All My Children

Erica Kane: Adam, really. I know that you've been bored, but taking in Mary Smythe? I mean, couldn't you have just taken in a dog from the pound?

A few from AW

Dr. Ramsey: "William Matthews, wilt thou have Melissa to be thy wedded wife, to live together after God's ordinance in the Holy State of Matrimony? [...]"
Bill: "I will.":)
...
Melissa: "I, Melissa, take thee, William for my lawful husband.":)

Minister: "Walter Curtin, wilt thou have Lenore to be thy wedded wife, to live together after God's ordinance in the Holy State of Matrimony? [...]"
Walter: "I will.":)
...
Minister: [TO LENORE] Repeat after me: I, Lenore, take thee, Walter, for my lawful husband."
Lenore: "I, Lenore, take thee, Walter, for my lawful husband.":)

Olive: “(SHE TURNS TO GO INTO THE ATRIUM AND SEES EVAN’S BODY. SHE STANDS STOCK STILL FOR A MOMENT, AND THEN SCREAMS AS SHE RUSHES TO HIM) Evan! Darling! (JOHN FOLLOWS HER INTO THE ATRIUM)”
John: “It was an accident!”
Olive: “(THROWING HERSELF OVER EVAN’S BODY) Oh, my darling. What has he done to you. (SHE KISSES EVAN’S FACE, AS JOHN STARES AT HER, INCOMPREHENDINGLY)”
John: “Olive?”
Olive: “(IGNORING HIM) Why didn’t you come to me like you promised?”
John: “(GOING TO HER) “What are you saying?”
Olive: “(STILL IGNORING JOHN. JOHN STARES AT HER, THEN STARTS TO BACK AWAY) I don’t want this house if you’re not in it! (SHE BRUSHES EVAN’S HAIR BACK. JOHN STUMBLES OVER SOMETHING AND OLIVE TURNS, STARTLED) How did this happen? (JOHN STARTS TO SPEAK, BUT CAN’T. OLIVE SEES THE GUN LYING BY EVAN’S SIDE) You killed him!:mad: (JOHN STARES AT HER, SHAKING HIS HEAD) You killed the only man who’s ever meant anything to me! (SHE TURNS BACK TO EVAN AS JOHN MOVES NUMBLY TOWARD HER. HE PUTS HIS HAND ON HER SHOULDER. SHE TURNS ON HIM, HSYTERICALLY.) Don’t touch me!(HE TAKES HIS HAND AWAY) Only Evan made it possible to bear you touching me! (JOHN SINKS DOWN ON THE SOFA) You’ve taken away the only reason I had for living! (SHE FLINGS OVER EVAN’S BODY, CARESSING IT) Darling, don’t leave me... please, I can’t live without you!”:mad:

Y&R

That was Victor's doing. It was purely personal. Believe me, old moneybags is going to eat his words. The magazine is gonna do great, and beauty of nature will be left in the dust.

- Jack

B&B

Jacqueline Payne Marone: I'm trying to save her the inevitable pain of being married to yet another man who is in love with her mother.

Jessica: Do you know what an evil, lying tramp Shawna is?
Rex: Yeah. That's why I like her.

One Life to Live

Days Of Our Lives

Hope Brady: Wait, is that the Rex who is a genetically engineered human who was formerly an alien living in our garage?

Bo Brady : Yep.

Margaret Cochran #2: [after shooting Todd in the legs twice] Stop making me shoot you!

One Life to Live

One Life To Live

Adam Chandler, Sr.: Talking to you would be a waste of my breath, David.

Guiding Light

[Harley brings take-out food to Gus while he's at work at Spaulding]

Gus: Thank you. My favorite kind of food - the kind that sweats in the bag before you open it.

Lucinda Walsh , at one of Lisa's weddings.

"oh my God, she's wearing white!".

Bianca Montgomery: Shattered dreams are shattered dreams. Doesn't matter how or why. They're still lying in pieces on the ground.

A few more from AW...

Missy: "Mother... Bill was... He..."
Liz: "[ALMOST A SHRIEK] What happened:confused:?"
Missy: "Mother... God... Bill was drowned... Mother, Bill's dead!:(":(

Special Introduction by Announcer Bill Wolff: "'How to Survive a Marriage' will not be presented today so that we may bring you a special hour-long episode of Another World."(cue original AW theme) "And now, the special 10th Anniversary, one-hour broadcast of Another World.":D

Andrews: "Alice, do you take Steve as your lawfully wedded husband, to have and to hold, from this day forward, in sickness and in health, as long as you both shall live?"
Alice: "I do.":)
Andrews: "And, Steven, do you take Alice as your lawfully wedded wife, to have and to hold from this day forward, in sickness and in health, as long as you both shall live?"
Steve: "I do.":)
Andrews: "For as much as Steve and Alice have promised to be faithful and true to each other before God and this company, I hereby pronounce them man and wife. Whom God hath joined together, let no man put asunder." "Now, you may kiss the bride, Mr. Frame.":)

Susan Sullivan: "Gentlemen, do you think we could have a little music?"(rag-time music is played accompanied by Bill Wolff's regular closing announcement):cool:

