This coming July 6 (https://www.latimes.com/archives/la-xpm-1990-07-06-ca-40-story.html) will officially mark 30 years since Jetsons: The Movie was released. It came right off of the heels of the 1980s syndicated (https://bashful269.wordpress.com/2017/03/12/do-you-remember-74-jetsons-the-movie/) revival (https://forums.stevehoffman.tv/threads/the-jetsons-1980s-revival-episodes-and-the-jetsons-the-movie-1990.539457/) and the 1987 made for TV crossover movie with The Flintstones. The movie when it was released in the summer (https://www.brianorndorf.com/2010/07/reliving-the-summer-of-1990-week-seven.html) of 1990 was simply put, a major bomb both critically (https://www.inverse.com/article/30101-hanna-barbera-movies-suck-chipmunks-smurfs) and commercially (http://www.boxofficemojo.com/movies/?id=jetsonsthemovie.htm). Critically, it has merely a 27% approval rating on Rotten Tomatoes and commercially, it only grossed $20.3 million in the United States. I don't have the information for how much it cost to make Jetsons: The Movie but here is some perspective on how it struggled at the box office (https://en.wikipedia.org/wiki/Jetsons:_The_Movie#Box_office):

The film opened at #4, behind Die Hard 2, Days of Thunder and Dick Tracy, with a weekend gross of $5 million, for an average of $3,220 from 1,562 theaters. The film then lost 43% of its audience in its second weekend, falling to #10 with a second weekend gross of $2.9 million, averaging $1,820 from 1,566 theaters, and bringing its ten-day gross to $10.9 million.

We all know that Jetsons: The Movie was a decidedly troubled production. Daws Butler passed away prior to voice recording so they got Patric Zimmerman (https://www.sun-sentinel.com/news/fl-xpm-1990-07-06-9002020570-story.html) to voice Elroy. George O'Hanlon (https://www.nytimes.com/1989/02/15/obituaries/george-o-hanlon-76-george-jetson-s-voice.html) (George Jetson (https://www.greensboro.com/you-met-george-jetson-already-there-s-no-need-for/article_4f2e33e4-0155-5fff-9c48-fdab034b71e9.html)) recorded about 88% of his dialogue before he passed away of a stroke (https://books.google.com/books?id=00B68sB1-CkC&pg=PA172&lpg=PA172&dq=george+o%27hanlon+blind&source=bl&ots=NQ7GRJIIVh&sig=ACfU3U2dpEAfIS90zcwhT-j_rmhfk5iP1Q&hl=en&sa=X&ved=2ahUKEwjtqZ_k99_oAhUD-6wKHdOJCm4Q6AEwEnoECAwQKQ#v=onepage&q=george%20o'hanlon%20blind&f=false) (apparently, while he was in the recording studio). Mel Blanc (Mr. Spacely) also died during production, so Jeff Bergman (https://www.baltimoresun.com/news/bs-xpm-1992-02-01-1992032098-story.html) had to step in to fill-in the blanks (no pun intended) for both Mel Blanc and George O'Hanlon. And last but not least, there was Tiffany Darwish replacing Janet Waldo (https://phoenixbt.weebly.com/in-memoriam/remembering-janet-waldo-the-one-and-only-voice-of-judy-jetson) as Judy, which I go further into momentarily.

