victorianscribe
02-11-2004, 04:32 PM
Well, I got the book today, and to be honest, I feel kind of sick right now. I'm just glad it didn't arrive on the anniversary of Freddie's loss.
In the midst of stories about Jim Jones and Guyana, Witchcraft, and Black Masses, is this little tidbit. It's not as bad as I thought it would be, but I still don't like it.
Phasing Out Of Shangri-La
In the hills about Hollywood lies a Shangri-La world that few outsiders ever see. Narrow, winding roads lead to private estates in Beverly Hills, Benedict Canyon, Bel Air and other exclusive neighborhods. The people who live there have fulfilled the American dream. They are rich, famous, successful ...
Gossip's very much a part of Shangri-La, except when it reaches the wrong ears.
Leaving Shangri-La, phasing out, comes easier. An overdose. Sleeping pills. The crack of a pistol shot. It's all over in an instant
and the departing member can be assured of leaving behind one question that no one professes being able to answer -- WHY?
Freddie Prinze -- Pure Gold
Shangri-La seldom enjoys the opportunity to open its gates to a member so stunningly qualified as Freddie Prinze who was only twenty-two when he wanted "out," been around only a couple of years, bringing youth, vitality, good looks and a reservoir of talent that had barely been touched. His "act" was pure gold and as Chico in Chico and the Man he needed to go no further for applause and appreciation of his talent than the canny veteran who played The Man, Jack Albertson. When Albertson called an actor "good," he didn't need reviews.
When Freddie shot himself in the small hours of the morning and died twenty-four hours later, the Beautiful people asked "why" and came up with the usual answers. "He couldn't handle success ... he was too young ... things happened too fast for him ... he was too withdrawn."
The speculation artfully dogdged the real reason -- for serveral years he'd been in the limelight. Even before he moved from New York to Hollywood, the young star who brought humor and dignity to his Puerto Rican heritae had been freaked out on drugs. You don't point a gun at your head the first time you smoke a joint or sniff cocaine. Or even the second or third trip around. Man's body is a miracle of toughness. It takes a long time to abuse it to the point where the mind can no longer distinguish between reality and the fears, terrors, and demons that drugs produce. But once the inevitable line has been crossed, tragedies like that of Freddie Prinze should surprise no one. You only have to pick up the paper of any American city, large or small, to know that drugs and alcohol are the two most potent killers roaming the world today.
Freddie Prinze stayed clean when he was a kid in the ghetto and a student at New York's High School for the Performing Arts, and never indulged in anything stronger than an occasional joint when he was beginning to gain recognition in the handful of night clubs in New York that open their doors to young new talent. He was accepted for the Tonight Show, discovered there by producer Jimmy Komack, who had created Chico and the Man and was searching for a talent like Freddie's to bring it off. He already had Albertson in his pocket.
However, at sixteen Prinze was already into cocaine as well as alcohol. Between the two he'd become a zonked-out kid, but no one bothered to find out much about this part of his life when he was singled out for television stardom.
So he went to Hollywood and the public figure is all on the books. His career was meteoric; he was a star the day he started to work. And Shangri-La sent its messengers to connect him, slimy little pied pipers of death -- pushers in tailored suits, handmade shoes, initialed underwear. They've got the keys to Shangri-La. They've got just what a young kid needs to knock off the tension -- a broad, a pad, and cellophane packets of white stuff. "There's nothing to it, kid," they say. "You'll feel great, and isn't that how everybody wants to feel? ****, you're entitled to a little fun, a little relaxation. Look at all the dough they're making on you -- the big guys. And what's left over after the fat cats have taken their bite dribbles down to you."
Actors have been suckers for that line as long as there have been actors, but there wasn't always the easy availablity of Quaaludes to lull them into forgetting their resentment. There was a time when actors took suspensions, lost a barrel of money. Others just got sore, walked away from the business, and made a barrel of money. But they stayed alive, groused or cheered, depending on how things turned out. Whatever their fate, they were the masters of their own destiny -- not enslaved by a tiny bottle of pills.
