TMC
04-20-2017, 04:25 PM
http://www.laweekly.com/arts/darkest-sitcom-episodes-of-all-time-all-in-the-family-diffrent-strokes-roseanne-8118550
During the ’80s and early ’90s, most long-running network sitcoms at some point decided to go for gravitas and veer into mature themes including sexual abuse, discrimination, depression, hate crimes, murder, molestation and the systemic disenfranchisement of people. The trend began in the 1970s with the rise of Norman Lear’s TV empire (All in the Family, The Jeffersons, Sanford and Son), as his characters regularly tackled tough social issues through the format of 22-minute primetime TV.
By the ’80s and because of Lear's success, this idea of trying to address difficult, touchy issues via mainstream comedy got — more often than not — bastardized into the “very special episode” format, where writers would traverse dark territory more for the sake of sensationalism than to really take a nuanced look at an issue. Throughout the ’80s and ’90s, these dark episodes were usually exploitation fare, but some programs — Designing Women, The Golden Girls, Roseanne — ventured into serious-issue terrain without undermining or trivializing whatever the issue was. (Except, of course, for the Designing Women episode where they all shame a sex worker, which hasn't aged very well.)
By the late ’90s, nihilism in three-camera sitcoms had taken over (thanks, Seinfeld), and with a few exceptions, there's been much less space for politics or social issues on mainstream scripted sitcoms ever since. So here are the most memorable — not necessarily the “best” or the most admirable — episodes where sitcoms got dark (http://www.laweekly.com/arts/darkest-sitcom-episodes-of-all-time-all-in-the-family-diffrent-strokes-roseanne-8118550/2).
During the ’80s and early ’90s, most long-running network sitcoms at some point decided to go for gravitas and veer into mature themes including sexual abuse, discrimination, depression, hate crimes, murder, molestation and the systemic disenfranchisement of people. The trend began in the 1970s with the rise of Norman Lear’s TV empire (All in the Family, The Jeffersons, Sanford and Son), as his characters regularly tackled tough social issues through the format of 22-minute primetime TV.
By the ’80s and because of Lear's success, this idea of trying to address difficult, touchy issues via mainstream comedy got — more often than not — bastardized into the “very special episode” format, where writers would traverse dark territory more for the sake of sensationalism than to really take a nuanced look at an issue. Throughout the ’80s and ’90s, these dark episodes were usually exploitation fare, but some programs — Designing Women, The Golden Girls, Roseanne — ventured into serious-issue terrain without undermining or trivializing whatever the issue was. (Except, of course, for the Designing Women episode where they all shame a sex worker, which hasn't aged very well.)
By the late ’90s, nihilism in three-camera sitcoms had taken over (thanks, Seinfeld), and with a few exceptions, there's been much less space for politics or social issues on mainstream scripted sitcoms ever since. So here are the most memorable — not necessarily the “best” or the most admirable — episodes where sitcoms got dark (http://www.laweekly.com/arts/darkest-sitcom-episodes-of-all-time-all-in-the-family-diffrent-strokes-roseanne-8118550/2).