Going back to my original question, why do you think that the Jetsons (https://www.mentalfloss.com/article/78044/10-out-world-facts-about-jetsons) movie failed to make an impression all around? Was it simply a case of "word of mouth" killing it? Both Siskel and Ebert, who at the time were basically the main authoritative voices of film criticism (in the pre-internet days), gave it thumbs down. There was likely the outrage (https://www.latimes.com/archives/la-xpm-1990-07-15-me-353-story.html) from fans over their disapproval of having a pop singer/non-actress in Tiffany (https://geekireland.com/retro-review-jetsons-movie/) in effect, dub over the original voice actress of Judy Jetson (https://moviechat.org/tt0099878/Jetsons-The-Movie/58c753d56b51e905f6782596/Judys-and-everyone-elses-voices), Janet Waldo (https://lostmediaarchive.fandom.com/wiki/Jetsons:_The_Movie_(Original_Janet_Waldo_Audio;_Late_80s)). Apparently, the powers that be (https://books.google.com/books?id=0s1CDwAAQBAJ&pg=PT1231&lpg=PT1231&dq=jetsons:+the+movie+tiffany+1990&source=bl&ots=4yn-yGgeoi&sig=ACfU3U02yKBsnkJiDAUG_qzEGTgqWdg6KQ&hl=en&sa=X&ved=2ahUKEwiogvPC9d_oAhULEqwKHbz1DUo4KBDoATAIegQIDBAo) at Universal thought that having Tiffany (https://cartoonresearch.com/index.php/animation-anecdotes-283/) in a major role would be a good ploy (https://www.flickr.com/photos/kerrytoonz/3488334872) to get kids to come see the film since she was big at the time. But it's very naïve to assume that anybody was not going to see this movie just because of one voice actor. Keep in mind, that this was before casting a big time celebrity to do voices for animated movies (like Robin Williams as the Genie in Aladdin) was the norm.

Did the movie simply come out too late (https://www.amazon.com/Jetsons-Movie-William-Hanna/dp/B001PMWLXQ)? By the time that Jetsons: The Movie was released, it had been a good three years since the last first-run episode was broadcast. And the two-season revival was done over 25 years (https://archive.seattletimes.com/archive/?date=19900706&slug=1080816) after the original run back in the 1960s. In fairness, the show was still in reruns by 1990. However, the same thing could be said about He-Man (the 1987 Masters of the Universe movie with Dolph Lundgren) in that the show was still running reruns at the time and the movie still failed. And Jetsons: The Movie was actually delayed; it was originally going to be released around Christmas (https://books.google.com/books?id=fTI1yeZd-tkC&pg=PA128&lpg=PA128&dq=jetsons:+the+movie+tiffany+1990&source=bl&ots=C8qvFRZTt9&sig=ACfU3U3XGk18dAVBTIOxSLkc5Ejjk8BMLQ&hl=en&sa=X&ved=2ahUKEwi6vqvg9d_oAhVOOKwKHQq8BTg4MhDoATAJegQIDBAo#v=onepage&q=jetsons%3A%20the%20movie%20tiffany%201990&f=false) time of 1989.

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https://www.filmsite.org/screens/jetsonsmovie.jpg

After three seasons concluded the Jetsons TV series. The movie came out a few years later. Where George Jetson becomes vice president of a mining site. Dealing with big issues. Is the movie bad (https://www.rottentomatoes.com/m/the_jetsons)? Did other problems plague it to bomb. Are fans too unfair about the last outing of this classic series?

1) Like the 80s TV follow-up episodes - the movie failed to capture the full modernist look and sophisticated humor sensibility, pace and timing of the 1962 originals.

2) The characters move too much for H-B - should have stuck to limited animation.

2) It tried to be "current/relevant" Especially in the recasting of Tiffany for Janet Waldo (unforgivable).

1) Like the 80s TV follow-up episodes - the movie failed to capture the full modernist look and sophisticated humor sensibility, pace and timing of the 1962 originals.

1) The characters move too much for H-B - should have stuck to limited animation.

2) It tried to be "current/relevant" Especially in the recasting of Tiffany for Janet Waldo (unforgivable).

You nailed it with the 2nd part. It was a little to preachy for an H-B product. The movie was also cursed with the main voice cast passing away during production and having to be replaced on the fly.

I think the movie came too late.

I think they could have pulled it off within 5 years of the original show.

You nailed it with the 2nd part. It was a little to preachy for an H-B product. The movie was also cursed with the main voice cast passing away during production and having to be replaced on the fly.

What "main voice cast"?

What "main voice cast"?

George O'Hanlon (George Jetson), Mel Blanc (Mr Spacely), Daws Butler (Elroy) and Janet Waldo (Judy) being replaced by pop singer Tiffany.

(believes the member of the cast named Janet Waldo (https://www.imdb.com/name/nm0907228/) died after the release of the movie)

(believes the member of the cast named Janet Waldo (https://www.imdb.com/name/nm0907228/) died after the release of the movie)

She was replaced with 80's pop star Tiffany, because they thought it might be a selling point with an younger audience.