This whole topic is just making me so sad, and besides, I have to teach two classes tonight -- I'll post more later.
Poor, dear Freddie.
In the midst of stories about Jim Jones and Guyana, Witchcraft, and Black Masses, is this little tidbit. It's not as bad as I thought it would be, but I still don't like it.
Phasing Out Of Shangri-La
In the hills about Hollywood lies a Shangri-La world that few outsiders ever see. Narrow, winding roads lead to private estates in Beverly Hills, Benedict Canyon, Bel Air and other exclusive neighborhods. The people who live there have fulfilled the American dream. They are rich, famous, successful ...
Gossip's very much a part of Shangri-La, except when it reaches the wrong ears.
Leaving Shangri-La, phasing out, comes easier. An overdose. Sleeping pills. The crack of a pistol shot. It's all over in an instant
and the departing member can be assured of leaving behind one question that no one professes being able to answer -- WHY?
Freddie Prinze -- Pure Gold
Shangri-La seldom enjoys the opportunity to open its gates to a member so stunningly qualified as Freddie Prinze who was only twenty-two when he wanted "out," been around only a couple of years, bringing youth, vitality, good looks and a reservoir of talent that had barely been touched. His "act" was pure gold and as Chico in Chico and the Man he needed to go no further for applause and appreciation of his talent than the canny veteran who played The Man, Jack Albertson. When Albertson called an actor "good," he didn't need reviews.
When Freddie shot himself in the small hours of the morning and died twenty-four hours later, the Beautiful people asked "why" and came up with the usual answers. "He couldn't handle success ... he was too young ... things happened too fast for him ... he was too withdrawn."
The speculation artfully dogdged the real reason -- for serveral years he'd been in the limelight. Even before he moved from New York to Hollywood, the young star who brought humor and dignity to his Puerto Rican heritae had been freaked out on drugs. You don't point a gun at your head the first time you smoke a joint or sniff cocaine. Or even the second or third trip around. Man's body is a miracle of toughness. It takes a long time to abuse it to the point where the mind can no longer distinguish between reality and the fears, terrors, and demons that drugs produce. But once the inevitable line has been crossed, tragedies like that of Freddie Prinze should surprise no one. You only have to pick up the paper of any American city, large or small, to know that drugs and alcohol are the two most potent killers roaming the world today.
Freddie Prinze stayed clean when he was a kid in the ghetto and a student at New York's High School for the Performing Arts, and never indulged in anything stronger than an occasional joint when he was beginning to gain recognition in the handful of night clubs in New York that open their doors to young new talent. He was accepted for the Tonight Show, discovered there by producer Jimmy Komack, who had created Chico and the Man and was searching for a talent like Freddie's to bring it off. He already had Albertson in his pocket.
However, at sixteen Prinze was already into cocaine as well as alcohol. Between the two he'd become a zonked-out kid, but no one bothered to find out much about this part of his life when he was singled out for television stardom.
So he went to Hollywood and the public figure is all on the books. His career was meteoric; he was a star the day he started to work. And Shangri-La sent its messengers to connect him, slimy little pied pipers of death -- pushers in tailored suits, handmade shoes, initialed underwear. They've got the keys to Shangri-La. They've got just what a young kid needs to knock off the tension -- a broad, a pad, and cellophane packets of white stuff. "There's nothing to it, kid," they say. "You'll feel great, and isn't that how everybody wants to feel? ****, you're entitled to a little fun, a little relaxation. Look at all the dough they're making on you -- the big guys. And what's left over after the fat cats have taken their bite dribbles down to you."
Actors have been suckers for that line as long as there have been actors, but there wasn't always the easy availablity of Quaaludes to lull them into forgetting their resentment. There was a time when actors took suspensions, lost a barrel of money. Others just got sore, walked away from the business, and made a barrel of money. But they stayed alive, groused or cheered, depending on how things turned out. Whatever their fate, they were the masters of their own destiny -- not enslaved by a tiny bottle of pills.
This whole topic is just making me so sad, and besides, I have to teach two classes tonight -- I'll post more later.
Poor, dear Freddie.