TMC
02-15-2018, 01:51 PM
...n the uber producer
http://www.tvguide.com/news/ryan-murphy-netflix-deal-fx
The current three-most watched FX shows are from Ryan Murphy. Yet despite other FX creators like Pamela Adlon, Donald Glover and Noah Hawley, FX seems defined by Murphy's work, says Kaitlin Thomas. "Murphy's projects have been well received by critics and fans and have gone on to produce multiple Emmy Awards for FX, but in recent years, it's also often felt like FX was relying too much on the producer to be the backbone of its schedule," says Thomas. "It's not to say this reliance was not merited — again, the quality of Murphy's body of work and the awards it has received speak for themselves — but Murphy's departure potentially opens up the door for new and distinct voices to find a home at FX too."
Fox exec: Ryan Murphy's Netflix deal is "extremely disruptive," and was a direct result of the Disney merger (https://www.nytimes.com/2018/02/14/business/media/streaming-wars-ryan-murphy.html)
“Were the Disney deal to have never happened, I think he would have been close to a new deal with us,” said Dana Walden, co-CEO of the Fox television group and the Fox executive who has worked most closely to Murphy. “If the Disney move happened a year ago, and the transaction was completed by now and we were part of the Disney Company, I think he would be part of us.” Walden adds that Netflix chief content officer Ted Sarandos, in striking a deal with Murphy, "was extremely disruptive and sent a message to the entire talent community: These old deals that seemed incredibly lucrative at the time, there’s a new template in town. For any uber-premium creator, the value has gone up 10 times. And Ryan is a once-in-a-lifetime creator.” ALSO: The TV industry was abuzz Wednesday talking about the Murphy deal. (http://variety.com/2018/tv/news/ryan-murphy-netflix-deal-fox-fx-1202699152/)
Netflix is looking like a "parallel TV universe" following the Ryan Murphy and Shonda Rhimes deals (https://www.nytimes.com/2018/02/14/arts/television/netflix-ryan-murphy.html)
Netflix has been considered everything from an online-video platform to a network to a cable channel. "The Murphy and Rhimes deals suggest something else: It’s an entire parallel TV universe, and it’s still expanding," says James Poniewozik. "Think of Netflix as the Upside Down in its sci-fi series Stranger Things. By this I don’t mean that it’s a nefarious or dangerous force. But it is a kind of alternative TV dimension, overlaying and replicating the known world of traditional television, that tries to acquire one of everything that exists in the universe of TV." Poniewozik says his first instinct was to liken Netflix to cable. But cable channels have brands. They have specialties and sensibilities to cater to a specific audience. "Netflix doesn’t have that; in fact, it is specifically anti-that," he says. "Its brand is 'stuff that you like to watch on TV.' It developed a vast library of reruns, and with that, a proprietary trove of data on who likes to watch what and how much. Then it made more of that, or bought it. If you liked 30 Rock, here’s Unbreakable Kimmy Schmidt. If you liked Damages, here’s Bloodline."
ALSO:
FX responds to Ryan Murphy's Netflix deal, points to its deep bench of shows its "very successful track record of identifying and developing talented writers" (https://www.hollywoodreporter.com/live-feed/fx-points-deep-bench-originals-producers-response-ryan-murphys-netflix-move-1084925)
Who's next? Will Kurt Sutter, Donald Glover and Noah Hawley also bail on FX? (https://www.thewrap.com/ryan-murphy-leaves-fox-fx-netflix-kurt-sutter-donald-glover-noah-hawley/)
Losing Murphy and Rhimes deals a blow to a Disney's planned rival streaming service (http://www.indiewire.com/2018/02/netflix-ryan-murphy-deal-tv-20th-century-fox-1201928411/)
What the Netflix deal means for each of Ryan Murphy's shows, from 9-1-1 to American Horror Story (https://www.usatoday.com/story/life/tv/2018/02/14/burning-questions-what-ryan-murphys-netflix-deal-means-you/336308002/)
Rhimes and Murphy's Netflix deals should put traditional networks on alert (http://adage.com/article/media/tv-showrunner-netflix/312374/)
Netflix's poaching of Murphy could change TV for good (https://www.vanityfair.com/hollywood/2018/02/ryan-murphy-netflix-deal-fx-fox-disney-merger)
Ryan Murphy inks deal worth up to $300 million to move to Netflix (https://www.nytimes.com/2018/02/13/business/media/netflix-ryan-murphy.html)
The prolific producer has signed a five-year deal worth as much as $300 million to move from 21st Century Fox to the streaming service in what The New York Times is calling one of the biggest deals ever for a TV producer. The deal will hurt Disney, which reached a deal to acquire Fox in December. Murphy has been one of the 21st Century Fox's most prolific producers with hits ranging from American Crime Story to Nip/Tuck to Glee and American Horror Story. Last month, Murphy said he felt uncomfortable with Disney's takeover of Fox (https://www.bloomberg.com/news/articles/2018-01-04/iger-s-sweet-phone-call-has-ryan-murphy-weighing-disney-future) despite reassurances from Disney CEO Bob Iger, pointing out “point-blank the stuff I do is not Disney." The Times reports Amazon also courted Murphy, whose Fox deal expires this summer. “The history of this moment is not lost on me,” Murphy said in a statement. “I am a gay kid from Indiana who moved to Hollywood in 1989 with $55 in savings in my pocket, so the fact that my dreams have crystallized and come true in such a major way is emotional and overwhelming to me.” ALSO: Murphy's current shows aren't going anywhere. (http://www.eonline.com/news/913708/ryan-murphy-moves-to-netflix-what-happens-to-his-current-shows-at-fox-and-fx)
http://www.tvguide.com/news/ryan-murphy-netflix-deal-fx
The current three-most watched FX shows are from Ryan Murphy. Yet despite other FX creators like Pamela Adlon, Donald Glover and Noah Hawley, FX seems defined by Murphy's work, says Kaitlin Thomas. "Murphy's projects have been well received by critics and fans and have gone on to produce multiple Emmy Awards for FX, but in recent years, it's also often felt like FX was relying too much on the producer to be the backbone of its schedule," says Thomas. "It's not to say this reliance was not merited — again, the quality of Murphy's body of work and the awards it has received speak for themselves — but Murphy's departure potentially opens up the door for new and distinct voices to find a home at FX too."