I think the movie came too late.They screwed it up as most stuff started being in the 80s... If they had left it like the origianl show EXACTLY,it would be great!!

BUT NO THE 80s WERE TOO GOOD FOR GOOD STUFF!! :(

When it was announced that a full-length movie for The Jetsons was gonna be made many people thought that it would introduce a whole new generation of fans to The Jetsons and when The Jetsons The Movie debuted in 1990 they had hoped that it would be a smash success. But I think what the main problem that Jetsons The Movie had was that while some of the original voice cast was no longer living that they had simply wanted to give people a chance to see how The Jetsons would adjust to 90's life. But even with singer Tiffany who was coming off the success of her underrated third album New Inside which was also released in 1990 providing the voice of Judy Jetson in the movie couldn't save it from failure. And Judy's personality had changed from being a smart loving and fun girl to a fashionista boy crazy girl and it seemed that The Jetsons The Movie was all about Tiffany because she not only provided Judy Jetson's voice she also performed the end title song in the movie. Even with a deal with Wendy's to promote kids meal toys based on Jetsons The Movie couldn't save the movie from being a giant failure in theaters. When you decide to make a movie based on a cartoon especially a classic cartoon favorite you can expect people to see a movie with the original voice actors not replacement actors and a good storyline that people will enjoy. Hopefully if another The Jetsons movie is released in the future the lesson will be learned
Bestie

Pop star Tiffany never should have replaced Janet Waldo as Judy Jetson
https://www.metv.com/stories/pop-star-tiffany-should-never-have-replaced-janet-waldo-as-judy-jetson#comment_487424

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This is from the Nostalgia Critic so I should give you some fair warning about the inappropriate language in the video.

1990 was a strange time, especially for a cartoon from the 60s made in the 80s talking about the future. Does it get too much hate though? Nostalgia Critic takes a look at Jetsons: The Movie.

Being fully cogent in the 1980s, I can assure anyone younger that Tiffany had zero influence on anyone at the box-office except in the minds (and wallets) of her agents and the studio execs. D-list pop stars do not sell classic cartoons to new generations (and just piss off anyone who knows better). The loss of legendary Janet Waldo was inexcusable and tragic.

I think its time had past it by when they came out with the movie. A live action movie might have been better like the 1994 Flintstones movie.


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Jetsons Official Movie Trailer (1990)

Janet Waldo died in 2016, so she lived more than a quarter-century after the movie came out. It was George O'Hanlon, Mel Blanc, and Daws Butler who died a few months before the movie came out (Butler died before he could start work on the movie).

I think the original plan was to have Waldo do Judy's speaking voice and Tiffany do her singing voice, but I seen to remember reading that Tiffany said if she couldn't do Judy's speaking voice, she wouldn't do her singing voice either. At the time, Tiffany's record company was owned by the same company that owned Universal Pictures, and Tiffany's then-recently-released second album and its singles hadn't done nearly as well as her first album and its singles. It looks like Universal execs were so desperate to revive Tiffany's flagging career that they pressured Joe Barbera into doing something he did not want to do.

I also seem to remember that Tiffany initially wanted to sing country music, not pop, but record producer George Tobin told her there wasn't any money in country music. What if he had told that to Dolly Parton, Loretta Lynn, teenage Taylor Swift, etc?

Janet Waldo died in 2016, so she lived more than a quarter-century after the movie came out. It was George O'Hanlon, Mel Blanc, and Daws Butler who died a few months before the movie came out (Butler died before he could start work on the movie).

I think the original plan was to have Waldo do Judy's speaking voice and Tiffany do her singing voice, but I seen to remember reading that Tiffany said if she couldn't do Judy's speaking voice, she wouldn't do her singing voice either. At the time, Tiffany's record company was owned by the same company that owned Universal Pictures, and Tiffany's then-recently-released second album and its singles hadn't done nearly as well as her first album and its singles. It looks like Universal execs were so desperate to revive Tiffany's flagging career that they pressured Joe Barbera into doing something he did not want to do.

