TMC
09-28-2018, 07:14 PM
https://www.vanityfair.com/hollywood/2018/09/the-good-place-season-3-premiere-review
"Plenty of TV comedies have tried to confront the horrors of modern life in America, especially in the past few years," says Laura Bradley. "Too often, their attempts hinge on punching at public figures with jokes that don’t land—even if a studio audience is there to whoop and cheer as if they did," she adds, referring to shows like the Will & Grace revival. Bradley says the Michael Schur-created NBC comedy's "genius is in running in the complete opposite direction. Where other shows choose flagrant defiance, The Good Place chooses mirth." She adds that The Good Place "is a candy-coated exploration of human behavior, morality, and redemption—one that, more than anything else right now, feels like an essential reminder of the capacity for goodness within us all...At a time when we’re drowning in deep existential dread, we need television like The Good Place. It’s hard to imagine anything more comforting right now than a beautifully crafted story about a universe overseen with purpose and order—by beings who genuinely care about us, despite our deepest flaws."
ALSO:
Here’s a philosophical question: Does humanity even deserve The Good Place? (http://www.vulture.com/2018/09/the-good-place-season-3-review.html)
The Good Place is doing in Season 3 what Lost never could do in six seasons (https://www.esquire.com/entertainment/tv/a23494263/good-place-season-3-episode-1-recap-review/)
Unlike most network sitcoms, The Good Place allows its characters to change (https://slate.com/culture/2018/09/the-good-place-season-3-review-nbc-sitcom.html)
The Good Place is arguably the most underappreciated comedy on television (https://www.hollywoodreporter.com/review/good-place-season-3-review-1147473)
From Jean-Paul Sartre's No Exit to Adam Sandler's Little Nicky: What to read and watch for Season 3 (https://www.theringer.com/tv/2018/9/27/17901962/good-place-syllabus)
Ted Danson’s Australian accent is terrible in Season 3, but in an intentional and amusing way (https://www.rollingstone.com/tv/tv-recaps/the-good-place-recap-season-3-episode-1-everything-is-bonzer-728725/)
Richard Marx explains why he let The Good Place use his music, despite never having watched the show (http://www.vulture.com/2018/09/the-good-place-season-3-richard-marx-right-here-waiting.html)
Writers have a contingency plan in case the Jacksonville Jaguars win the Super Bowl (https://www.washingtonpost.com/sports/blake-bortles-was-the-punchline-for-an-nbc-comedy-now-he-has-jaguars-in-a-good-place/2018/09/26/6eaf6f92-c1b6-11e8-b338-a3289f6cb742_story.html)
Why The Good Place keeps rebooting itself: "It is frustrating, but it’s also fundamentally optimistic" (http://www.vulture.com/2018/09/why-the-good-place-keeps-rebooting-itself.html)
Michael Schur addresses the big-picture questions about the afterlife (http://www.vulture.com/2018/09/the-good-place-season-3-michael-schur-interview.html)
"Plenty of TV comedies have tried to confront the horrors of modern life in America, especially in the past few years," says Laura Bradley. "Too often, their attempts hinge on punching at public figures with jokes that don’t land—even if a studio audience is there to whoop and cheer as if they did," she adds, referring to shows like the Will & Grace revival. Bradley says the Michael Schur-created NBC comedy's "genius is in running in the complete opposite direction. Where other shows choose flagrant defiance, The Good Place chooses mirth." She adds that The Good Place "is a candy-coated exploration of human behavior, morality, and redemption—one that, more than anything else right now, feels like an essential reminder of the capacity for goodness within us all...At a time when we’re drowning in deep existential dread, we need television like The Good Place. It’s hard to imagine anything more comforting right now than a beautifully crafted story about a universe overseen with purpose and order—by beings who genuinely care about us, despite our deepest flaws."
ALSO:
Here’s a philosophical question: Does humanity even deserve The Good Place? (http://www.vulture.com/2018/09/the-good-place-season-3-review.html)
The Good Place is doing in Season 3 what Lost never could do in six seasons (https://www.esquire.com/entertainment/tv/a23494263/good-place-season-3-episode-1-recap-review/)
Unlike most network sitcoms, The Good Place allows its characters to change (https://slate.com/culture/2018/09/the-good-place-season-3-review-nbc-sitcom.html)
The Good Place is arguably the most underappreciated comedy on television (https://www.hollywoodreporter.com/review/good-place-season-3-review-1147473)
From Jean-Paul Sartre's No Exit to Adam Sandler's Little Nicky: What to read and watch for Season 3 (https://www.theringer.com/tv/2018/9/27/17901962/good-place-syllabus)
Ted Danson’s Australian accent is terrible in Season 3, but in an intentional and amusing way (https://www.rollingstone.com/tv/tv-recaps/the-good-place-recap-season-3-episode-1-everything-is-bonzer-728725/)
Richard Marx explains why he let The Good Place use his music, despite never having watched the show (http://www.vulture.com/2018/09/the-good-place-season-3-richard-marx-right-here-waiting.html)
Writers have a contingency plan in case the Jacksonville Jaguars win the Super Bowl (https://www.washingtonpost.com/sports/blake-bortles-was-the-punchline-for-an-nbc-comedy-now-he-has-jaguars-in-a-good-place/2018/09/26/6eaf6f92-c1b6-11e8-b338-a3289f6cb742_story.html)
Why The Good Place keeps rebooting itself: "It is frustrating, but it’s also fundamentally optimistic" (http://www.vulture.com/2018/09/why-the-good-place-keeps-rebooting-itself.html)
Michael Schur addresses the big-picture questions about the afterlife (http://www.vulture.com/2018/09/the-good-place-season-3-michael-schur-interview.html)