Cindy: "You know, sometimes I tell your picture things I haven't told you..."
Russ: "What kind of things?"
Cindy: "Oh, what our lives will be like...the house we'll live in some day, what we'll name our children..."
Russ: "Darling." (HE HOLDS HER IN HIS ARMS)
Cindy: "I have these long conversations. I'm glad to say the picture doesn't tease me the way you do."
Russ: "What have you two decided to name our children?"
Cindy: "We can't make up our minds."
Russ: "There's lots of time, darling--"
Cindy: "I know. One step at a time, but I'm ready now for the first step."
Russ: "Oh, what's that?"
Cindy: "Leaving this hospital room and going to our home with a nurse in attendance."
Russ: "That's really up to Dr. Rogers."
Cindy: "Have you talked it over with him?"
Russ: "No..."
Cindy: "Please, call and ask him."
Russ: "I will."
Cindy: "Right now. We should have thought of that before. Please, Russ, call him before he goes home.."
Russ: "But, darling...All right, just don't get excited, please. I'll call him outside..." (HE KISSES HER AND LEAVES)
(FROM HERE ON TO THE END OF THE ACT, TAPE FOR REPLAY. CINDY PICKS UP THE PHOTO AND LOOKS AT IT)
Cindy: "Why didn't we think of it before? You've got to help me work these things out...you know..." (SHE PUTS THE PHOTO BACK ON THE NIGHT TABLE, BUT AS SHE DOES, SHE KNOCKS IT ON THE FLOOR) "Oh, dear.." (SHE HESITATES, THEN SLOWLY FOLDS BACK THE COVERS. SHE GETS OUT OF BED VERY QUIETLY AND REACHES FOR THE PHOTO, THEN PICKS IT UP, EVEN THOUGH SHE FEELS A SHARP, SUDDEN PAIN) "There we are..." (THEN SUDDENLY, SHE SWAYS BACK AND FORTH, CAUGHT IN UNBEARABLE PAIN). "Russ! Russ" (SHE LEANS AGAINST THE BED, AS RUSS AND ALICE ENTER HURRIEDLY) "Oh, Russ..."
Russ: "Cindy! What happened?":confused:
Cindy: "Oh, Russ...you fell..." (SHE SWAYS AGAIN, AND HE CATCHES HER IN HIS ARMS. ALICE, IN THE BACKGROUND IS ON THE TELEPHONE)
Alice: "Emergency. Stat. Rm. 538.":talk:
Russ: "Darling, Oh, my darling."
Cindy: "Hold me, Russ...Oh, please, hold me. Where are you?"
Russ: "I'm here..." (SHE MAKES A DEEP SOUND IN HER THROAT AND THEN SINKS IN HIS ARMS. RUSS, LOOKING AT HER FACE, HOLDS HER TIGHTLY) "Cindy, Cindy. Oh no.":( (ALICE COMES UP BEHIND HIM AND PUTS HER ARM AROUND HIM) "It's all over, Alice...so fast..." (HE BEGINS TO SOB):(

Passions

Jessica Bennett: You can't give up on Charity, Miguel. Would Leonardo give up on Kate? Would Ross give up on Rachel? Would Bo give up on Hope?

Lefty: "There's a nice car you got here, Lee..."
Lee: "Lefty you shouldn't be here."
Lefty: (SCOFFING) "Of course I have to be here--you know that! Where else have I got to go?"
Lee: "You're not here...."
Lefty: "Hey--Watch the road. You trying to kill me...?" (VOICE ECHOES)
Lee: (OVER ECHOES) "You shouldn't be here. I don't want you here."
Lefty: "Oh, yes you do."
Lee: (FRANTICALLY) "No, I don't want you here. You shouldn't be here. You don't belong here! I want you to get out of here!":mad:
(AS CAR SKIDS AND LEE STRUGGLES TO CONTROL DRIVING LEFTY LAUGHS)
Lefty: (TAUNTING) "You know killing somebody isn't easy, is it? Not easy at all, is it Lee? But dead people keep coming back don't they Lee?"
Lee: (HYSTERICALLY) "Why? Why do you keep coming back?"
Lefty: [LEE CRIES, "NO" THROUGHOUT):mad: "So you can kill me again. I thought you knew that. Oh, of course you knew that. I'll keep coming back and you'll keep killing me--and that's the way it's going to be....to no end." [LAUGHS] [ECHOES THROUGHOUT AS LEE LOSES CONTROL OF HER VEHICLE] "Kill me...kill me...." [ECHOES CEASE; THE CAR CRASHES]:(.

As The World Turns

Paul: That woman is unbelievable. She's awesome. She knows exactly what I want her to do, and she does it before I even ask her to do it.

Henry: I had a woman like that once. Once was all I could afford.

Theresa Lopez-Fitzgerald: I've lost the only man worth dieting for! (Passions)

The Young and the Restless

Mackenzie: What does this mean - "wedding vows"?
J.T.: Oh, Brittany wants me to help her write hers.
Mackenzie: She wants you to help her?
J.T.: Yeah, don't start, all right? Give it back. Come on.
Mackenzie: I'm surprised they're writing their own.
J.T.: What, you didn't think that Bobby knew how to read or write?
Mackenzie: That's mean.

All My Children

Erica Kane: (indicating Adam) Oh, this isn't my friend; this is my ex-husband.
Adam Chandler: One of many. I'm third from the end - at least, I think so; I haven't seen Erica for a couple of days.

Erica: Pine Valley isn't exactly the corner of Hollywood and Vine.

