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		<title>Sitcoms Online Message Boards - Forums - Superman: The Animated Series / Superman (All Animated Series)</title>
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		<description>The New Adventures of Superman (1966-1970) / The Adventures of Superboy (1966-1968) / The Superman/Aquaman Hour of Adventure (1967-1968) / The Batman/Superman Hour (1968-1969) / Superman (1988) / Superman: The Animated Series (1996-2000) / Krypto the Superdog (2005-2006) / Legion of Super Heroes (2006-2008) / My Adventures with Superman (2023-present)</description>
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			<title>Sitcoms Online Message Boards - Forums - Superman: The Animated Series / Superman (All Animated Series)</title>
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			<title>The $100,000 Bluff That Changed Animation Forever. The Fleischer Superman Shorts</title>
			<link>https://sitcomsonline.com/boards/showthread.php?t=514188&amp;goto=newpost</link>
			<pubDate>Mon, 22 Jun 2026 05:40:44 GMT</pubDate>
			<description><![CDATA[3OZ_sP9KSsg 
 
 
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In 1941, Fleischer Studios quoted Paramount Pictures $100,000 per cartoon. Not because they were confident. Because they wanted to be turned down. The studio didn't want...]]></description>
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				In 1941, Fleischer Studios quoted Paramount Pictures $100,000 per cartoon. Not because they were confident. Because they wanted to be turned down. The studio didn't want this job — and the deal they tried to sabotage accidentally produced seventeen cartoons that wrote the visual rulebook for superhero animation.<br />
<br />
In this analysis, we trace how the $100,000 bluff forced a production budget that rotoscoping alone couldn't justify, how Superman's iconic flight was invented not from creative ambition but from a technical limitation nobody knew how to solve, and how casting Bud Collyer and Joan Alexander from the radio serial locked in Superman's voice and personality for decades. We also examine how the decision to frame these shorts as disaster cinema — rather than action comedy — produced a visual language so distinctive that Bruce Timm's team used it as the direct reference point for Batman: The Animated Series, fifty years later.<br />
<ul><li>00:00 - Introduction</li>
<li>0:59 - The Problem with Animating Superman</li>
<li>2:46 - The $100,000 Price Tag</li>
<li>3:38 - Breaking the Visual Rulebook</li>
<li>4:16 - Why Superman Flies Instead of Leaps</li>
<li>5:35 - The Origin of the Phone Booth Change</li>
<li>6:17 - Bringing in the Radio Cast</li>
<li>7:20 - Reinventing Superman as a Disaster Film</li>
<li>8:30 - How 'The Mechanical Monsters' Inspired Miyazaki</li>
<li>10:40 - The Tragic End of Fleischer Studios</li>
<li>11:23 - Famous Studios &amp; Wartime Propaganda</li>
<li>13:34 - Cancellation</li>
<li>14:26 - A Second Life on 70s &amp; 80s Television</li>
<li>15:02 - Inspiring Batman: The Animated Series</li>
<li>16:27 - Where to Watch the Shorts Today</li>
<li>17:03 - The Enduring Legacy of the Shorts</li>
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			<category domain="https://sitcomsonline.com/boards/forumdisplay.php?f=3909">Superman: The Animated Series / Superman (All Animated Series)</category>
			<dc:creator>TMC</dc:creator>
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			<title>Lobo is the Perfect Superman Villain | The Main Man</title>
			<link>https://sitcomsonline.com/boards/showthread.php?t=513784&amp;goto=newpost</link>
			<pubDate>Mon, 15 Jun 2026 21:10:47 GMT</pubDate>
			<description><![CDATA[Y3D3m5BZ3-g 
 
 
---Quote--- 
Lobo may be one of DC’s most over the top characters, but I think he's great! In Superman: The Animated Series he became the perfect foil for the Man of Steel. 
 
In...]]></description>
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				Lobo may be one of DC’s most over the top characters, but I think he's great! In Superman: The Animated Series he became the perfect foil for the Man of Steel.<br />
<br />
In this video essay, I explore why The Main Man remains one of the most important episodes of Superman: The Animated Series, how the creative team successfully adapted Lobo for children’s television, and why his chaotic arrival completely changed the scope and tone of the series. I also examine The Preserver, one of the DCAU’s most underrated villains, and the the other side to his ideas about preservation, captivity, extinction, and identity hidden beneath the episode’s comedy.<br />
<br />
From bar fights, bounty hunting, and bizarre alien worlds to deeper themes surrounding Superman’s identity as the last Kryptonian, this episode expanded the scope of Superman: The Animated Series forever. <br />
<br />
This is the story of how a loud mouthed space biker who was never supposed to work in children's animation became the perfect Superman villain.<br />
<br />
Topics covered include:<br />
<ul><li>Lobo’s comic book origins</li>
<li>Simon Bisley and Alan Grant’s reinvention of the character</li>
<li>Adapting mature comic book characters for animation</li>
<li>The Main Man analysis</li>
<li>Superman and Lobo as thematic opposites</li>
<li>The Preserver explained</li>
<li>Superman as the last Kryptonian</li>
<li>Why The Main Man changed Superman: The Animated Series</li>
<li>The expansion of the DC Animated Universe into cosmic storytelling</li>
</ul><br />
Chapters:<ul><li>00:00 Lobo is GREAT!</li>
<li>01:42 The Perfect Superman Foe</li>
<li>02:57 Broadened Horizons</li>
<li>04:23 The Classic Odd-Couple</li>
<li>07:19 The Villainy of The Preserver</li>
<li>09:45 The Preserver's Dark Side</li>
<li>11:11 Why The Main Man Rocks</li>
<li>12:36 Self-Promotion</li>
<li>14:08 Next Time</li>
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			<category domain="https://sitcomsonline.com/boards/forumdisplay.php?f=3909">Superman: The Animated Series / Superman (All Animated Series)</category>
			<dc:creator>TMC</dc:creator>
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