TMC
03-03-2018, 06:06 AM
https://t.co/v35wURgWZy
"Last year’s Oscars screw-up was the most unforgettable moment in all my decades of awards show viewing," says Jason Gay. The Oscars, he says, "did something magical: They screwed up. They literally gave the Best Picture award to the wrong film (La La Land, not Moonlight), and more incredibly, they figured it out in real time, with everyone on stage, as if it were an episode of Scooby-Doo. It may have been mortifying to the show’s producers, not to mention the La-La-Landers who had to skulk off stage. But at home, I had a completely opposite reaction: Finally!" Gay adds that the debacle was "like inviting the wrong team to the Super Bowl—and it turned an utterly skippable TV event into something you’d wished you’d seen live. Why not market the potential for more of this? The greatest sensation any form of entertainment can sell is: You have no idea what’s coming next. The Oscars should embrace ineptitude and declare all bets off: Winners may become losers. Losers may win."
ALSO:
Last year, Jimmy Kimmel looked like a safe hosting choice. This year, he brings a "political profile" (https://www.cnn.com/2018/02/27/entertainment/jimmy-kimmel-oscars-preview/index.html)
Will we get an edgier Kimmel on Sunday night? (https://decider.com/2018/03/01/what-jimmy-kimmel-will-we-get-for-the-oscars/)
Kimmel: "I don’t want this show to go exactly as planned. There have to be surprises"
Why Kimmel's Oscar ad mocking the Best Picture flub featured Warren Beatty, but not Fay Dunaway (http://deadline.com/2018/03/jimmy-kimmel-90th-academy-awards-michael-deluca-jennifer-todd-warren-beatty-interview-1202307297/)
Oscars director Glenn Weiss jokes he'll always be remembered for La La Land producer Jordan Horowitz's meme (http://www.latimes.com/entertainment/movies/la-et-mn-oscars-director-glenn-weiss-20180302-htmlstory.html)
Marlon Brando is credited with bringing politics to the Oscars with his Sacheen Littlefeather moment in 1973 (https://www.sfgate.com/news/article/After-Brando-the-deluge-of-Oscar-politics-12712023.php)
PricewaterhouseCoopers is hoping for an uneventful Oscars -- unlike last year (https://www.wsj.com/articles/the-right-envelope-please-pwc-plans-for-an-uneventful-oscars-1519835571)
Corey Feldman is still angry about Corey Haim's "In Memoriam" snub (http://ew.com/movies/2018/02/21/titanic-mania-oscars-james-cameron)
20 years ago: James Cameron's Titanic mania sparked the most-watched Oscar ceremony ever (http://ew.com/movies/2018/02/21/titanic-mania-oscars-james-cameron)
Recapping the 1998 Oscars, "the biggest Oscars ever" (https://www.vanityfair.com/hollywood/2018/02/1998-oscars-recap)
SNL uploads Oprah's 1986 monologue after she lost the Oscar for The Color Purple (https://www.youtube.com/watch?v=1fdgVYWCTvc)
Kathy Griffin: Red carpet culture needs to modernize (http://time.com/5179500/kathy-griffin-red-carpet-hollywood-changing/)
"I’ve walked the red carpet," Griffin writes in a Time magazine essay. "I’ve worked it—been hired and fired from it. And I’m still a viewer and fan who hosts red carpet parties at my house, sometimes with a boyfriend who isn’t quite sure why we’re watching. I get it: Even I’ve been fast-forwarding lately. The culture of the carpet needs to change...The red carpet needs to reflect the kind of personable interaction that we’re now able to have with celebrities. You can communicate with a celebrity via Twitter now; they’re not glass statues that need to be admired from 100 feet away. And it’s not about the dresses or about pirouetting like women are toys in a music box. Ninety percent of the viewers are aware that many of these women who are now showing up with jewels in their hair and a smile on their face have been sexually assaulted. These women believe in their projects and they want to talk about them, and they have other things to talk about sometimes, too."
ALSO:
Why the Oscars red carpet isn't built for political protest (https://www.vox.com/culture/2018/3/2/17066696/oscars-red-carpet-trends-tom-and-lorenzo-interview)
Griffin will return to TV next week, appearing on Real Time with Bill Maher (http://deadline.com/2018/03/kathy-griffin-hbo-real-time-with-bill-maher-1202308994/)
Jimmy Kimmel has asked his doctor how he could stop crying on his talk show (http://www.wbur.org/geoffedgers/2018/03/01/jimmy-kimmel-hates-crying)
Kimmel talked about his crying problem with Washington Post reporter Geoff Edgars in a podcast and profile examining his emergence as "America's Conscience." For his profile, Edgars went behind the scenes of a day in the life of Jimmy Kimmel Live! (https://www.washingtonpost.com/news/style/wp/2018/03/01/feature/jimmy-kimmel-might-be-americas-conscience-but-hell-still-do-anything-for-a-laugh/), and managed to conduct phone interviews discussing Kimmel with David Letterman, Ellen DeGeneres, Howard Stern, Sarah Silverman and Jimmy's mom. ALSO: Kimmel ogled women on The Man Show, so it's ironic that he's hosting the #MeToo Oscars. (https://www.theatlantic.com/entertainment/archive/2018/03/forgiving-jimmy-kimmel/554675/)
"Last year’s Oscars screw-up was the most unforgettable moment in all my decades of awards show viewing," says Jason Gay. The Oscars, he says, "did something magical: They screwed up. They literally gave the Best Picture award to the wrong film (La La Land, not Moonlight), and more incredibly, they figured it out in real time, with everyone on stage, as if it were an episode of Scooby-Doo. It may have been mortifying to the show’s producers, not to mention the La-La-Landers who had to skulk off stage. But at home, I had a completely opposite reaction: Finally!" Gay adds that the debacle was "like inviting the wrong team to the Super Bowl—and it turned an utterly skippable TV event into something you’d wished you’d seen live. Why not market the potential for more of this? The greatest sensation any form of entertainment can sell is: You have no idea what’s coming next. The Oscars should embrace ineptitude and declare all bets off: Winners may become losers. Losers may win."