A few more from AW.

'STANDING ON THE BRIDGE LATE THIS AFTERNOON IS MELISSA PALMER. WHENEVER SHE WALKS ON CAMPUS YOU MAY BE SURE SHE DRESSES TO FIT THE PART. NO, SHE ISN'T WEARING TIGHT PANTS AS MANY OF THE COEDS DO, BUT A STRAIGHT SKIRT, PULLOVER SWEATER AND CARDIGAN. ONE COULD VERY WELL MISTAKE HER FOR ONE OF THE STUDENTS. [...]'

Bill: "Oh it's you, I didn't recognize you. I just wondered who it was who threw something into the creek."
Missy (Intro Line): "Yes, it's me. Did you think I was-- one of the students?"

Tom: “I never told you I loved you, Pat.”
Pat: “You mean you mean we’re – we’re not going to be married?”
Tom: “I never mentioned marriage to you.”
Pat: “But you said – I thought you said –“
Tom: “I can’t help what you thought. I never mentioned the word love, nor marriage.”
Pat: “Oh God.”
Tom: “Look Pat –“
Pat: “I’m – I’m not – not really a whole woman to you anymore, am I. I’m sterile – sterile –”
Tom: “Pat. (WAY OFF IN THE DISTANCE, AS SHE STANDS ALMOST TRANSFIXED FOR THE MOMENT, SHE HEARS A BABY CRY.)”
Pat: “I lost – something. I lost – something –”
THE BABY CRY BECOMES LOUDER AND THE ROOM BEGINS TO BE FILLED WITH BABY CRIES.
Pat: “(SOFTLY) Stop it, oh God, stop it. I’m sterile – I’m sterile – (QUIETLY CRYING).”
SHE TURNS, AND STILL HEARING THE BABY CRY, WITH HER HANDS TO HER EARS AS THEY WERE ONCE BEFORE, SHE MAKES HER WAY TO THE DOOR – AND AS SHE DOES HER EYES GO TO THE CHAIR WHERE THERE ARE FRANK’S CLOTHES. ON TOP OF THE CLOTHES IS A SMALL GUN. SHE PUTS HER HANDS DOWN, PICKS UP THE GUN. SHE LOOKS AT IT AND TURNS IT TOWARD HERSELF. TOM, FRIGHTENED, TAKES A STEP TOWARD HER.
Tom: “Patricia – the gun may be loaded – (SHE ISN’T LOOKING AT HIM, SHE DOESN’T HEAR HIM, SHE JUST HAS HER HAND ON THE GUN TURNED TOWARD HER.)”
Tom: “Hurting yourself won’t solve anything, Pat, not anything. (HE TAKES ONE MORE STEP TOWARD HER. HE’S NOT REAL CLOSE TO HER. HE HOLDS OUT HIS HAND.)”
Tom: “Patricia – Pat, give me the gun. (SHE LOOKS AT HIM WITH UNSEEING EYES. THE ROOM IS STILL FILLED WITH BABY CRIES.)”
Tom: (Exit Line) “Give me the gun, Pat. (SHE TURNS THE GUN AS THOUGH TO HAND IT TO HIM, AND THEN PULLS THE TRIGGER TWICE. SEE A STARTLED LOOK ON TOM’S FACE AND HE FALLS. THE BABY CRIES STOP WITH THE FALL OF THE BODY. HER ARM GOES TO HER SIDE, SHE STILL HOLDS THE GUN. SHE LOOKS AHEAD OF HER WITH UNSEEING EYES. CUT TO TOM’S BODY, AND TAKE IT OUT.)”

Another AMC quote.

Erica Kane : This Trey Shepherd is as cold and as ruthless as they come.

Greenlee Smythe duPres : It's about time someone's got in his way.

The Young and the Restless:

Victor Newman:
[Victor and Nikki are fighting over her job offer from Jack] Victor, I don't have time to argue with you! I have a job to go to!

Robin Strasser as Rachel on AW- "Junk! It's all junk! My father loves me so much he gives me junk! :mad: [TURNS INTO RUSS'S ARMS, SOBBING] My father doesn't love me! He doesn't love me!:o"

Passions

Esme:
[to the voices in her head] Would all of you stop screaming so I can think!

One Life To Live

Doctor Michael McBain: So... my brother, the police detective, wants his brother, the doctor, to perform an autopsy. An illegal autopsy. Off the record, with *no* permission at all, and, *and* against every possible legal and ethical rule in *both* our professions. This is it, huh? This is how it happens, right? This is how the McBain boys go right down the tube.

Detective John McBain: We could always enroll in that truck-driving school.

The Bold and the Beautiful

Brooke: When you didn't come back to the hotel Massimo called the Police.
Dominick Marone: You didn't happen to bring them with you?

