TMC
01-03-2019, 10:10 PM
https://uproxx.com/tv/louis-ck-dane-cook-louie-revisit-abuse-power/
By now you’ve likely heard or read about a recent comedy set performed by Louis C.K. in which he mocked survivors of the Parkland shooting, language used to describe transgender non-gender conforming people, and the sexual proclivities of Asian and African-American men. Since the news broke last weekend, C.K. has been roundly condemned for his insensitivity and wanton hackiness, as well as (inevitably) defended by self-appointed First Amendment watchdogs on the far-right who somehow equate calling out unfunny, bigoted jokes with government infringement on free speech.
Even for a former fan, it’s difficult at this point to be shocked by anything Louis C.K. says or does. He has thoroughly disgraced himself in the past year and a half, and done nothing to make amends. However, this latest controversy is different in that it concerns C.K.’s comedic sins. Ridiculing those who deserve it the least, with zero wit or insight, seemingly for no reason other than to play to the ignorance of the audience, is the very essence of bad comedy. And C.K., no matter what you thought of him as a person before last weekend, is supposed to signify the opposite of bad comedy. C.K.’s latest material is a stunning abdication of his previous role — as appointed by an adoring media and many of his peers — as the Pope of stand-up, the living embodiment of comedy’s conscience.
If that sounds like hyperbole, I encourage you to revisit the seventh installment of Louie‘s second season, the famous Dane Cook episode. Or, if you understandably recoil at paying to see anything with Louis C.K.’s name on it, you could just watch the YouTube clip below, which captures much of the episode’s most memorable scene.
UC1JocG-Adg
By now you’ve likely heard or read about a recent comedy set performed by Louis C.K. in which he mocked survivors of the Parkland shooting, language used to describe transgender non-gender conforming people, and the sexual proclivities of Asian and African-American men. Since the news broke last weekend, C.K. has been roundly condemned for his insensitivity and wanton hackiness, as well as (inevitably) defended by self-appointed First Amendment watchdogs on the far-right who somehow equate calling out unfunny, bigoted jokes with government infringement on free speech.
Even for a former fan, it’s difficult at this point to be shocked by anything Louis C.K. says or does. He has thoroughly disgraced himself in the past year and a half, and done nothing to make amends. However, this latest controversy is different in that it concerns C.K.’s comedic sins. Ridiculing those who deserve it the least, with zero wit or insight, seemingly for no reason other than to play to the ignorance of the audience, is the very essence of bad comedy. And C.K., no matter what you thought of him as a person before last weekend, is supposed to signify the opposite of bad comedy. C.K.’s latest material is a stunning abdication of his previous role — as appointed by an adoring media and many of his peers — as the Pope of stand-up, the living embodiment of comedy’s conscience.
If that sounds like hyperbole, I encourage you to revisit the seventh installment of Louie‘s second season, the famous Dane Cook episode. Or, if you understandably recoil at paying to see anything with Louis C.K.’s name on it, you could just watch the YouTube clip below, which captures much of the episode’s most memorable scene.
UC1JocG-Adg