TMC
07-01-2026, 07:37 PM
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Jodie Sweetin returns to Taboo’s Comics & Kicks for Part 2 of her conversation with Taboo, diving into Fuller House, the Netflix reboot, Stephanie Tanner’s adult story, Bob Saget, the Olsen twins, and the legacy of one of TV’s most beloved sitcom families.
Jodie opens up about working in drug and alcohol treatment before Fuller House, pitching the reboot while still working a normal job, and how the show finally landed at Netflix after multiple networks passed. She also reflects on returning to Stephanie Tanner as an adult, the grief she felt when Full House ended at 13, and how Fuller House gave her a chance to reconnect with the family and set life she thought she had lost.
The conversation also covers why Mary-Kate and Ashley Olsen didn’t return as Michelle Tanner, the famous fourth-wall joke in the Fuller House premiere, Stephanie’s infertility and surrogacy storyline, Jodie becoming a “set mom” for the younger cast, rebuilding the Tanner house set, directing The Nearlywed Game, Bob Saget’s real sense of humor, How Rude Tanneritos, 90s conventions, Motown Philly, and whether there could ever be a Fullest House.
Jodie Sweetin returns to Taboo’s Comics & Kicks for Part 2 of her conversation with Taboo, diving into Fuller House, the Netflix reboot, Stephanie Tanner’s adult story, Bob Saget, the Olsen twins, and the legacy of one of TV’s most beloved sitcom families.
Jodie opens up about working in drug and alcohol treatment before Fuller House, pitching the reboot while still working a normal job, and how the show finally landed at Netflix after multiple networks passed. She also reflects on returning to Stephanie Tanner as an adult, the grief she felt when Full House ended at 13, and how Fuller House gave her a chance to reconnect with the family and set life she thought she had lost.
The conversation also covers why Mary-Kate and Ashley Olsen didn’t return as Michelle Tanner, the famous fourth-wall joke in the Fuller House premiere, Stephanie’s infertility and surrogacy storyline, Jodie becoming a “set mom” for the younger cast, rebuilding the Tanner house set, directing The Nearlywed Game, Bob Saget’s real sense of humor, How Rude Tanneritos, 90s conventions, Motown Philly, and whether there could ever be a Fullest House.