FADE IN: INTERIOR FARMHOUSE PARLOR. OPEN ON TIGHT SHOT OF MAGGIE, WITH WEDDING VEIL. SHE IS BREATHTAKINGLY BEAUTIFUL. UNDER, WE HEAR: SOUND OF SOFT ORGAN MUSIC. DO A SLOW PULL BACK TO SHOW MAGGIE ON STOOL, IN HER LONG DRESS, HER APPEARANCE ALMOST SPIRITUAL FRAMED AGAINST FLOWERS AND THE SOFT, FLICKERING CANDLES. CONTINUE TO PULL BACK AND SHOW MRS. JENNINGS AT ORGAN(much like Clarke Morgan on AW when Bill and Missy were married), AND THE REVEREND JENNINGS BEHIND THE FLOWER-BANKED ALTAR AREA, A TABLE WITH BIBLE, CANDELABRAS, ETC... HANK STANDS NEAR MAGGIE. NOW MICKEY WALKS THROUGH THE PARLOR DOOR, STOPS, REACTS TO THE SIGHT OF HIS BRIDE-TO-BE. THEN HE WALKS TO HER SIDE, SHE SMILES RADIANTLY AT HIM, HIS EYES ARE BRIGHT WITH LOVE AND ADMIRATION. THE MUSIC STOPS.)
REV. JENNINGS: Dearly Beloved, we are gathered today to witness a wedding between Margaret Simmons and Marty Hanson. And as a wedding present to you, Marty, your bride-to-be has written the ceremony words.
(MICKEY LOOKS AT MAGGIE, SHE SHYLY SMILES AT HIM. NOW, SOFTLY, UNDER THE WORDS, MRS. JENNINGS PLAYS "THE LILAC TREE" AND "I LOVE YOU TRULY", IF THERE IS TIME. AS THE MINISTER READS, WE DO A SERIES OF TAKES, DWELLING LOVINGLY ON CLOSE SHOTS OF MAGGIE, MICKEY, HANK. ALL REACT TO THE WORDS, THE SIMPLE BEAUTY OF THE OCCASION. HANK HAS TEARS IN HIS EYES. ALSO, INTERCUT TAKES OF REV. JENNINGS AND MRS. JENNINGS. IT WILL BE A FLOW SEQUENCE, AS WE SOFTLY SHIMMER & DISSOLVE FROM ONE FACE TO THE OTHER. AS A PRELUDE TO THE CEREMONY, MAGGIE SOFTLY SINGS)
MAGGIE: "First love's like a lilac tree, with shy spring buds for all to see, a gentle hint of what will be at blossom time, on a wedding day."
REV. JENNINGS: We are here in the sight of God and in the face of this company, and in the unseen presence of those who are ever close, to unite in holy matrimony two people who have chosen, from this day forward, to be one, together throughout time and eternity. As gentle rain falls to the earth, inviting the buds and blossoms of God's greenery to emerge, welcome, so have the gentle blessings from above fallen, to foster and future an enduring love to be shared by Maggie and Marty. From the darkness of yesterdays, the lonely pain of past and solitude has come a shimmering flame of hope to light the way for tomorrows without end, radiant with joy and happiness. To be a bird and soar in free ecstasy, to be a cloud and flat across the canvas of an endless sky, to walk together, to run together, to live together, to love together. This is the pattern of Heaven's tapestry, the gift He gives with the blessing of marriage. We ask not for chains or vows for they are not needed in this union. The simple clasp of hands will be shelter, one to the other, forever.
(TIGHT SHOT OF MICKEY AND MAGGIE AS SHE HOLDS OUT HER HAND, HE TAKES IT, HOLDS IT TIGHTLY).
REV. JENNINGS: Love is faith. Faith is hope. Hope is belief. And belief is love, in the golden ring of true constancy. Have you such a ring, Marty Hanson?
(TAKE MICKEY AS HE TOUCHES HIS POCKET, BUT DOESN'T BRING RING OUT)
MICKEY: I have.
REV. JENNINGS: And you, Maggie Simmons?
(TAKE MAGGIE AS SHE INDICATES A WEDDING BAND THAT RESTS WITHIN HER BRIDAL BOUQUET)
MAGGIE: I have.
REV. JENNINGS: Dear God, we who have so much can ask for nothing more, save Your divine favor and protection for the years they shall travel together, no longer alone, but one.
(NOW MRS. JENNINGS AGAIN PICKS UP "LILAC TREE" AS MAGGIE STARTS TO SING)
MAGGIE: "Last love's like an old oak tree, still strong and proud with majesty, its branches bent protectingly, a family tree, stately old oak tree."
REV. JENNINGS: Into the holy estate of matrimony these two persons present ask now to be joined. If anyone can show just cause why they may not be lawfully joined together, let him now speak or else hereafter forever hold his peace.
(THERE IS A LONG DRAMATIC PAUSE, THEN REV. JENNINGS CONTINUES)
REV. JENNINGS: The rings?
(MICKEY PLACES HIS RING ON MAGGIE'S FINGER. SHE PLACES HER RING ON HIS)
REV. JENNINGS: With this simple act, and by virtue of the authority vested in me, I now pronounce you man and wife. And let no one put asunder those who have thus been joined together in the presence of God and his company.
(NOW THE ORGAN SWELLS IN THE TRADITIONAL WEDDING SONG. MICKEY GENTLY REMOVES THE VEIL FROM MAGGIE'S RADIANT FACE. HE BENDS AND SOFTLY KISSES HER. DISSOLVE TO: EXTERIOR FARMHOUSE BACK PORCH. JAY APPROACHES, REACTS TO THE ORGAN MUSIC. CUT BACK TO PARLOR AS HANK KISSES THE BRIDE, THEN SHAKES HANDS WITH MICKEY. MR. AND MRS. JENNINGS GO TO THE HAPPY COUPLE, EXTENDING THEIR BEST WISHES. BRING JAY TO THE PARLOR DOOR, UNSEEN BY ANYONE. HE REACTS TO MAGGIE IN HER WEDDING GOWN. IT IS OBVIOUS TO HIM WHAT'S JUST HAPPENED. AND ON HIS REACTION: FADE TO BLACK)

Luke (General Hospital)

Luke: "No More women! Only Wine and song."

