TMC
11-03-2022, 03:28 AM
https://www.avclub.com/peacock-comedies-canceled-leaving-why-1849714829
The streaming platform has said so long to irreverent shows like Girls5eva and Rutherford Falls in favor of less imaginative fare
By Saloni Gajjar
Published Tuesday 11:00AM
What the hell is going on with Peacock? NBC Universal’s streaming service, which has leaned on unique, irreverent comedies to help distinguish the fledgling platform since its launch in 2020, seems to be turning its back on many of those critically acclaimed shows, including Girls5eva, Rutherford Falls, and the Saved By The Bell reboot.
None of those series will get new episodes on Peacock. The eccentric Girls5eva will move to Netflix for season three, while Peacock has canceled the sweet Rutherford Falls and its winning Saved By The Bell reboot. The streamer also hasn’t provided any updates on this year’s underrated hits like Bust Down and The Resort. And what are the chances that Peacock will still be the American home for We Are Lady Parts, a fantastic co-production with Britain’s Channel 4, which the platform renewed almost a year ago?
The streaming platform has said so long to irreverent shows like Girls5eva and Rutherford Falls in favor of less imaginative fare
By Saloni Gajjar
Published Tuesday 11:00AM
What the hell is going on with Peacock? NBC Universal’s streaming service, which has leaned on unique, irreverent comedies to help distinguish the fledgling platform since its launch in 2020, seems to be turning its back on many of those critically acclaimed shows, including Girls5eva, Rutherford Falls, and the Saved By The Bell reboot.
None of those series will get new episodes on Peacock. The eccentric Girls5eva will move to Netflix for season three, while Peacock has canceled the sweet Rutherford Falls and its winning Saved By The Bell reboot. The streamer also hasn’t provided any updates on this year’s underrated hits like Bust Down and The Resort. And what are the chances that Peacock will still be the American home for We Are Lady Parts, a fantastic co-production with Britain’s Channel 4, which the platform renewed almost a year ago?