The medium-rare special makes its return to YouTube via.. Me!

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Was this special (https://www.latimes.com/archives/la-xpm-1987-12-01-ca-25665-story.html) doomed from the moment that the decision was made to shoot it in videotape in front of a live-studio audience instead of with a single camera like on The Many Loves of Dobie Gillis (https://napavalleyregister.com/opinion/letters/remembering-the-many-loves-of-dobie-gillis/article_8de41fed-7ccc-5994-8c79-621f52a23a7b.html)? And was it made even worse by essentially, forcing out the original producers in favor of James Komack (https://www.newsfromme.com/2003/12/29/the-hank-dobie-connection/) from Welcome Back Kotter?