Passions

Jessica Bennett:
You can't give up on Charity, Miguel. Would Leonardo give up on Kate? Would Ross give up on Rachel? Would Bo give up on Hope?

Television Announcer(this could either Walter Cronkite or Chet Huntley, since David Brinkley didn't do stories like that, only Washington-area topics such as the White House, U.S. Congress, and the Pentagon. ): "...Now, turning to the local scene...Bay City police are still baffled by the disappearance of a twenty-one year old girl. (LIZ, WHO HAS BEEN ONLY HALF-LISTENING, PERKS UP AT THIS) "Melissa Palmer of 2040 Sherman Street in the University section, was recently in the news when she became the heiress to a considerable estate left by a friend, San Francisco socialite Mrs. Katherine Corning. A sidelight of the case, intriguing, but so far, unconnected with Miss Palmer's disappearance, was the fact that she was to have been married the next day. Several theories involving foul play are being checked out -- including a suspicion of kidnapping -- but police admit that there is no material evidence to support any such suspicion..."
Liz: (SOFTLY, SMILING TO HERSELF) "Nor will there be..."
Television Announcer: "Even though the girl's room had apparently been ransacked, police discounted robbery as an explanation, because nothing of any value seemed to be missing. Miss Palmer's parents are dead.: she lived alone in a rented room and was a student at the State University."

As the World Turns

Mick: (to Barbara) Do you really think another girl could consume me the way you have?

Dr. Oliver: I’ve run into a conspiracy of idiots… with a few jerks thrown in.

Dr. Oliver: That’s a long term commitment and I came here for a one night stand.

Carly: (to Jack) You’re like alcohol to me.

Noah: (sarcastically) Sorry you went blind. I brought you a pie.

Carly: (to Jack) You’re the most married man I know.

As The World Turns:

Mick: (to Barbara) "Do you really think another girl could consume me the way you have?"

The Young and the Restless

Damon Porter: "Well I'll be damned."
Michael Baldwin: "I'm sure you will be."

As the World Turns:

Lisa, Lucinda, Barbara, Kim, Emma, Susan and Nancy are caught in the wilderness after their bus breaks down.

Susan: (realizing that they all had-with the exception of Nancy-been married to, engaged to or had children with Dr. John Dixon (Larry Bryggman): "I just had a terrible thought! Do you realize that at one time or another, we were all in love with the same man? All except Nancy, she's the only sane one in the bunch!"
Lisa: "Well, I wouldn't exactly call it love..."
Susan: "Maybe not, but we almost killed each other over it..."

The Young and The Restless

Jill: I just wanted to know how you were feeling.

Katherine: Oh, I was doing fine til’ just a few moments ago when a very cold,-uh…ugly wind blew into my front door.

Jill: My, you do have a way with words. Unfortunately, for you, it doesn’t always get to your desired results.

The Young and The Restless

Jill steps foot on The Chancellor Estate, rings the doorbell, and then turns around, smug and smirking, wearing a fur coat, waiting for someone to open the door.

Jill turns around as Esther opens the door to find Jill standing in the door, shocked.

Esther: Jill.

Jill: Mrs. Abbott to you, Esther.

Esther: But you’re not really Mrs. Abbott anymore, are you?

Jill: I don’t have time for your insolence.

Jill walks into The Chancellor Mansion, uninvited, searching for Katherine.

Jill: Where’s Katherine?

Esther: She’s not home.

Jill turns to Esther, staring at her in disbelief.

As the World Turns

Dr. Oliver: I’ve run into a conspiracy of idiots… with a few jerks thrown in.

All My Children:

Palmer's cantankerous maid Myra Murdock Sloane, giving advice to calm down a new employee at Cortlandt Manor after a big fight among guests at the dinner table:

"Don't worry, things will calm down soon. The people who live in this house take sedatives like most people eat after-dinner mints. They'll all be asleep in ten minutes."

The Young and The Restless

Jill walks into the living room of The Chancellor Mansion and says this to Katherine:

Jill: Tell me, Kay. When are you finally gonna die? When the government finds a safe place to bury your liver I suppose.

The Bold and The Beautiful

Steffy to Ridge about the Logans working at FC. “It’s like a clown car. You open the door and like a hundred of them come out.”

Justin: I’m going to arrange a trip to New York.
Bill: Why?
Justin: Because I don’t want to be in a ten mile radius when Ridge finds out his daughter has the hots for you.

Taylor to Ridge: “You have your Logan and I’m not your Doc anymore.”

Dynasty: Alexis (Joan Collins) and Sable (Stephanie Beacham) are fighting, as always:

Sable: You just don't know when to stop, do you?
Alexis: Oh, yes I do. When I hear the thump, thump, thump that tells me I've driven over something hard and empty, like your head.

Alexis: I just love the way you stand by your men, Sable. What a pity they won't lie down with you.

Krystle: What are you doing here, Alexis?
Alexis: I've been asking you that question for years, and I still haven't received a satisfactory answer.