I also seem to remember that Tiffany initially wanted to sing country music, not pop, but record producer George Tobin told her there wasn't any money in country music. What if he had told that to Dolly Parton, Loretta Lynn, teenage Taylor Swift, etc?

According to TV Tropes (https://tvtropes.org/pmwiki/pmwiki.php/CreatorKiller/Music), Tiffany's third album, New Inside (https://en.wikipedia.org/wiki/New_Inside) (which came out several months after the release of the Jetsons movie) flopped so badly that none of its singles charted. To put things into perspective, her previous album (https://en.wikipedia.org/wiki/Hold_an_Old_Friend%27s_Hand) went Platinum and contained two top 40 singles (https://www.stereogum.com/2143830/the-number-ones-tiffanys-couldve-been/columns/the-number-ones/), one of which peaked at #6.

She was replaced with 80's pop star Tiffany, because they thought it might be a selling point with an younger audience.

I'm starting to look for other examples of a voice actor coming in redoing somebody else's dialogue. Apparently, Space Jam: A New Legacy (http://monster-crap.blogspot.com/2022/01/monster-crap-inductee-space-jam-new.html) most recently did this by having Zendaya replace Kath Soucie as Lola Bunny. If there's any saving grace for Zendaya though, is that she is actually still relevant, whereas Tiffany's star was fading (https://tvtropes.org/pmwiki/pmwiki.php/YMMV/JetsonsTheMovie) when the '90s came around.

Disney's 2008 film Bolt (https://www.harpersbazaar.com.sg/gallery/13-actors-who-have-been-fired-from-a-tv-show-or-movie/) originally had Chloë Grace Moretz voice Penny before it was decided to replace (https://screenrant.com/actors-fired-replaced-during-production/) her with Miley Cryus (https://www.thethings.com/chloe-grace-moretz-was-fired-from-disneys-bolt/), who was then at the height of her Hannah Montana notoriety.

Jeph Loeb had Drake Bell (https://www.reddit.com/r/Spiderman/comments/606yko/til_that_josh_keaton_was_supposed_to_voice_spidey/) rerecord all of Josh Keaton's dialogue for Spider-Man's (https://www.khinsider.com/forums/index.php?threads/the-avengers-earths-mightiest-heroes.152757/page-5) appearance in Avengers: Earth's Mightiest Heroes (https://tvtropes.org/pmwiki/pmwiki.php/Trivia/TheAvengersEarthsMightiestHeroes).

Ordinarily, a box-office gross of $20 million on a budget of $8 million would be more than enough for a film to recoup that budget. The only reason Jetsons: The Movie did bomb is because Universal simply spent too much on marketing ($12 million); That hurt its ability to turn a profit.

Janet Waldo died in 2016, so she lived more than a quarter-century after the movie came out. It was George O'Hanlon, Mel Blanc, and Daws Butler who died a few months before the movie came out (Butler died before he could start work on the movie).

I think the original plan was to have Waldo do Judy's speaking voice and Tiffany do her singing voice, but I seen to remember reading that Tiffany said if she couldn't do Judy's speaking voice, she wouldn't do her singing voice either. At the time, Tiffany's record company was owned by the same company that owned Universal Pictures, and Tiffany's then-recently-released second album and its singles hadn't done nearly as well as her first album and its singles. It looks like Universal execs were so desperate to revive Tiffany's flagging career that they pressured Joe Barbera into doing something he did not want to do.

I also seem to remember that Tiffany initially wanted to sing country music, not pop, but record producer George Tobin told her there wasn't any money in country music. What if he had told that to Dolly Parton, Loretta Lynn, teenage Taylor Swift, etc?

George O'Hanlon was sadly, already well past his prime by the time that the 1985-87 revival of The Jetsons came around. He was I believe, in his 70s at the time and he was legally blind and had little short-term memory. Because of this, he was no longer able to read scripts. So, an assistant producer had to read a line out loud to him in the studio so he could repeat it. And they would have to piece his performance together, line by line.

Also, Mel Blanc was pretty worse for wear himself by this time. He was a lifelong smoker (it's been said, that began smoking when he was 9 years old and continued to smoke a pack of cigarettes a day until he was 77 years old) and he was diagnosed with emphysema.

