TMC
02-01-2020, 05:23 AM
https://www.vulture.com/2020/01/star-trek-picard-review.html
The new characters on Picard have some intriguing, thorny complications, says Angelica Jade Bastién. "But while the basic sketches of these characters hold promise, the writing is often starkly blunt, making me wish Picard placed more trust in its actors to flesh out their characters’ unspoken qualities, and trusted its audience to pick up on them. Bastién adds: "The tension between the Picard we remember and the Picard we’re presented with today is ripe for exploration. The show stumbles in ways both aesthetic and narrative in covering this ground, but Patrick Stewart has such a handle on the character — imbuing tender loneliness and regret into every gesture and line reading — I couldn’t help but be mesmerized, at least momentarily. Now more than ever I could use a good Star Trek property; the franchise has the uncanny ability to interrogate the present by exploring a possible future while retaining an essential hope about humanity that I desperately need to believe in right now. And I need to believe that Picard will find a way to scale the same heights of intellectual exploration and moral complexity as its predecessors."
ALSO:
Michael Chabon discusses his transition from novelist to TV showrunner (https://www.gq.com/story/michael-chabon-star-trek-picard-interview): “People constantly asking me to choose between different options is a whole new experience for me," he says. “When I’m writing a book, I ask myself those questions.” Chabon adds: "They’re such totally different jobs. What they both have in common is the writing. There were many, many, many moments during this first season where I was just sort of alone with the scripts, sitting in my chair, completely lost and absorbed in what I was envisioning and hearing in my mind. That’s the same process as writing a novel, but that’s where the similarities end. Making a TV show in general, whether you’re the show runner or not, is a completely collaborative enterprise. Every day, you have to negotiate and work to maintain so many different relationships, and ensure that you’re all pulling together on this thing."
Picard comic explores the backstory of the new characters (https://www.polygon.com/tv/2020/1/29/21080217/star-trek-picard-laris-zhaban-comic-romulan)
A history of Star Trek's uneasy relationship with androids (https://io9.gizmodo.com/a-history-of-star-treks-uneasy-relationship-with-androi-1841189837)
How the Borgs are shaping Star Trek: Picard (https://www.hollywoodreporter.com/live-feed/how-borg-twist-will-shape-star-trek-picard-1275117)
The new characters on Picard have some intriguing, thorny complications, says Angelica Jade Bastién. "But while the basic sketches of these characters hold promise, the writing is often starkly blunt, making me wish Picard placed more trust in its actors to flesh out their characters’ unspoken qualities, and trusted its audience to pick up on them. Bastién adds: "The tension between the Picard we remember and the Picard we’re presented with today is ripe for exploration. The show stumbles in ways both aesthetic and narrative in covering this ground, but Patrick Stewart has such a handle on the character — imbuing tender loneliness and regret into every gesture and line reading — I couldn’t help but be mesmerized, at least momentarily. Now more than ever I could use a good Star Trek property; the franchise has the uncanny ability to interrogate the present by exploring a possible future while retaining an essential hope about humanity that I desperately need to believe in right now. And I need to believe that Picard will find a way to scale the same heights of intellectual exploration and moral complexity as its predecessors."
ALSO:
Michael Chabon discusses his transition from novelist to TV showrunner (https://www.gq.com/story/michael-chabon-star-trek-picard-interview): “People constantly asking me to choose between different options is a whole new experience for me," he says. “When I’m writing a book, I ask myself those questions.” Chabon adds: "They’re such totally different jobs. What they both have in common is the writing. There were many, many, many moments during this first season where I was just sort of alone with the scripts, sitting in my chair, completely lost and absorbed in what I was envisioning and hearing in my mind. That’s the same process as writing a novel, but that’s where the similarities end. Making a TV show in general, whether you’re the show runner or not, is a completely collaborative enterprise. Every day, you have to negotiate and work to maintain so many different relationships, and ensure that you’re all pulling together on this thing."
Picard comic explores the backstory of the new characters (https://www.polygon.com/tv/2020/1/29/21080217/star-trek-picard-laris-zhaban-comic-romulan)
A history of Star Trek's uneasy relationship with androids (https://io9.gizmodo.com/a-history-of-star-treks-uneasy-relationship-with-androi-1841189837)
How the Borgs are shaping Star Trek: Picard (https://www.hollywoodreporter.com/live-feed/how-borg-twist-will-shape-star-trek-picard-1275117)