Krystle encounters Alexis at a jewelry store:
Alexis: I'm not really certain about these pearls, they're so dowdy. They might look good on you!

General Hospital:

Luke Spencer : Edward, if I were you, I'd rethink that divorce thing.
Edward Quartermaine: Why, Luke, so you can reopen the club with the money Heather stole from me?
Luke Spencer : No, sir, because if you divorce that woman, you're going to be dead before the ink is dry.

Falcon Crest:

Angela [Jane Wyman]: (to Melissa) I sent Lance over to feel you out.
Melissa: I should have known.
Angela: He wouldn't spy on you, but to tell you the truth, I think he's still in love with you. I think he's crazy.
Melissa: He said he's still in love with me?
Angela: Makes you sick, doesn't it?

Maggie [Susan Sullivan]: (Chase and Richard get into a fight and Richard accidentally punches Angela.) Let me get something straight. You ducked, and Richard flattened Angela? Damn! I wish I had been there!

Angela and Melissa are arguing, as usual: Angela: Don't you huff and puff at me!
Melissa: Oh, I'm not going to huff and puff. I'm going to blow your house down!
Angela: Well, you certainly have the hot air to do it.

Melissa: (leaving Falcon Crest after not having been invited) "Don't worry, Angela, I'm leaving. And I haven't folded, spindled or mutilated a thing in your house."

Angela (trying to strong-arm an attorney into doing what she wants via blackmail with incriminating photographs): What you do in the privacy of your own bedroom is your business. What you do in the bushes is mine!

Richard [David Selby] saves Angela in the rubble of his home after an explosion:
Angela: (waking up and seeing Richard) Oh, no. I've died and gone to Hell.
Richard (to the medics): She's fine!

Days of Our Lives

Rafe: I knew that was dumb when it was coming out of my mouth.

Chloe: (of her chocolate mousse cake) How can you leave this? That’s not human.

Hope: You’re hilarious. You sleep with my husband and it’s my fault.

Kate: I've been snubbed by Smurfette.

EJ: All right. Let's pack it in. Let's just give up. They'll figure it out Anyway. Sami and Rafe... they're probably the second coming of Woodward and Bernstein. You don't have a right to insult my intelligence. I have orchestrated this entire plan and my next move will be just as flawless.

Victor: And how will you plant it on her? Will you just ask, 'Do you mind if I attach this to your bosom?'

Kenzie: Mia... teabags for swollen eyes.

The Young and The Restless

Katherine opens the door to see Jill standing in it.

Jill: Why, Kay. You are looking worse than usual.

Katherine looks at Jill, insulted, and looks rather angry.

Jill: Let me pour you a drink.

Jason to Michael: "You keep saying you’re a man, that you want to live on your own, but you're acting like a little b***h!"

Sonny: "What you really are is a love sick groupie whose got a crush on a rock star hit man you can never have."

Franco: "As opposed to, say, a daddy who's jealous his favorite has another suitor?"

Lucky: "You don't love me Elizabeth, otherwise you wouldn't be screwing my brother behind my back."

The Young and The Restless

Jill, speaking to David Kimble on Katherine Chancellor:

Jill: She had her liquor during the day…and her stable boys to fill her lonely nights.

Emmerdale

Dan: Roses are red, violets are blue
Cain: A punch in the face or make us a brew

As the World Turns:

Lisa: Wedding? I wouldn't come to your wedding if you were giving away Robert Redford as a door prize.

Emily: Shooting your fiance sure puts a damper on the honeymoon.

Henry: I had a woman like that once. Once was all I could afford.

Emily: Hal? I came in second to a warm donut with him!

The Young & The Restless

Nikki Newman: Sharon, you need to leave....now!

As The World Turns

Dr. Susan Stewart: Oh, sorry, sorry. I was out yesterday because of the stupid wedding and I had to stop by the hospital.

Barbara Ryan: What wedding?

Dr. Susan Stewart: Oh, that's right, you weren't invited. Your son married my daughter.

Barbara Ryan: What? That's impossible. Paul's still in jail.

Dr. Susan Stewart: They got married in the cell. It was everything a mother could hope for, cement floors, iron bars, armed guards, and a son-in-law who's a murderer.

The Young and The Restless

Patty Williams gets out a fire extinguisher and extinguishes the doorknob on the door of the room that she, Jack, and Phyllis are staying in.

Phyllis: Great. There’s a fire out there and a wacko (referring to Patty) in here. Real toss up.

Boyd Larraby:
I'd rather fry in hell than work for you, Cambias.

Michael Cambias:
Bring your sunscreen.

Knots Landing: Abby (Donna Mills) needs to tell her teenage daughter Olivia (Tanya Crowe) something serious about Valene:

Abby: "Olivia, something terrible has happened."
Olivia: "What's wrong? Did you run out of eye makeup?"

Paige (Nicolette Sheridan) "You don't know the meaning of the word trust?"
Anne: "Oh, sweetie, of course I do."
Paige: "The only kind of trust you know has the word "fund" after it..."

Paige is swimming nude in Greg's pool.

Paige: "I couldn't find a bathing suit."
Greg: "I can see that."
Paige: "Why don't you join me?"
Greg: "I never swim in shark-infested waters."

As The World Turns

Mick: (to Barbara) Do you really think another girl could consume me the way you have?