ALSO:
Last year, Jimmy Kimmel looked like a safe hosting choice. This year, he brings a "political profile" (https://www.cnn.com/2018/02/27/entertainment/jimmy-kimmel-oscars-preview/index.html)
Will we get an edgier Kimmel on Sunday night? (https://decider.com/2018/03/01/what-jimmy-kimmel-will-we-get-for-the-oscars/)
Kimmel: "I don’t want this show to go exactly as planned. There have to be surprises"
Why Kimmel's Oscar ad mocking the Best Picture flub featured Warren Beatty, but not Fay Dunaway (http://deadline.com/2018/03/jimmy-kimmel-90th-academy-awards-michael-deluca-jennifer-todd-warren-beatty-interview-1202307297/)
Oscars director Glenn Weiss jokes he'll always be remembered for La La Land producer Jordan Horowitz's meme (http://www.latimes.com/entertainment/movies/la-et-mn-oscars-director-glenn-weiss-20180302-htmlstory.html)
Marlon Brando is credited with bringing politics to the Oscars with his Sacheen Littlefeather moment in 1973 (https://www.sfgate.com/news/article/After-Brando-the-deluge-of-Oscar-politics-12712023.php)
PricewaterhouseCoopers is hoping for an uneventful Oscars -- unlike last year (https://www.wsj.com/articles/the-right-envelope-please-pwc-plans-for-an-uneventful-oscars-1519835571)
Corey Feldman is still angry about Corey Haim's "In Memoriam" snub (http://ew.com/movies/2018/02/21/titanic-mania-oscars-james-cameron)
20 years ago: James Cameron's Titanic mania sparked the most-watched Oscar ceremony ever (http://ew.com/movies/2018/02/21/titanic-mania-oscars-james-cameron)
Recapping the 1998 Oscars, "the biggest Oscars ever" (https://www.vanityfair.com/hollywood/2018/02/1998-oscars-recap)
SNL uploads Oprah's 1986 monologue after she lost the Oscar for The Color Purple (https://www.youtube.com/watch?v=1fdgVYWCTvc)
Kathy Griffin: Red carpet culture needs to modernize (http://time.com/5179500/kathy-griffin-red-carpet-hollywood-changing/)
"I’ve walked the red carpet," Griffin writes in a Time magazine essay. "I’ve worked it—been hired and fired from it. And I’m still a viewer and fan who hosts red carpet parties at my house, sometimes with a boyfriend who isn’t quite sure why we’re watching. I get it: Even I’ve been fast-forwarding lately. The culture of the carpet needs to change...The red carpet needs to reflect the kind of personable interaction that we’re now able to have with celebrities. You can communicate with a celebrity via Twitter now; they’re not glass statues that need to be admired from 100 feet away. And it’s not about the dresses or about pirouetting like women are toys in a music box. Ninety percent of the viewers are aware that many of these women who are now showing up with jewels in their hair and a smile on their face have been sexually assaulted. These women believe in their projects and they want to talk about them, and they have other things to talk about sometimes, too."
ALSO:
Why the Oscars red carpet isn't built for political protest (https://www.vox.com/culture/2018/3/2/17066696/oscars-red-carpet-trends-tom-and-lorenzo-interview)
Griffin will return to TV next week, appearing on Real Time with Bill Maher (http://deadline.com/2018/03/kathy-griffin-hbo-real-time-with-bill-maher-1202308994/)
Jimmy Kimmel has asked his doctor how he could stop crying on his talk show (http://www.wbur.org/geoffedgers/2018/03/01/jimmy-kimmel-hates-crying)
Kimmel talked about his crying problem with Washington Post reporter Geoff Edgars in a podcast and profile examining his emergence as "America's Conscience." For his profile, Edgars went behind the scenes of a day in the life of Jimmy Kimmel Live! (https://www.washingtonpost.com/news/style/wp/2018/03/01/feature/jimmy-kimmel-might-be-americas-conscience-but-hell-still-do-anything-for-a-laugh/), and managed to conduct phone interviews discussing Kimmel with David Letterman, Ellen DeGeneres, Howard Stern, Sarah Silverman and Jimmy's mom. ALSO: Kimmel ogled women on The Man Show, so it's ironic that he's hosting the #MeToo Oscars. (https://www.theatlantic.com/entertainment/archive/2018/03/forgiving-jimmy-kimmel/554675/)