Fox exec: Ryan Murphy's Netflix deal is "extremely disruptive," and was a direct result of the Disney merger (https://www.nytimes.com/2018/02/14/business/media/streaming-wars-ryan-murphy.html)
“Were the Disney deal to have never happened, I think he would have been close to a new deal with us,” said Dana Walden, co-CEO of the Fox television group and the Fox executive who has worked most closely to Murphy. “If the Disney move happened a year ago, and the transaction was completed by now and we were part of the Disney Company, I think he would be part of us.” Walden adds that Netflix chief content officer Ted Sarandos, in striking a deal with Murphy, "was extremely disruptive and sent a message to the entire talent community: These old deals that seemed incredibly lucrative at the time, there’s a new template in town. For any uber-premium creator, the value has gone up 10 times. And Ryan is a once-in-a-lifetime creator.” ALSO: The TV industry was abuzz Wednesday talking about the Murphy deal. (http://variety.com/2018/tv/news/ryan-murphy-netflix-deal-fox-fx-1202699152/)
Netflix is looking like a "parallel TV universe" following the Ryan Murphy and Shonda Rhimes deals (https://www.nytimes.com/2018/02/14/arts/television/netflix-ryan-murphy.html)
Netflix has been considered everything from an online-video platform to a network to a cable channel. "The Murphy and Rhimes deals suggest something else: It’s an entire parallel TV universe, and it’s still expanding," says James Poniewozik. "Think of Netflix as the Upside Down in its sci-fi series Stranger Things. By this I don’t mean that it’s a nefarious or dangerous force. But it is a kind of alternative TV dimension, overlaying and replicating the known world of traditional television, that tries to acquire one of everything that exists in the universe of TV." Poniewozik says his first instinct was to liken Netflix to cable. But cable channels have brands. They have specialties and sensibilities to cater to a specific audience. "Netflix doesn’t have that; in fact, it is specifically anti-that," he says. "Its brand is 'stuff that you like to watch on TV.' It developed a vast library of reruns, and with that, a proprietary trove of data on who likes to watch what and how much. Then it made more of that, or bought it. If you liked 30 Rock, here’s Unbreakable Kimmy Schmidt. If you liked Damages, here’s Bloodline."
ALSO:
FX responds to Ryan Murphy's Netflix deal, points to its deep bench of shows its "very successful track record of identifying and developing talented writers" (https://www.hollywoodreporter.com/live-feed/fx-points-deep-bench-originals-producers-response-ryan-murphys-netflix-move-1084925)
Who's next? Will Kurt Sutter, Donald Glover and Noah Hawley also bail on FX? (https://www.thewrap.com/ryan-murphy-leaves-fox-fx-netflix-kurt-sutter-donald-glover-noah-hawley/)
Losing Murphy and Rhimes deals a blow to a Disney's planned rival streaming service (http://www.indiewire.com/2018/02/netflix-ryan-murphy-deal-tv-20th-century-fox-1201928411/)
What the Netflix deal means for each of Ryan Murphy's shows, from 9-1-1 to American Horror Story (https://www.usatoday.com/story/life/tv/2018/02/14/burning-questions-what-ryan-murphys-netflix-deal-means-you/336308002/)
Rhimes and Murphy's Netflix deals should put traditional networks on alert (http://adage.com/article/media/tv-showrunner-netflix/312374/)
Netflix's poaching of Murphy could change TV for good (https://www.vanityfair.com/hollywood/2018/02/ryan-murphy-netflix-deal-fx-fox-disney-merger)
Ryan Murphy inks deal worth up to $300 million to move to Netflix (https://www.nytimes.com/2018/02/13/business/media/netflix-ryan-murphy.html)
The prolific producer has signed a five-year deal worth as much as $300 million to move from 21st Century Fox to the streaming service in what The New York Times is calling one of the biggest deals ever for a TV producer. The deal will hurt Disney, which reached a deal to acquire Fox in December. Murphy has been one of the 21st Century Fox's most prolific producers with hits ranging from American Crime Story to Nip/Tuck to Glee and American Horror Story. Last month, Murphy said he felt uncomfortable with Disney's takeover of Fox (https://www.bloomberg.com/news/articles/2018-01-04/iger-s-sweet-phone-call-has-ryan-murphy-weighing-disney-future) despite reassurances from Disney CEO Bob Iger, pointing out “point-blank the stuff I do is not Disney." The Times reports Amazon also courted Murphy, whose Fox deal expires this summer. “The history of this moment is not lost on me,” Murphy said in a statement. “I am a gay kid from Indiana who moved to Hollywood in 1989 with $55 in savings in my pocket, so the fact that my dreams have crystallized and come true in such a major way is emotional and overwhelming to me.” ALSO: Murphy's current shows aren't going anywhere. (http://www.eonline.com/news/913708/ryan-murphy-moves-to-netflix-what-happens-to-his-current-shows-at-fox-and-fx)