General Hospital

Luke Spencer:

The Bold And The Beautiful

Steffy to Ridge about the Logans working at FC. “It’s like a clown car. You open the door and like a hundred of them come out.”

General Hospital

Alan: "I’ve been waiting for you."
Monica: "Is that a statement of fact or a declaration of war?"

The Bold And The Beautiful

Justin: I’m going to arrange a trip to New York.
Bill: Why?
Justin: Because I don’t want to be in a ten mile radius when Ridge finds out his daughter has the hots for you.

Dark Shadows

Barnabas Collins: "I am terribly sorry, but you cannot imagine how thirsty I am --"

The Bold And The Beautiful

Taylor to Ridge: “You have your Logan and I’m not your Doc anymore.”

Jill (talking to her son, Phillip III): I have ginger AAAAALE!

General Hospital

Heather Webber: I wasn't stalking him, I was merely checking in on Jeff to see what he was
doing, letting myself in without his knowledge.

General Hospital

Sonny: "What you really are is a love sick groupie whose got a crush on a rock star hit man you can never have."
Franco: "As opposed to, say, a daddy who's jealous his favorite has another suitor?"

"The Madonnas rest high above, the Lion's Head watches the dove.

And in the womb beneath the hill, the secret flame glows bright and still."

Dark Shadows

Passions

Ivy Winthrop Crane:
What's up, Julian? It wouldn't have anything to do with, let's see, a mysterious bird statue?

Another World....

Lefty: "Nice car you've got, Lee."
Lee (Barbara Rodell): "Lefty, you shouldn't be here."
Lefty: "I have to be here, Lee you know that. Where else can I go?"
Lee: "Not here."
Lefty: "Watch the road...you want to kill me?"
Lee: "Lefty, you shouldn't be here. I don't want you here."
Lefty: "Sure you do."
Lee: "No, I don't." (HYSTERIA RISES) "Now you just get out of here. You don't belong here."
Lefty: "Killing somebody isn't so simple. Nope. Not simple at all. Dead people keep coming back. Right, Lee?"
Lee: "Why do you have to keep coming back?"
Lefty: "Why so's you can kill me again. Didn't you know that? Sure you knew that. I'll keep coming back and you'll keep killing me and I'll keep coming back and you'll keep killing me and that's the way it's gonna be. Didn't you know that?"
Lee: (FORCIBLY:) "No. No. No." (LEFTY DISAPPEARARS. LONG SIGH FROM LEE:) "That's better." (SHE SEEMS CALMER AND DRIVES QUIETLY. SHOT OF LEFTY STANDING IN THE MIDDLE OF THE ROAD WAVING HIS ARMS AS THOUGH TO FLAG HER DOWN)
Lefty: "Kill me Kill me Kill me...."
Lee: "No...no...no..." (SHE TWISTS THE WHEEL. CUT TO FILM CLIP OF CAR CRASH).


Lee: (TURNS BACK TO SAM AT HER BEDSIDE) "Sam... I'm so glad you came to see me."
Sam: "I'm glad I came to."
Lee: (Barbara Rodell, Exit Line) "Darling Sam... I love you..." (AGAIN SHE LOOKS AT THE CEILING) "Time and time and time and time... going on and on... always going on... never stopping..." (HER BREATHING BECOMES MORE LABORED).
...
John: (BARELY DISTINGUISHABLE) "Have mercy... have mercy..." (SAM TURNS TO THE OLDER MAN. GIVES HIM A LONG LOOK... THERE ARE NO WORDS HE CAN OFFER AT THIS TIME. WITH INFINITE PITY, HE FINALLY PUTS ONE HAND ON JOHN'S SHOULDER AND SQUEEZES IT A LITTLE. JOHN, AS THOUGH HE'D FORGOTTEN SAM'S PRESENCE, LOOKS AT SAM BRIEFLY. THEN COVERS SAM'S HAND WITH HIS OWN AND TOGETHER THEY WAIT.)
(SLOW DISSOLVE TO THE HOSPITAL ROOM. WE SEE THE INTRAVENOUS BOTTLE BEING REMOVED FROM THE RACK. THE HANDS DOING THIS ARE ALICE'S. WE SEE ALICE'S FACE, GRIEF-STRICKEN. SHE LOOKS DOWN AT LEE AND AS SHE DOES, DR. FITCH'S HANDS PULL A SHEET OVER THE DEAD GIRL'S FACE. FADE OUT).

Another World....

Lefty: "Nice car you've got, Lee."
Lee (Barbara Rodell): "Lefty, you shouldn't be here."
Lefty: "I have to be here, Lee you know that. Where else can I go?"
Lee: "Not here."
Lefty: "Watch the road...you want to kill me?"
Lee: "Lefty, you shouldn't be here. I don't want you here."
Lefty: "Sure you do."
Lee: "No, I don't." (HYSTERIA RISES) "Now you just get out of here. You don't belong here."
Lefty: "Killing somebody isn't so simple. Nope. Not simple at all. Dead people keep coming back. Right, Lee?"
Lee: "Why do you have to keep coming back?"
Lefty: "Why so's you can kill me again. Didn't you know that? Sure you knew that. I'll keep coming back and you'll keep killing me and I'll keep coming back and you'll keep killing me and that's the way it's gonna be. Didn't you know that?"
Lee: (FORCIBLY) "No. No. No." (LEFTY DISAPPEARARS. LONG SIGH FROM LEE) "That's better." (SHE SEEMS CALMER AND DRIVES QUIETLY. SHOT OF LEFTY STANDING IN THE MIDDLE OF THE ROAD WAVING HIS ARMS AS THOUGH TO FLAG HER DOWN)
Lefty: "Kill me Kill me Kill me...."
Lee: "No...no...no...":mad: (SHE TWISTS THE WHEEL. CUT TO FILM CLIP OF CAR CRASH):(.


