TMC
03-06-2017, 10:51 PM
http://www.avclub.com/live/buffering-vampire-slayer-fawns-over-cordelia-drusi-251574
Lie To Me (https://bufferingthevampireslayer.com/2017/03/01/2-07-lie-to-me/)
Just in time for Buffy Week (http://www.avclub.com/article/its-buffy-week-v-club-251544), the latest episode of Buffering The Vampire Slayer examines a turning point in the show where the Scoobies realize that what is right and what is wrong is rarely a black-and-white distinction. But before that, there’s much fun to be had with hosts Jenny Owen Youngs and Kristin Russo’s Drusilla obsession, fawning over the character’s theatrics. Another tangent is sparked by Cordelia’s defense of Marie Antoinette—a tangent backed up by heavy Wikipedia research, of course. The episode’s affectionate ribbing (poking fun at Ford, mocking the cast’s wardrobe) is balanced out by genuine character analysis, making this a fun listen and a functional companion to the show. The hosts are even able to make a strong case for Buffy’s continued relevance, discussing how the minor character Chanterelle represents a particular perspective that is equally present and frustrating today. Later, Youngs and Russo reflect on the episode’s pivotal message and how it marks a new era of depth for Buffy’s central conflicts. Youngs’ closing song for “Lie To Me” is particularly poignant, emulating the subtle sadness of Giles and Buffy’s concluding exchange.
Lie To Me (https://bufferingthevampireslayer.com/2017/03/01/2-07-lie-to-me/)
Just in time for Buffy Week (http://www.avclub.com/article/its-buffy-week-v-club-251544), the latest episode of Buffering The Vampire Slayer examines a turning point in the show where the Scoobies realize that what is right and what is wrong is rarely a black-and-white distinction. But before that, there’s much fun to be had with hosts Jenny Owen Youngs and Kristin Russo’s Drusilla obsession, fawning over the character’s theatrics. Another tangent is sparked by Cordelia’s defense of Marie Antoinette—a tangent backed up by heavy Wikipedia research, of course. The episode’s affectionate ribbing (poking fun at Ford, mocking the cast’s wardrobe) is balanced out by genuine character analysis, making this a fun listen and a functional companion to the show. The hosts are even able to make a strong case for Buffy’s continued relevance, discussing how the minor character Chanterelle represents a particular perspective that is equally present and frustrating today. Later, Youngs and Russo reflect on the episode’s pivotal message and how it marks a new era of depth for Buffy’s central conflicts. Youngs’ closing song for “Lie To Me” is particularly poignant, emulating the subtle sadness of Giles and Buffy’s concluding exchange.