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Where’s Waldo? SCOOB! wasn’t the first time a theatrical Hanna-Barbera film saw a celebrity cast switch. Let’s look back to when voice actor Janet Waldo (https://www.youtube.com/watch?v=239DFF4rbQY) was ditched for stunt casting a pop star (https://www.youtube.com/watch?v=KgkDXC_xstQ) in a cursed film that was doomed to fail, suffering both death and controversy.

Jetsons: The Movie couldn't live up to the original (https://www.metv.com/stories/jetsons-the-movie-too-little-too-late)

Don't fuss with the classics!

No the original was the best!

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I compare two big-screen animated movies of popular cartoon shows that, despite their weak plots and simple television animation, made it to the big screen.

Somewhere on the Internet, I read that singer Tiffany said it wasn't her fault- I think she blamed her manager or some other person employed by her, and/or someone at the MCA corporation, for forcing Hanna-Barbera to use her as Judy's speaking voice.

1) Like the 80s TV follow-up episodes - the movie failed to capture the full modernist look and sophisticated humor sensibility, pace and timing of the 1962 originals.

2) The characters move too much for H-B - should have stuck to limited animation.

2) It tried to be "current/relevant" Especially in the recasting of Tiffany for Janet Waldo (unforgivable).

Why did the Jetsons theatrical movie from 1990 fail both critically and commercially? (https://www.google.com/search?q=Why+did+the+Jetsons+theatrical+movie+from+1990+fail+both+critically+and+commercially%3F&oq=Why+did+the+Jetsons+theatrical+movie+from+1990+fail+both+critically+and+commercially%3F&gs_lcrp=EgZjaHJvbWUyBggAEEUYOdIBCjI1OTU0ajBqMTWoAgiwAgHxBcYtLIgbxhsP&sourceid=chrome&ie=UTF-8)

Jetsons: The Movie (https://poe.com/s/fZbdad7GGt4qFB7ZabOe) (1990) failed both critically and commercially (https://www.google.com/search?q=Why+did+the+Jetsons+theatrical+movie+from+1990+fail+both+critically+and+commercially%3F&sca_esv=421eaf0524372ec9&sxsrf=AE3TifMvW8qNZ0ghqcMhY9geiKtQV6Swxw%3A1758861202363&udm=50&fbs=AIIjpHxU7SXXniUZfeShr2fp4giZ59Aj-dkSgmXWKpa2HWaBZDtyvvIn4PVHl081BMOU6hp6YaHRFFPF4r3t5pwyj224SFGOstfE4iAReGIywjsb10nm-6pQJB1N8NKRjDhbrJWj4iVLHyV0Jw6eHw0XzAwxZAOlKGjQzy7qtfsaxZhqkTYBwjEBafbcEOv6G5Q-Jp9ZqPnWM9mA3M60ACvUkv7tPl5j9g&aep=1&ntc=1&sa=X&ved=2ahUKEwjNh7TJzPWPAxVD4skDHdwjIx0Q2J8OegQIERAE&biw=1600&bih=739&dpr=1&mstk=AUtExfC1SVGGnN6lmWEXqmiBiacWwz3PiH6-sLybFxxWl62UCAS-HM9wIhhtza06R8hWE6GGkQLkUaA54zs5Vj3KPpoRbm5dEcDr-rhcpk0jeLmZx3qW25gA1EMwle6ultx-eUl17Ta0axnnGoYbL-KL05PxPbEU2wYNPnstRXP1_bpLTdG6wMlQ71GRi97ZVekMO_pOMMfbTuIUDcXGccdo2ndKBadvMJVH1RzQmD0kAEvcyE14ZZg9X-ir5yLEtT9gb4ite-JBEmeUqWh7OcB4554OfXCtmu4d-dSm4IhHr04BMerTHQm4U0d04X-5zJrQEr5obfuJpxh65Q&csuir=1&mtid=SRjWaOGkN-SUwbkP7umr2Ao) due to (https://chatgpt.com/s/t_68d6193e51908191868c8f9e71759917) its outdated storytelling, inconsistent tone, poor box office performance against fierce competition, and controversial production issues. The film attempted to modernize the 1960s cartoon but ultimately came across as a stale and uninspired cash grab.