Lee: (TURNS BACK TO SAM AT HER BEDSIDE) "Sam... I'm so glad you came to see me."
Sam: "I'm glad I came to."
Lee: (Barbara Rodell, Exit Line) "Darling Sam... I love you..." (AGAIN SHE LOOKS AT THE CEILING) "Time and time and time and time... going on and on... always going on... never stopping..." (HER BREATHING BECOMES MORE LABORED).
...
John: (BARELY DISTINGUISHABLE) "Have mercy... have mercy...":confused: (SAM TURNS TO THE OLDER MAN. GIVES HIM A LONG LOOK... THERE ARE NO WORDS HE CAN OFFER AT THIS TIME. WITH INFINITE PITY, HE FINALLY PUTS ONE HAND ON JOHN'S SHOULDER AND SQUEEZES IT A LITTLE. JOHN, AS THOUGH HE'D FORGOTTEN SAM'S PRESENCE, LOOKS AT SAM BRIEFLY. THEN COVERS SAM'S HAND WITH HIS OWN AND TOGETHER THEY WAIT.)
(SLOW DISSOLVE TO THE HOSPITAL ROOM. WE SEE THE INTRAVENOUS BOTTLE BEING REMOVED FROM THE RACK. THE HANDS DOING THIS ARE ALICE'S. WE SEE ALICE'S FACE, GRIEF-STRICKEN. SHE LOOKS DOWN AT LEE AND AS SHE DOES, DR. FITCH'S HANDS PULL A SHEET OVER THE DEAD GIRL'S FACE. FADE OUT).:(

Melrose Place

Billy: This is to keep you from thinking of Keith!
Alison: Then why do you keep bringing up his name?!

House of Dark Shadows (1970)

If only we knew who did it to her.

Frightening, isn't it? Knowing that Carolyn is out there somewhere, right now.

The Young And The Restless


Phyllis: [to Jack] "You've always thought of Victor Newman as Darth Vader, when did you decide to go to the Dark Side?"

Days Of Our Lives

Sami Brady: You are insane.

EJ Wells: No, my dear. I'm a DiMera.

General Hospital

Helena Cassadine: "They'd never have us in hell, we'd end up running the place."

General Hospital (episode from 1990)

Robert: (after clearing his throat to break up a passionate kiss between Sean and Tiffany) "Sorry to interrupt"

Sean: "I'm sorry you had to."

Guiding Light

Alan: Alexandra, you look like you've been frightened badly.
Buzz: You look radiant.
Alex: Thank you. I was out taking a ride on Buzz's sow.
Buzz: Hog.
Alex: Whatever.

Guiding Light

Alan: Alexandra, you look like you've been frightened badly.
Buzz: You look radiant.
Alex: Thank you. I was out taking a ride on Buzz's sow.
Buzz: Hog.
Alex: Whatever.

Buzz had some good one-liner's and it makes you wonder how much Justin Deas (ex-Buzz) ad-libbed on GL.

One Life To Live

Dr. Dorian Cramer Lord Callison Santi Vickers Hayes Laurence #3:
David, could you please, please leave us alone? Thank you.

David Vickers:
By all means.

Dr. Dorian Cramer Lord Callison Santi Vickers Hayes Laurence #3:
And, David dear, would you close the doors behind you?

David Vickers:
Yeah, not your butler.

Dr. Dorian Cramer Lord Callison Santi Vickers Hayes Laurence #3:
Right.

Deacon is trying to avoid Sheila's evil influence on The Bold & The Beautiful:

Deacon: No! No! No! No, Sheila! This is wrong. I've gotta...

Sheila: What, be a "good boy"?

Deacon: Yeah!

Sheila: That's too bad, because I like you so much better when you're naughty!


Victor redecorates his office after regaining control of Newman Enterprises on The Young & The Restless:

Victoria: I see you've replaced my portrait with your own.

Victor: Your office has walls, doesn't it?


Mariah is concerned about the weather on The Young & The Restless:

Mariah: The weather report has all of these crazy colors and I don't really understand what any of it means, but it seems to spell impending doom?

Guiding Light

Roger to Holly: "I didn't know how to love. All I knew how to do is try to control, and I would control you and somehow I would make you love me....And, when I was sure that you really loved Ed, I just totally lost control and I regretted that every day of my life, and every moment since, because I had destroyed the only woman that I could ever love...(He holds her dress close to him as he says this.) And now, I seem to have this opportunity to make some small amends and I never thought I'd have that chance. I don't know what dark force is moving you to be with me tonight, but I know that I am responsible for it and I know that I will never, never hurt you like that again. You don't want to make love to me, Holly; you don't. And I can't believe it but I can't make love to you because, in some way I don't even begin to understand, I would be forcing you against your will again and I will never, oh God, I will never, ever, ever hurt you like that again."