TMC
04-16-2016, 06:23 AM
http://www.vulture.com/2016/04/time-to-start-appreciating-melissa-mccarthy.html
Next month will mark the fifth anniversary of the release of Bridesmaids, the modestly budgeted smash that proved a comedy driven by women could hold its own in the summer marketplace - and, in the process, do wonders for the careers of everyone involved, from co-writer-star Kristen Wiig to director Paul Feig. Nobody, however, benefited more than Melissa McCarthy, who got an Oscar nomination in a genre that almost never yields them and, from there, immediately moved into leading roles. Since Bridesmaids, McCarthy has starred in five studio comedies - Identity Thief, The Heat, Tammy, Spy, and the current release, The Boss - with average production budgets of $39 million (the cost of roughly 20 minutes of Batman v Superman); the first four averaged worldwide grosses of $185 million. Notably, she did all of the above while holding down a day job: Her Bridesmaids breakthrough came one season into the run of Mike & Molly, a relatively buzzless CBS half-hour of the kind that many performers would have been screaming to get out of once movies beckoned.
Next month will mark the fifth anniversary of the release of Bridesmaids, the modestly budgeted smash that proved a comedy driven by women could hold its own in the summer marketplace - and, in the process, do wonders for the careers of everyone involved, from co-writer-star Kristen Wiig to director Paul Feig. Nobody, however, benefited more than Melissa McCarthy, who got an Oscar nomination in a genre that almost never yields them and, from there, immediately moved into leading roles. Since Bridesmaids, McCarthy has starred in five studio comedies - Identity Thief, The Heat, Tammy, Spy, and the current release, The Boss - with average production budgets of $39 million (the cost of roughly 20 minutes of Batman v Superman); the first four averaged worldwide grosses of $185 million. Notably, she did all of the above while holding down a day job: Her Bridesmaids breakthrough came one season into the run of Mike & Molly, a relatively buzzless CBS half-hour of the kind that many performers would have been screaming to get out of once movies beckoned.