Critical failure

Outdated plot: Critics noted that the film's story felt like an overlong, 75-minute version of a standard TV episode rather than a feature film that expanded the Jetsons' world. The family dynamic and humor remained rooted in early 1960s sitcom stereotypes, which felt quaint and out of touch with a 1990 audience.
Controversial voice cast change: One of the most criticized decisions was replacing Janet Waldo, the original voice of Judy Jetson, with then-popular pop singer Tiffany. This was widely unpopular with fans and Waldo herself, who had already recorded her dialogue for the movie. Critics felt Tiffany's performance was subpar and that the casting was a cynical attempt to attract a young, musically-inclined audience.
CGI limitations: Though the film made an attempt to modernize the animation with computer-generated backgrounds, the effect was jarring. Early CGI technology clashed with the traditional 2D animation, making the characters look out of place and resulting in an odd visual inconsistency.
Poorly integrated music: The decision to pepper the film with pop songs from Tiffany and other artists was also panned. The music felt forced and did not integrate well with the story, further underscoring the studio's cynical approach to attracting a teenage demographic.


Commercial failure

Modest box office returns: The movie earned only $20.3 million domestically, which was a box office disappointment for Universal Pictures. While its production budget was $8 million, the studio reportedly spent an additional $12 million on marketing, making it a financial underperformer.
Stiff competition: Jetsons: The Movie was released in July 1990, a crowded movie season. It was overshadowed by major live-action blockbusters like Die Hard 2, Days of Thunder, and Dick Tracy, which were released around the same time.
Animated film climate: At the time of its release, the animated film industry was undergoing a transition. While Hanna-Barbera was primarily known for its television animation, Walt Disney Animation Studios was beginning its creative resurgence, known as the "Disney Renaissance." The Rescuers Down Under, released later in 1990, demonstrated a higher quality of animation that surpassed the nostalgic, but often static, Hanna-Barbera style.


Production challenges

The production was plagued by tragedy, with the deaths of voice actors George O'Hanlon (George Jetson) and Mel Blanc (Mr. Spacely) during filming. Their deaths necessitated the hiring of replacement actors, creating audible inconsistencies in the final film. The film was dedicated to their memory.

The Jetsons: The Movie (1990) was meant to revive a nostalgic Hanna-Barbera property for a new generation, but it struggled both critically and commercially. Its failure can be attributed to several overlapping factors:

1. Outdated Appeal of the Jetsons


By 1990, The Jetsons was nearly 30 years old. While the series had some nostalgic value, its retro-futuristic humor and 1960s family-sitcom tropes didn’t resonate with kids who were more into edgier, faster-paced cartoons like Teenage Mutant Ninja Turtles or The Simpsons.

Adults who grew up with the show largely saw it as simplistic compared to the more sophisticated animated films of the late 1980s (e.g., Disney’s The Little Mermaid, Who Framed Roger Rabbit).


2. Poor Timing Against Disney’s Renaissance


The film came out in July 1990, less than a year after The Little Mermaid had reignited Disney’s animation dominance. Audiences were rediscovering lush, musically rich, emotionally resonant animated films.

In comparison, Jetsons: The Movie felt flat, cheaply animated, and more like a long TV episode than a cinematic experience.


3. Production Issues & Casting Controversy


George O’Hanlon (George Jetson’s voice actor) and Mel Blanc (Mr. Spacely) died during production. Their final performances were cobbled together, and O’Hanlon reportedly recorded lines while in poor health, which affected vocal quality.

Most controversially, Janet Waldo, the longtime voice of Judy Jetson, was replaced by then–teen pop star Tiffany to attract younger audiences. This backfired: critics found Tiffany’s performance weak, and fans felt betrayed by the recasting.

The film also featured songs by Tiffany and other late-’80s pop acts, which already felt dated by the time of release.


4. Weak Storytelling & Execution


The plot (George Jetson moving his family to a new job on a remote space station) was thin, slow-paced, and padded with musical numbers that didn’t advance the story.

