Susan Olsen in A Very Brady Christmas.

But if the point of a reunion is to bring back the same actors in the same roles, there is certainly a tipping point on recasts and nonappearances that should not be crossed. Unfortunately, that didn’t stop The Return of the Beverly Hillbillies (1981), despite the absences of Irene Ryan, Max Baer Jr. and Raymond Bailey, or Back to The Streets of San Francisco (1992) when the only cast member back was Karl Malden.

4. Have a Good Reason for Reuniting
No classic TV show had a more ideal revival motive than Gilligan’s Island.
Rescue from Gilligan’s Island (1978) turned out to be dreadful, but that didn’t make it any less necessary given the unfinished business addressed.

Too often the thinking behind these projects is just to get the cast back together, which could be accomplished at an autograph show for a lot less money. A reunion movie also requires an interesting script – preferably one that remembers what made the original series successful.

Examples? Too many to mention: The Father Knows Best Reunion (1977) comes to mind, in which half the film is seemingly spent picking up or dropping off people at the airport; Halloween With the New Addams Family (1977) drags even at 75 minutes, though it was a treat to see the original cast in color. And Return to Green Acres (1990) lobotomized one of the 1960s’ most brilliantly subversive series.

5. Don’t Make Every Joke About Being Older
This trope is especially prevalent with westerns and action shows. You can set your watch by the scene where the hero needs extra effort to subdue hired muscle that he wouldn’t break a sweat over in his prime, and then you’ll get some variation on Danny Glover’s famous Lethal Weapon line, “I’m getting too old for this…”

That’s just one of the issues with The Wild, Wild West Revisited (1979), which too often crossed into camp. It also applies to The Return of the Man From UNCLE: The 15 Years Later Affair (1983), which was apparently written by someone who was paid by the word.

This doesn’t mean these jokes don’t work when they’re done right: I Spy Returns (1994) was loaded with them but the partnership between Kelly and Scotty has aged with remarkable grace. And when the passage of time is acknowledged in a more poignant way, as in the eternal romance of Matt Dillon and Miss Kitty in Gunsmoke: Return to Dodge (1987), it can break your heart.