TMC
08-26-2025, 01:42 AM
https://jacksonupperco.com/2025/08/26/the-ten-best-how-i-met-your-mother-episodes-of-season-six/
If you don’t look too closely, this is a decent season of How I Met Your Mother. It’s not as enjoyable as those prior, but it’s better than those that will follow, and it’s got a few things to like, including a handful of solid and/or memorable half hours that are unique to the series and its identity. However, the trend is obviously downward, and there’s a macro decision in Season Six that, no hyperbole, I think dooms the show fatally. Namely, it opens with a flash-forward to an event that the series will spend four whole years anticipating, slowly, with drips of teased information coming in premieres and finales until the entire last season is an excruciatingly long exploration of the hours before… Barney and Robin’s wedding. Well, we don’t know whose wedding yet. Six’s premiere tells us there’s a wedding where Ted will be the best man, and that’s the day he’ll meet his kids’ future mom. Then we learn in Six’s finale that Barney’s the groom at that wedding. Both reveals attempt to create and then ratchet up premise-related dramatic suspense by tying said premise to a major event in Barney’s romantic arc, which has been the series’ B-plot for several years now. In this way, Mother can spend the rest of its run shifting focus, covering Barney’s love life while feeling that there’s also relevance to Ted’s, and thus maintained situation satisfaction. This, on paper, is correct — and I respect the cleverness. But it is not as satisfying, for Barney’s love life is not Ted’s, and his wedding tease is introduced immediately in Six as a contrived gimmick, for the flash-forward device of previewing an event with barely any details only spotlights the increasing effort it now takes the series to come up with tricks that can still reinforce the high-concept narrator framework.
If you don’t look too closely, this is a decent season of How I Met Your Mother. It’s not as enjoyable as those prior, but it’s better than those that will follow, and it’s got a few things to like, including a handful of solid and/or memorable half hours that are unique to the series and its identity. However, the trend is obviously downward, and there’s a macro decision in Season Six that, no hyperbole, I think dooms the show fatally. Namely, it opens with a flash-forward to an event that the series will spend four whole years anticipating, slowly, with drips of teased information coming in premieres and finales until the entire last season is an excruciatingly long exploration of the hours before… Barney and Robin’s wedding. Well, we don’t know whose wedding yet. Six’s premiere tells us there’s a wedding where Ted will be the best man, and that’s the day he’ll meet his kids’ future mom. Then we learn in Six’s finale that Barney’s the groom at that wedding. Both reveals attempt to create and then ratchet up premise-related dramatic suspense by tying said premise to a major event in Barney’s romantic arc, which has been the series’ B-plot for several years now. In this way, Mother can spend the rest of its run shifting focus, covering Barney’s love life while feeling that there’s also relevance to Ted’s, and thus maintained situation satisfaction. This, on paper, is correct — and I respect the cleverness. But it is not as satisfying, for Barney’s love life is not Ted’s, and his wedding tease is introduced immediately in Six as a contrived gimmick, for the flash-forward device of previewing an event with barely any details only spotlights the increasing effort it now takes the series to come up with tricks that can still reinforce the high-concept narrator framework.