Critics noted the humor was bland and overly juvenile, lacking the satirical bite that The Simpsons was bringing to TV at the exact same time.

The animation, while slightly upgraded from the TV show, looked stiff and dated next to contemporary theatrical animation.


5. Marketing Misfires


Universal tried to sell the movie both as a family film for parents who grew up with The Jetsons and as a hip teen movie through Tiffany’s involvement. It ended up appealing to neither group.

Box office competition in summer 1990 was tough (Ghost, Die Hard 2, Dick Tracy), and Jetsons: The Movie got lost.


Outcome


Box office: Made only about $20 million worldwide on a budget around $8 million—a modest profit at best, but considered disappointing for a supposed relaunch.

Critical reception: Generally negative—reviewers called it outdated, uninspired, and unworthy of a theatrical release.

Legacy: Instead of reviving Hanna-Barbera films, it effectively ended attempts to bring their classic properties to theaters until The Flintstones (1994) in live-action.


✅ In short: Jetsons: The Movie failed because it was a cheaply made nostalgia project released at a time when animation was evolving rapidly, leaving it looking old-fashioned, poorly conceived, and irrelevant to both kids and adults.

Would you like me to also break down how this failure affected Hanna-Barbera’s and Universal’s later animation strategies?

She was replaced with 80's pop star Tiffany, because they thought it might be a selling point with an younger audience.

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Did you know Rihanna is Smurfette?! 🤯 In this video, I want to explore why I think pop stars (e.g. Beyoncé, Justin Timberlake) will be the biggest names voicing animated characters in movies for the foreseeable future. Everything from how voice-over roles became so crowded with celebrities to the fading influence of the traditional "movie star".

Surprisingly, the Tiffany as Judy Jetson controversy wasn't at all, mentioned in this video.

According to TV Tropes (https://tvtropes.org/pmwiki/pmwiki.php/CreatorKiller/Music), Tiffany's third album, New Inside (https://en.wikipedia.org/wiki/New_Inside) (which came out several months after the release of the Jetsons movie) flopped so badly that none of its singles charted. To put things into perspective, her previous album (https://en.wikipedia.org/wiki/Hold_an_Old_Friend%27s_Hand) went Platinum and contained two top 40 singles (https://www.stereogum.com/2143830/the-number-ones-tiffanys-couldve-been/columns/the-number-ones/), one of which peaked at #6.

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The Tiffany Story. This week, we delve into the extraordinary and deeply unsettling story of Tiffany Darwish, the teen pop sensation who became the biggest pop star in America at age 15 — through a shopping mall tour sponsored by Clairol and Toyota. We explore how producer George Tobin discovered her at age 12 in his North Hollywood recording studio, locked her into a contract that gave him 50% of royalties and 20% management fees with total veto power over her career, and manufactured a pop phenomenon using zero-budget mall performances and a 20-year-old Tommy James cover. We uncover the emancipation battle with her mother, the MCA Records deal, the session musicians who actually played on the records, the manufactured rivalry with Debbie Gibson, and how a 4x platinum debut album somehow left the artist with a fraction of what it generated. From "I Think We're Alone Now" (https://stereogum.com/2121697/the-number-ones-tiffanys-i-think-were-alone-now/columns/the-number-ones) to the aftermath — the full story of the teen pop machine that chewed up a child and moved on. Kindly like and subscribe - it really helps this channel a lot. I do appreciate it!

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America’s malls weren’t ready.

In 1987, Tiffany turned food courts into concert halls and launched a pop phenomenon with hits such as “I Think We’re Alone Now” (https://stereogum.com/2121697/the-number-ones-tiffanys-i-think-were-alone-now/columns/the-number-ones) and “Could’ve Been.” (https://stereogum.com/2143830/the-number-ones-tiffanys-couldve-been/columns/the-number-ones) This video dives into the mall tour that changed teen pop forever, the marketing genius behind it, and the perfectly packaged rivalry with Debbie Gibson that had Tiger Beat readers picking sides.

Neon lights. Synth hooks. Friendly “feuds.”

The battle for 1987’s pop crown started at the mall.