TMC
02-19-2017, 05:00 AM
http://www.vulture.com/2017/02/the-golden-girls-streaming-aids-hiv-fearless-book-excerpt.html
When The Golden Girls debuted earlier this week on Hulu, scores of fans — most of us no doubt wearied by the constant worrying news out of Washington — turned to the streaming service in search of some comforting, familiar slut jokes and St. Olaf stories.
Even after having studied the show for a decade while writing my book, Golden Girls Forever, I still couldn’t resist some fresh viewings, as well. And once I tuned in, I was reminded of one of the things that had first made me want to invest so much time in heralding these four ladies from Miami; they were brilliantly, and sometimes even eerily, ahead of their time.
The Girls consistently tackled taboo subjects and found a way to make them funny. How the show accomplished the humor is now obvious; The Golden Girls was created by the legendary Susan Harris, and spawned the writing careers of so many of today’s TV comedy giants, including Desperate Housewives’ Marc Cherry, Arrested Development’s Mitchell Hurwitz and Modern Family’s Christopher Lloyd. But why did the show take somewhat of a risk in talking about sensitive topics?
The answer, as I learned from these writers and producers and three of the show’s brilliant stars, Bea Arthur, Betty White, and Rue McClanahan, was that the Girls were beloved not just for the barbs they’d trade, the outfits they’d work or the cheesecakes they’d share. These were four strong women who had lived through both the toughest and most rewarding parts of anyone’s life: having babies, struggling to stay afloat, losing husbands. Along the way, they’d gained not just wisdom, but also license with a TV audience to deliver shocking truths that a 30-something character couldn’t get away with saying on any other sitcom. And so, perhaps even a little bit selfishly, the Golden Girls writers realized early on that their show could have certain subject areas all to themselves.
Image
In 22-minute increments over the course of seven seasons, the Girls raised issues of sexism and age discrimination as they faced off with chauvinistic plumbers, skeptical bosses and doubting doctors. They highlighted the plight of the homeless, and of elders like Sophia’s friend Lillian, receiving substandard and underfunded nursing-home care. They received their LGBT friends and relatives with open arms … well eventually, in the case of Blanche and her baby brother Clayton. When Sophia’s friend Martha wanted to end her life, they agonized over euthanasia; as Dorothy’s prized pupil faced deportation, they raised issues about our policies on immigration. And when Rose received a letter saying that she might have been exposed to the HIV virus, The Golden Girls capitalized on its political license once again, becoming one of the first sitcoms to mention HIV and AIDS at all, and further to suggest that the epidemic was a problem for everyone, not just the gay community.
In the Golden Girls Forever excerpt below, about the fifth-season episode “72 Hours,” writers Tracy Gamble and Richard Vaczy, stars Betty White and Rue McClanahan, and other members of the show’s crew talk about the making of the historic episode — one of the first, following an episode of CBS’ Designing Women, to bring humanity to the AIDS epidemic, and to bring that crisis to our attention in our living rooms.
When The Golden Girls debuted earlier this week on Hulu, scores of fans — most of us no doubt wearied by the constant worrying news out of Washington — turned to the streaming service in search of some comforting, familiar slut jokes and St. Olaf stories.
Even after having studied the show for a decade while writing my book, Golden Girls Forever, I still couldn’t resist some fresh viewings, as well. And once I tuned in, I was reminded of one of the things that had first made me want to invest so much time in heralding these four ladies from Miami; they were brilliantly, and sometimes even eerily, ahead of their time.
The Girls consistently tackled taboo subjects and found a way to make them funny. How the show accomplished the humor is now obvious; The Golden Girls was created by the legendary Susan Harris, and spawned the writing careers of so many of today’s TV comedy giants, including Desperate Housewives’ Marc Cherry, Arrested Development’s Mitchell Hurwitz and Modern Family’s Christopher Lloyd. But why did the show take somewhat of a risk in talking about sensitive topics?
The answer, as I learned from these writers and producers and three of the show’s brilliant stars, Bea Arthur, Betty White, and Rue McClanahan, was that the Girls were beloved not just for the barbs they’d trade, the outfits they’d work or the cheesecakes they’d share. These were four strong women who had lived through both the toughest and most rewarding parts of anyone’s life: having babies, struggling to stay afloat, losing husbands. Along the way, they’d gained not just wisdom, but also license with a TV audience to deliver shocking truths that a 30-something character couldn’t get away with saying on any other sitcom. And so, perhaps even a little bit selfishly, the Golden Girls writers realized early on that their show could have certain subject areas all to themselves.
Image
In 22-minute increments over the course of seven seasons, the Girls raised issues of sexism and age discrimination as they faced off with chauvinistic plumbers, skeptical bosses and doubting doctors. They highlighted the plight of the homeless, and of elders like Sophia’s friend Lillian, receiving substandard and underfunded nursing-home care. They received their LGBT friends and relatives with open arms … well eventually, in the case of Blanche and her baby brother Clayton. When Sophia’s friend Martha wanted to end her life, they agonized over euthanasia; as Dorothy’s prized pupil faced deportation, they raised issues about our policies on immigration. And when Rose received a letter saying that she might have been exposed to the HIV virus, The Golden Girls capitalized on its political license once again, becoming one of the first sitcoms to mention HIV and AIDS at all, and further to suggest that the epidemic was a problem for everyone, not just the gay community.
In the Golden Girls Forever excerpt below, about the fifth-season episode “72 Hours,” writers Tracy Gamble and Richard Vaczy, stars Betty White and Rue McClanahan, and other members of the show’s crew talk about the making of the historic episode — one of the first, following an episode of CBS’ Designing Women, to bring humanity to the AIDS epidemic, and to bring that crisis to our attention in our living rooms.