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Old 07-13-2024, 01:31 PM   #61
blueberrymuffin
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The Hub was the greatest channel to ever exist.

Rest in Power, Hub.
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Old 02-28-2025, 07:46 PM   #62
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https://www.youtube.com/watch?v=Qsij_OZf9iI

Quote:
In 2010, then “Discovery Kids” would be re-branded into a brand new “family channel” partially owned by toy manufacturer Hasbro.

Ultimately, the rebrand would be short lived, only lasting 4 years. So I decided to revisit it in this video!
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Old 10-11-2025, 08:05 PM   #63
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The Hub is 15

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What caused The Hub to fail its promise of becoming the fourth biggest kids network?

It's basically this: on analog cable and basic tiers, there were only three channels, the Big 3: Nickelodeon, Disney Channel and Cartoon Network.

But the failure of The Hub was inherited from its ancestor, Discovery Kids.

For years, cable and satellite companies did not "demote" some of their high-tier channels to basic packages (precisely at the time of writing, Xfinity moved CN, a channel without a clear purpose, to high-tier packages, putting it at the same level as Boomerang). I don't know if it was pressure from the cable companies or from the companies that owned the channels themselves.
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Great question — The Hub (later known as Hub Network) did seem poised to become the "fourth big kids' network" when it launched in 2010, especially with Hasbro backing it and Discovery’s distribution muscle. But it ultimately failed to reach that level and was rebranded as Discovery Family in 2014. Here's a breakdown of the main reasons why The Hub couldn't fulfill its promise:

🧩 1. Limited Distribution / Not in the Same Tier

You hit the nail on the head — The Hub wasn't on basic cable for most people.
  • The Big 3 (Nick, Disney, Cartoon Network) were usually on analog basic cable, included in the cheapest packages.
  • The Hub replaced Discovery Kids, which was already in digital tiers or higher packages — meaning fewer households even had access to it.
  • This made it almost impossible for The Hub to match the reach of the Big 3 — which is essential for ratings, ad revenue, and brand presence.

💸 2. Confused Brand Identity

The Hub tried to please too many demographics at once:
  • Kids (with shows like My Little Pony: Friendship Is Magic),
  • Families (with reruns of Fraggle Rock, Family Ties, etc.),
  • And nostalgia-driven adults (with Transformers, G.I. Joe, Batman: TAS).

This led to a scattered identity. Unlike the Big 3, which had clear age targets, The Hub was spread thin — and advertisers didn’t know exactly who the channel was for.

🎬 3. Limited Original Content

While it had some successful originals (My Little Pony: Friendship Is Magic, Littlest Pet Shop, Dan Vs.), its content library was:
  • Small compared to competitors.
  • Heavily reliant on Hasbro’s toy IPs (great for synergy, but limiting creatively).
  • Mixed with a lot of older reruns, which couldn’t compete with fresh content from Nick or Disney.

The Big 3 constantly pushed new, high-quality animation and live-action content, giving them momentum and pop culture relevance.

🧸 4. Overemphasis on Toy Tie-ins

The Hub was partially a marketing engine for Hasbro toys, which caused some trust issues with parents and critics.
  • While MLP:FiM was a surprise critical and fan hit, many other shows felt like extended toy commercials.
  • Contrast that with Disney and Nick, which — despite having merchandise — focused first on building hit shows with strong characters and stories.

The "too corporate" feel worked against The Hub in the long run.

📉 5. Ratings Disappointment

Despite a few standout shows, most of The Hub's lineup had low ratings, and:
  • It never got close to matching the Big 3.
  • Discovery eventually cut investment, and in 2014, it rebranded the channel to Discovery Family.
  • Hasbro reduced its stake and content role — and the dream of a “Big Four” ended.

Summary: Why The Hub Never Became the Fourth Big Network

| Issue | Impact |
| ----------------------------- | ------------------------------------------ |
| 📺 Limited cable tier access | Shrunk its audience from day one |
| 🎯 Unclear target demographic | Diluted brand identity |
| 🎬 Small content slate | Couldn't compete with constant new hits |
| 🧸 Toy-first approach | Felt like marketing more than storytelling |
| 📉 Weak ratings | Led to eventual rebrand and retreat |


If The Hub had secured basic cable placement, focused more tightly on one demographic, and doubled down on quality original content (instead of leaning so hard into Hasbro IPs), it might have had a real shot. But as it was, it never truly got off the ground the way the Big 3 did.

Would you like a "what-if" scenario of how The Hub could have succeeded with some different strategic choices?
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