TMC
05-02-2018, 03:40 PM
http://www.vulture.com/2018/05/john-mulaney-kid-gorgeous-at-radio-city-netflix-review.html
The best part about Mulaney's new special is that he looks like a kid, but his observations are like those of an old man. "A lot of his complaints about modern life are the kind of thing you’d expect to hear from somebody like Jerry Seinfeld or Larry David, comedians in their 60s who have clung defiantly to a 20th-century mindset," says Matt Zoller Seitz. "The incongruity of Mulaney’s relative youth and the long, white beard on his mentality is the source of a lot of his best stuff. It’s fun to pinpoint the nexus of a comedian’s obsession, and he’s showing it to us here, which is why Kid Gorgeous might later be seen as a milestone in his artistic development. It’s the special where he tells us what his Rosebud is, often adopting a weathered voice and hunched-over old man posture reminiscent of Mr. Bernstein delivering his monologue about the girl on the ferry in Citizen Kane."
ALSO:
Mulaney is unmatched at building his dissection of ludicrousness (https://tv.avclub.com/john-mulaney-packs-the-house-with-laughs-in-kid-gorgeou-1825650072)
Mulaney delivers one of the year's best pieces of comedic writing (http://www.indiewire.com/2018/05/john-mulaney-netflix-kid-gorgeous-review-writing-1201959218/)
Mulaney recalls his SNL writing past with Seth Meyers (https://www.gq.com/story/john-mulaney-best-snl-sketch-season)
Meyers calls Mulaney "the funniest person in America. He’s this combination of great writing and great performing you so rarely see" (https://www.nytimes.com/2018/04/30/arts/television/john-mulaney-kid-gorgeous.html)
Will Mulaney's Netflix deal change his approach to doing standup? (https://tv.avclub.com/john-mulaney-on-the-origins-of-lobster-diner-his-new-1825547443)
The best part about Mulaney's new special is that he looks like a kid, but his observations are like those of an old man. "A lot of his complaints about modern life are the kind of thing you’d expect to hear from somebody like Jerry Seinfeld or Larry David, comedians in their 60s who have clung defiantly to a 20th-century mindset," says Matt Zoller Seitz. "The incongruity of Mulaney’s relative youth and the long, white beard on his mentality is the source of a lot of his best stuff. It’s fun to pinpoint the nexus of a comedian’s obsession, and he’s showing it to us here, which is why Kid Gorgeous might later be seen as a milestone in his artistic development. It’s the special where he tells us what his Rosebud is, often adopting a weathered voice and hunched-over old man posture reminiscent of Mr. Bernstein delivering his monologue about the girl on the ferry in Citizen Kane."
ALSO:
Mulaney is unmatched at building his dissection of ludicrousness (https://tv.avclub.com/john-mulaney-packs-the-house-with-laughs-in-kid-gorgeou-1825650072)
Mulaney delivers one of the year's best pieces of comedic writing (http://www.indiewire.com/2018/05/john-mulaney-netflix-kid-gorgeous-review-writing-1201959218/)
Mulaney recalls his SNL writing past with Seth Meyers (https://www.gq.com/story/john-mulaney-best-snl-sketch-season)
Meyers calls Mulaney "the funniest person in America. He’s this combination of great writing and great performing you so rarely see" (https://www.nytimes.com/2018/04/30/arts/television/john-mulaney-kid-gorgeous.html)
Will Mulaney's Netflix deal change his approach to doing standup? (https://tv.avclub.com/john-mulaney-on-the-origins-of-lobster-diner-his-new-1825547443)