JamesG
07-24-2023, 04:18 AM
Barbie Opens to Record-Setting $155 Million, Oppenheimer Shatters Expectations with $80 Million Debut
by Rebecca Rubin
July 23, 2023
Over the weekend, moviegoers turned out in force for Greta Gerwig’s neon-coated fantasy comedy Barbie, which smashed expectations with $155 million to land the biggest debut of the year. But they also showed up to see Christopher Nolan’s R-rated historical drama Oppenheimer, which collected a remarkable $80.5 million in its opening weekend.
The cultural craze known as “Barbenheimer” worked to fuel the biggest collective box office weekend of the pandemic era, as well as the fourth-biggest overall weekend in history.
Hundreds of thousands of ticket buyers refused to choose between the two seemingly different auter-driven blockbusters with sprawling casts and twin release dates. So they opted to attend same-day viewings for both, turning the box office battle into a double feature for the ages.
“This is an unequivocally great weekend for moviegoing,” says David A. Gross, who runs the movie consulting firm Franchise Entertainment Research. “‘Barbie’ and ‘Oppenheimer’ are complementing each other at the box office, not taking audiences from each other.”
In the end, though, it wasn’t a competition as Barbie loomed large over box office charts, thanks to an inescapable marketing campaign, as well as quality to match the stratospheric hype. At the international box office, the film added $182 million for a stunning global tally of $337 million.
Audiences and critics dug the PG-13 film, which landed an “A” CinemaScore and 90% on Rotten Tomatoes.
Oppenheimer may be settling for second place — not that Universal or Nolan is complaining. Buoyed by stellar reviews and premium large formats, the biopic about the so-called “father of the atomic bomb” is wildly outperforming expectations for a three-hour-long period piece with little action and lots of talking.
Heading into the weekend, analysts were anticipating a $50 million start, which already would have been notable given the grim film’s subject matter and style. It's domestic opening weekend raked in $80.5 million and the film added $93.7 million at the international box office for a global tally of $174 million.
Tom Cruise’s big-budget sequel Mission: Impossible – Dead Reckoning Part One took third place, tumbling by 64% with $19.5 million in its second weekend of release. It didn’t help that Oppenheimer is all but monopolizing the country’s PLF footprint, where tickets are pricier than standard screens.
The seventh installment in Paramount and Skydance’s globe-trotting action franchise has generated $118.7 million in North America and $370 million globally to date.
In fourth place, the independent juggernaut Sound of Freedom added $18.8 million from 3,285 theaters in its fourth weekend of release.
The thriller about child sex trafficking has generated $124 million to date, making it the 14th-highest grossing domestic release of the year.
Disney’s Indiana Jones and the Dial of Destiny rounded out the top five, bringing in $6.7 million from 2,885 venues. After four weeks on the big screen, Harrison Ford’s action-adventure movie has grossed $159 million domestically and $335 million worldwide.
The only trouble? It cost $300 million (and remember, theater owners get a share of ticket sales), meaning it's is still deep in the red.
https://variety.com/2023/film/box-office/box-office-barbie-oppenheimer-opening-weekend-shatter-records-1235677601/
July 21-23, 2023: Weekend Studio Estimates
1. Barbie $155,000,000
2. Oppenheimer $80,500,000
3. Sound of Freedom $20,140,647 / $124,748,584
4. Mission: Impossible - Dead Reckoning Part One $19,500,000 / $118,753,469
5. Indiana Jones and the Dial of Destiny $6,700,000 / $159,018,862
6. Insidious: The Red Door $6,500,000 / $71,001,673
7. Elemental $5,800,000 / $137,233,827
8. Spider-Man: Across the Spider-Verse $2,815,000 / $375,209,269
9. Transformers: Rise of the Beasts $1,120,000 / $155,642,604
10. No Hard Feelings $1,075,000 / $49,210,693
by Rebecca Rubin
July 23, 2023
Over the weekend, moviegoers turned out in force for Greta Gerwig’s neon-coated fantasy comedy Barbie, which smashed expectations with $155 million to land the biggest debut of the year. But they also showed up to see Christopher Nolan’s R-rated historical drama Oppenheimer, which collected a remarkable $80.5 million in its opening weekend.
The cultural craze known as “Barbenheimer” worked to fuel the biggest collective box office weekend of the pandemic era, as well as the fourth-biggest overall weekend in history.
Hundreds of thousands of ticket buyers refused to choose between the two seemingly different auter-driven blockbusters with sprawling casts and twin release dates. So they opted to attend same-day viewings for both, turning the box office battle into a double feature for the ages.
“This is an unequivocally great weekend for moviegoing,” says David A. Gross, who runs the movie consulting firm Franchise Entertainment Research. “‘Barbie’ and ‘Oppenheimer’ are complementing each other at the box office, not taking audiences from each other.”
In the end, though, it wasn’t a competition as Barbie loomed large over box office charts, thanks to an inescapable marketing campaign, as well as quality to match the stratospheric hype. At the international box office, the film added $182 million for a stunning global tally of $337 million.
Audiences and critics dug the PG-13 film, which landed an “A” CinemaScore and 90% on Rotten Tomatoes.
Oppenheimer may be settling for second place — not that Universal or Nolan is complaining. Buoyed by stellar reviews and premium large formats, the biopic about the so-called “father of the atomic bomb” is wildly outperforming expectations for a three-hour-long period piece with little action and lots of talking.
Heading into the weekend, analysts were anticipating a $50 million start, which already would have been notable given the grim film’s subject matter and style. It's domestic opening weekend raked in $80.5 million and the film added $93.7 million at the international box office for a global tally of $174 million.
Tom Cruise’s big-budget sequel Mission: Impossible – Dead Reckoning Part One took third place, tumbling by 64% with $19.5 million in its second weekend of release. It didn’t help that Oppenheimer is all but monopolizing the country’s PLF footprint, where tickets are pricier than standard screens.
The seventh installment in Paramount and Skydance’s globe-trotting action franchise has generated $118.7 million in North America and $370 million globally to date.
In fourth place, the independent juggernaut Sound of Freedom added $18.8 million from 3,285 theaters in its fourth weekend of release.
The thriller about child sex trafficking has generated $124 million to date, making it the 14th-highest grossing domestic release of the year.
Disney’s Indiana Jones and the Dial of Destiny rounded out the top five, bringing in $6.7 million from 2,885 venues. After four weeks on the big screen, Harrison Ford’s action-adventure movie has grossed $159 million domestically and $335 million worldwide.
The only trouble? It cost $300 million (and remember, theater owners get a share of ticket sales), meaning it's is still deep in the red.
https://variety.com/2023/film/box-office/box-office-barbie-oppenheimer-opening-weekend-shatter-records-1235677601/
July 21-23, 2023: Weekend Studio Estimates
1. Barbie $155,000,000
2. Oppenheimer $80,500,000
3. Sound of Freedom $20,140,647 / $124,748,584
4. Mission: Impossible - Dead Reckoning Part One $19,500,000 / $118,753,469
5. Indiana Jones and the Dial of Destiny $6,700,000 / $159,018,862
6. Insidious: The Red Door $6,500,000 / $71,001,673
7. Elemental $5,800,000 / $137,233,827
8. Spider-Man: Across the Spider-Verse $2,815,000 / $375,209,269
9. Transformers: Rise of the Beasts $1,120,000 / $155,642,604
10. No Hard Feelings $1,075,000 / $49,210,693