TMC
02-04-2024, 05:58 PM
https://popculturereferences.com/in-frank-joins-a-club-franks-place-was-one-of-the-rare-shows-to-tackle-the-subject-of-colorism/
In a feature spotlighting the best pop culture has to offer, Brian discusses how an episode of Frank's Place tackled colorism at a time when few shows were touching on the subject.
https://popculturereferences.com/wp-content/uploads/2024/02/frank-joins-the-club-franks-place-header-1024x512.jpg
Today, we look at how Frank’s Place was one of the few shows to actually tackle colorism.
This is “All the Best Things,” (https://popculturereferences.com/category/all-the-best-things/) a spotlight on the best TV episodes, movies, albums, etc.
This is a Year of Great TV Episodes, where every day this year, we’ll take a look at great TV episodes. Note that I’m not talking about “Very Special Episodes” or episodes built around gimmicks, but just “normal” episodes of TV shows that are notable only because of how good they are.
All this month, I’ll be spotlighting great Black-centric TV episodes.
Frank’s Place was a great sitcom (that I recently discussed with Drew Mackie and Glen Lakin on their awesome podcast, Gayest Episode Ever (https://www.gayestepisodeever.com/episodes/franks-place-gay-episode)) created by WKRP in Cincinnati‘s Hugh Wilson, starring former WKRP star Tim Reid (who also executive produced the show with Wilson) as Frank Parrish, an Ivy League professor who discovers that his long-estranged father has died, and Frank has inherited his father’s restaurant in New Orleans, Chez Louisiane, a cultural institution in the neighborhood. Frank plans to just sell it (initially to some developers, but chooses to instead sell directly to the workers of the restaurant), but due to a “curse,” Frank decides he will just move to New Orleans and run the restaurant himself.
The basic setup for the series was Frank’s culture shock coming from he Northeast down to New Orleans, and running a business he doesn’t know anything about. It also tackled a number of serious social issues.
In the fifth episode, “Frank Joins the Club,” Frank is wooed by Ozell Dryer, a high-ranking member of a men’s club (played by Ron O’Neal, of Superfly fame) as a possible new member. His Ivy League background makes him a compelling new candidate, but Frank isn’t sure why everyone else is a bit put off about the group, which is a Black men’s club, so Frank figured it would be fine to join them.
The issue is that it is a men’s club that only brings in LIGHT-skinned Black men. Frank, as a darker skinned Black men would be one of the first dark-skinned members of the club, and his background is what made him such a strong candidate to Dwyer to possibly “break the color barrier” of the club.
Frank, of course, is disgusted by the colorism, which is not something that gets discussed very often on TV, the idea that light-skinned Black people have historically discriminated against dark-skinned Black people (and White people are more likely to accept light-skinned Black people, and society typically treats light-skinned Black women as more physically attractive).
Frank, echoing some of Tim Reid’s own experiences, explains how he is used to being the first Black man at a school, or the first Black man at a company, but he’ll be damned if he’s going to be the first Black man in a Black men’s club!
Instead, he joins a different men’s club, and in the process, learns a bit more about his father, who he really didn’t know at all.
It’s a well-told, touching episode, and its boldness in discussing colorism (the “Paper bag test,” where you “pass” if you’re lighter than a brown paper bag, is reference) was very appreciated.
The show was such a great sitcom, it’s such a shame that it only lasted a single season.
In a feature spotlighting the best pop culture has to offer, Brian discusses how an episode of Frank's Place tackled colorism at a time when few shows were touching on the subject.
https://popculturereferences.com/wp-content/uploads/2024/02/frank-joins-the-club-franks-place-header-1024x512.jpg
Today, we look at how Frank’s Place was one of the few shows to actually tackle colorism.
This is “All the Best Things,” (https://popculturereferences.com/category/all-the-best-things/) a spotlight on the best TV episodes, movies, albums, etc.
This is a Year of Great TV Episodes, where every day this year, we’ll take a look at great TV episodes. Note that I’m not talking about “Very Special Episodes” or episodes built around gimmicks, but just “normal” episodes of TV shows that are notable only because of how good they are.
All this month, I’ll be spotlighting great Black-centric TV episodes.
Frank’s Place was a great sitcom (that I recently discussed with Drew Mackie and Glen Lakin on their awesome podcast, Gayest Episode Ever (https://www.gayestepisodeever.com/episodes/franks-place-gay-episode)) created by WKRP in Cincinnati‘s Hugh Wilson, starring former WKRP star Tim Reid (who also executive produced the show with Wilson) as Frank Parrish, an Ivy League professor who discovers that his long-estranged father has died, and Frank has inherited his father’s restaurant in New Orleans, Chez Louisiane, a cultural institution in the neighborhood. Frank plans to just sell it (initially to some developers, but chooses to instead sell directly to the workers of the restaurant), but due to a “curse,” Frank decides he will just move to New Orleans and run the restaurant himself.
The basic setup for the series was Frank’s culture shock coming from he Northeast down to New Orleans, and running a business he doesn’t know anything about. It also tackled a number of serious social issues.
In the fifth episode, “Frank Joins the Club,” Frank is wooed by Ozell Dryer, a high-ranking member of a men’s club (played by Ron O’Neal, of Superfly fame) as a possible new member. His Ivy League background makes him a compelling new candidate, but Frank isn’t sure why everyone else is a bit put off about the group, which is a Black men’s club, so Frank figured it would be fine to join them.
The issue is that it is a men’s club that only brings in LIGHT-skinned Black men. Frank, as a darker skinned Black men would be one of the first dark-skinned members of the club, and his background is what made him such a strong candidate to Dwyer to possibly “break the color barrier” of the club.
Frank, of course, is disgusted by the colorism, which is not something that gets discussed very often on TV, the idea that light-skinned Black people have historically discriminated against dark-skinned Black people (and White people are more likely to accept light-skinned Black people, and society typically treats light-skinned Black women as more physically attractive).
Frank, echoing some of Tim Reid’s own experiences, explains how he is used to being the first Black man at a school, or the first Black man at a company, but he’ll be damned if he’s going to be the first Black man in a Black men’s club!
Instead, he joins a different men’s club, and in the process, learns a bit more about his father, who he really didn’t know at all.
It’s a well-told, touching episode, and its boldness in discussing colorism (the “Paper bag test,” where you “pass” if you’re lighter than a brown paper bag, is reference) was very appreciated.
The show was such a great sitcom, it’s such a shame that it only lasted a single season.