http://www.vulture.com/2016/04/unbreakable-kimmy-schmidt-season-two-weirder-better.html

"The weirder and more random Unbreakable Kimmy Schmidt gets, the more enjoyable it is,” says Matt Zoller Seitz. "Season two of the show is more enjoyable than season one because, for long stretches, it barely remembers what it's about, plot-wise, and enters that trancelike comedy zone where some of the best sketch comedy resides — a place of one-damn-thing-after-another inventiveness.” PLUS: It’s become a show mostly without straight white males (http://www.esquire.com/entertainment/tv/news/a43923/unbreakable-kimmy-schmidt-season-two-review/), it’s still the fastest show on TV (http://www.slate.com/articles/arts/television/2016/04/unbreakable_kimmy_schmidt_tina_fey_s_netflix_sitcom_reviewed.html), with TV’s best joke writers (http://www.vulture.com/2016/04/unbreakable-kimmy-schmidt-season-two-like-30-rock.html), nothing’s changed in its first made-for-Netflix season, it’s good enough not to binge on (http://www.hollywoodreporter.com/review/unbreakable-kimmy-schmidt-season-2-884382), it’s still devoted to shock over insight (http://time.com/4292506/unbreakable-kimmy-schmidt-season-2-review/), why Tituss Burgess hated (http://www.vulture.com/2016/04/tituss-burgess-unbreakable-kimmy-schmidt-season-two.html) Season 1 reviews of his character, Ellie Kemper (http://www.nytimes.com/2016/04/17/arts/television/q-and-a-with-ellie-kemper-talking-kimmy-schmidt-jon-hamm-and-tarantulas.html) on reuniting with Jon Hamm, Jane Krakowski (http://www.ew.com/article/2016/04/11/unbreakable-kimmy-schmidt-season-2-jane-krakowski) talks Jacqueline, and all Netflix shows were singing Peeno Noir (http://observer.com/2016/04/all-of-netflixs-original-series-are-singing-about-black-genitalia-on-twitter/) on Twitter today.