Cinematic and Box Office Achievement

Sinners
Avatar: Fire and Ash
F1
KPop Demon Hunters
Mission: Impossible - The Final Reckoning
Weapons
Wicked: For Good
Zootopia 2





Best Motion Picture, Drama:

Hamnet
Frankenstein
It Was Just an Accident
Sentimental Value
Sinners
The Secret Agent





Best Actress in a Motion Picture, Drama:

Jessie Buckley (Hamnet)
Eva Victor (Sorry, Baby)
Jennifer Lawrence (Die My Love)
Julia Roberts (After the Hunt)
Renate Reinsve (Sentimental Value)
Tessa Thompson (Hedda)






Best Actor in a Motion Picture, Drama:

Wagner Moura (The Secret Agent)
Dwayne Johnson (The Smashing Machine)
Jeremy Allen White (Springsteen: Deliver Me from Nowhere)
Joel Edgerton (Train Dreams)
Michael B. Jordan (Sinners)
Oscar Isaac (Frankenstein)








Best Motion Picture, Musical or Comedy:

One Battle After Another
Blue Moon
Bugonia
Marty Supreme
No Other Choice
Nouvelle Vague






Best Actress in a Motion Picture, Musical or Comedy:

Rose Byrne (If I Had Legs I'd Kick You)
Amanda Seyfried (The Testament of Ann Lee)
Chase Infiniti (One Battle After Another)
Cynthia Enrivo (Wicked: For Good)
Emma Stone Gascón (Bugonia)
Kate Hudson (Song Sung Blue)






Best Actor in a Motion Picture, Musical or Comedy:

Timothée Chalamet (Marty Supreme)
Ethan Hawke (Blue Moon)
George Clooney (Jay Kelly)
Jesse Plemons (Bugonia)
Lee Byung-Hun (No Other Choice)
Leonardo DiCaprio (One Battle After Another)










Best Actress in a Supporting Role:

Teyana Taylor (One Battle After Another)
Amy Madigan (Weapons)
Ariana Grande (Wicked: For Good)
Elle Fanning (Sentimental Value)
Emily Blunt (The Smashing Machine)
Inga Ibsdotter Lilleaas (The Smashing Machine)







Best Actor in a Supporting Role:

Stellan Skarsgård (One Battle After Another)
Adam Sandler (Jay Kelly)
Benicio del Toro (One Battle After Another)
Jacob Elordi (Frankenstein)
Paul Mescal (Hamnet)
Sean Penn (One Battle After Another)






Best Director:

Paul Thomas Anderson (One Battle After Another)
Chloé Zhao (Hamnet)
Guillermo del Toro (Frankenstein)
Jafar Panahi (It Was Just an Accident)
Joachim Trier (Sentimental Value)
Coralie Fargeat (The Substance)
Ryan Coogler (Sinners)





Best Screenplay:

Paul Thomas Anderson (One Battle After Another)
Chloé Zhao, Maggie O’Farrell (Hamnet)
Jafar Panahi (It Was Just an Accident)
Joachim Trier, Eskil Vogt (It Was Just an Accident)
Ronald Bronstein, Josh Safdie (Marty Supreme)
Ryan Coogler (Sinners)







Best Motion Picture – Foreign Language:

The Secret Agent (Brazil)
It Was Just an Accident (France)
No Other Choice (South Korea)
Sentimental Value (Norway)
Sirāt (Spain)
The Voice of Hind Rajab (Tunisia)







Best Animated Feature Film:

KPop Demon Hunters
Arco
Demon Slayer: Kimetsu no Yaiba – Infinity Castle
Elio
Little Amélie or the Character of Rain
Zootopia 2







Best Original Song:

Golden – KPop Demon Hunters
Huntrix


Dream As One – Miley Cyrus
Avatar: Fire and Ash


I Lied to You – Miles Caton
Sinners


No Place Like Home – Stephen Schwartz
Wicked: For Good


The Girl in the Bubble – Stephen Schwartz
Wicked: For Good


Train Dreams – Nick Cave
Train Dreams








Best Original Score:

Ludwig Göransson (Sinners)
Alexandre Desplat (Frankenstein)
Hans Zimmer (F1)
Jonny Greenwood (One Battle After Another)
Kangding Ray (Sirāt)
Max Richter (Hamnet)

^ Winners above in bold.

I would be curious to see the ratings number.

Golden Globes producers defend adding announcers to give sports-style commentary (https://www.hollywoodreporter.com/tv/tv-news/2026-golden-globes-producers-interview-music-announcers-cbs-1236471620/)

Last year you used “fun facts” and trivia that popped up on the bottom of the screen as a way to give viewers more information about nominees, presenters, etc. This year you switched to in-person with Marc Malkin and Kevin Frazier who added color commentary as winners walked to the stage. Can you talk about that choice and what you make of the mixed critical response online (https://www.reddit.com/r/Oscars/comments/1qahlp8/the_golden_globes_have_added_a_commentary_team_to/)?

WEISS It’s an ever evolving process. I don’t think that anybody, or, at least not us, wants to walk in and do a cookie cutter version of the show you did the year before. Some elements work, some elements don’t. That is not a commentary on the question, that’s just our general vibe and feeling on how we approach the show. We think of the color commentary like this: If you’re watching a sporting event, you have a color and play-by-play person. When you’re in between plays, suddenly you have commentary that is more conversational with less statistical play-by-play talk. Rather than reading only factoids and statistics from one person, these two gentlemen were on the red carpet interviewing almost every person who went up on stage.

They not only know facts and trivia but they shared moments with many of the winners earlier in the evening. They were able to provide analysis for viewers while a winner was walking to the stage, particularly those who were coming from the middle or the back of the room because that could be a time consuming walk considering the layout and how tight the room can be. Rather than just playing music or reading statistics, we tapped into the knowledge base from these two gentlemen which was great. There was a lot of new information and value for the folks at home.


Golden Globes’ distracting stunts took away from Nikki Glaser’s stellar hosting job (https://variety.com/2026/tv/reviews/golden-globes-2026-review-1236629162/)

Golden Globes were an Emmy redux (https://deadline.com/2026/01/golden-globes-tv-emmys-redux-the-pitt-studio-adolescence-1236680116/)

Golden Globes didn’t know how to handle Heated Rivalry (https://www.vanityfair.com/hollywood/story/heated-rivalry-no-golden-globes-emmy-nominations)

CBS greenlighted Nikki Glaser roasting CBS News (https://www.usatoday.com/story/entertainment/tv/2026/01/11/golden-globes-nikki-glaser-cbs-news/88136175007/)

I would be curious to see the ratings number.

The 2026 Golden Globes saw another year-over-year audience decrease with 8.66M live + same-day viewers tuning in for the 83rd edition of the awards ceremony, according to Nielsen data shared with Deadline.

That’s just under an 7% dip from last year, when about 9.27M tuned in for the occasion. Still, it’s better than the 2023 telecast’s all-time low of 6.3M viewers, and yet it is a far cry from the audience the awards show was garnering just six years ago. In 2020, the Globes averaged 18.3M viewers.

https://deadline.com/2026/01/2026-golden-globes-ratings-cbs-1236680917/

Thank You, James